Headshot of La Cieca

Cher Public

  • Hippolyte: Antonacci is been out of Le Cid–Sonia Ganassi has been listed as Chimene for months now. 9:20 AM
  • Don_Dano: Are there any opinions out their on Siberian tenor Alexey Dolgov? I thought he sang a very nice... 9:19 AM
  • Chanterelle: Yes, same Brussels production and directed by Zhang Huan, though credited to the Canadian Opera... 9:17 AM
  • marshiemarkII: By the way gal, by Anna Netrebko’s homeland I meant Novorossya, which is part of the... 9:11 AM
  • marshiemarkII: My carissssima gal, all I can say is gurl gurl gurl!! please!!!!, in how many ways do I have... 8:58 AM
  • umangialaio: Queuing unsuccessfully for Bayreuth… U 8:35 AM
  • Cicciabella: Absolutely. But our basic urges rob us of our peace of mind and distract us from what’s... 8:22 AM
  • Belfagor: Dear Camille, helas, I just realized I will be in Paris in April, but ‘Le Cid’ has... 8:03 AM
  • Quanto Painy Fakor: Interesting, but Clara Schumann was no Judith! 7:55 AM
  • manou: Don’t “survival urges” fit in with the Will to Live? 7:47 AM

O Engländer! Seid ihr nicht Toren…

As she herself points out, Zerbinetta is perhaps the first woman besides “the inimitable Heather MacDonald” to write a serious critique of Calixto Bieito‘s production of Die Entführung aus dem Serail.

Kaufmänner

“Taking the libretto’s description of ‘panther-like’ literally, Bacchus appears in a shiny leopard-print suit (well, close enough) and proceeds to creep up to Ariadne like a shy housecat.”  Veteran blogress Zerbinetta (pictured, left) was right there for the Salzburg Festival’s gala Ariadne auf Naxos and the two-tenor version of La boheme, and reviewed both productions for the website bachtrack.

Separated at UPC

A “Machine” that’s been dished and hung out to dry, and a “Magasin” you hang dishes on to dry. Thanks to Zerbinetta for noticing the striking similaries (not to mention that fact that the object that actually does something costs less than half the one that does nothing; a lesson for us all?) Read more »