Cher Public

  • RosinaLeckermaul: Why were you cheering loudly if you thought it was a disappointing performance? 9:18 PM
  • Lurker_del_Cairo: The entire Solti Ring documentary used to be on utube but alas, gone, along with the clip where they surprise Nilsson... 6:54 PM
  • La Cieca: Enjoy your time on moderation, you ridiculous coot. 6:51 PM
  • phoenix: Obviously, the powers that be at parterre.com are enjoying their bank holiday weekend with nimiety distracting enough for them to... 5:44 PM
  • Bluebeard: Totally agree regarding more DVDs from Munich. Their live streams are a treat, and I try to watch them whenever my... 5:37 PM
  • Mountaine: My friend and I were sitting in the upper balcony. Although the orchestra playing was wonderfully LOUD and FULL up there, and... 2:12 PM
  • kashania: PCally: Indeed. Whenever Gelb speaks publicly about Levine, he bows at his altar. 2:07 PM
  • PCally: Not to mention almost literally every interview gelb has given about the subject where he expressed his joy and enthusiasm (more... 1:46 PM

O Engländer! Seid ihr nicht Toren…

As she herself points out, Zerbinetta is perhaps the first woman besides “the inimitable Heather MacDonald” to write a serious critique of Calixto Bieito‘s production of Die Entführung aus dem Serail.

Kaufmänner

“Taking the libretto’s description of ‘panther-like’ literally, Bacchus appears in a shiny leopard-print suit (well, close enough) and proceeds to creep up to Ariadne like a shy housecat.”  Veteran blogress Zerbinetta (pictured, left) was right there for the Salzburg Festival’s gala Ariadne auf Naxos and the two-tenor version of La boheme, and reviewed both productions for the website bachtrack.

Separated at UPC

A “Machine” that’s been dished and hung out to dry, and a “Magasin” you hang dishes on to dry. Thanks to Zerbinetta for noticing the striking similaries (not to mention that fact that the object that actually does something costs less than half the one that does nothing; a lesson for us all?) Read more »