Cher Public

  • Cicciabella: Of course not! You’d have burn marks all over your arms. 8:34 AM
  • WindyCityOperaman: RIP actor, singer and eternal cutie Dean Jones httpvh://www.youtu be.com/watch?v=am8 qrrZAtP4 8:20 AM
  • armerjacquino: Azucena with sparing use of chest? You’ll have Zucker after you, not to mention our own Zinka. 7:23 AM
  • jrance: Oropesa has future engagements at The Met. She has a very busy career and a full calendar; offers from The Met don’t always... 7:04 AM
  • gustave of montreal: You think Pons could have vocalised Zerbinetta ? 6:42 AM
  • gustave of montreal: Très drôle, beurrrkkk, mais l’anglo n’est pas ma première langue. Alors je demande ce qui semble... 6:40 AM
  • manou: I have found that small children can be entertained during car journeys by listening to various operas – although I once... 6:39 AM
  • gustave of montreal: Poor Dima, so sad, so cruel 6:32 AM

O Engländer! Seid ihr nicht Toren…

As she herself points out, Zerbinetta is perhaps the first woman besides “the inimitable Heather MacDonald” to write a serious critique of Calixto Bieito‘s production of Die Entführung aus dem Serail.

Kaufmänner

“Taking the libretto’s description of ‘panther-like’ literally, Bacchus appears in a shiny leopard-print suit (well, close enough) and proceeds to creep up to Ariadne like a shy housecat.”  Veteran blogress Zerbinetta (pictured, left) was right there for the Salzburg Festival’s gala Ariadne auf Naxos and the two-tenor version of La boheme, and reviewed both productions for the website bachtrack.

Separated at UPC

A “Machine” that’s been dished and hung out to dry, and a “Magasin” you hang dishes on to dry. Thanks to Zerbinetta for noticing the striking similaries (not to mention that fact that the object that actually does something costs less than half the one that does nothing; a lesson for us all?) Read more »