Headshot of La Cieca

Cher Public

  • Buster: Thank you for another smashing overview. Will start with all the French ones. 1:56 AM
  • Guestoria Unpopularenka: I had no idea she was that rich. 1:37 AM
  • Guestoria Unpopularenka: Damn, right, you won’t. Larry doesn’t scream like this. And why did Joan... 1:33 AM
  • Guestoria Unpopularenka: I haven’t seen more than the cabaletta. I will watch the duet. However, in... 1:13 AM
  • DeepSouthSenior: She slips and nearly falls flat on her pretty little face at 1:06. Now, that would have... 12:50 AM
  • dr.malatempra: Oh, for heaven’s sake. How can you possibly know before you go??? Yes, you may not, but... 12:29 AM
  • williams: Argh! Wrong place. Lead balloon is aloft. 12:15 AM
  • williams: Rowna-just beautiful and so are you. 12:10 AM
  • williams: I had a case of mild golf clap back in the 70′s 12:03 AM
  • zinka: httpv://www.youtub e.com/watch?v=xAEk rBbEELo I will be there Tues..but I KNOW I will hear absolutely... 12:00 AM

O Engländer! Seid ihr nicht Toren…

As she herself points out, Zerbinetta is perhaps the first woman besides “the inimitable Heather MacDonald” to write a serious critique of Calixto Bieito‘s production of Die Entführung aus dem Serail.

Kaufmänner

“Taking the libretto’s description of ‘panther-like’ literally, Bacchus appears in a shiny leopard-print suit (well, close enough) and proceeds to creep up to Ariadne like a shy housecat.”  Veteran blogress Zerbinetta (pictured, left) was right there for the Salzburg Festival’s gala Ariadne auf Naxos and the two-tenor version of La boheme, and reviewed both productions for the website bachtrack.

Separated at UPC

A “Machine” that’s been dished and hung out to dry, and a “Magasin” you hang dishes on to dry. Thanks to Zerbinetta for noticing the striking similaries (not to mention that fact that the object that actually does something costs less than half the one that does nothing; a lesson for us all?) Read more »