Headshot of La Cieca

Cher Public

  • "Speaking of San Francisco, last summer’s SFO production of Show Boat will be..." - SF Guy
  • "Yeah very little out there for Amber Wagner except for a Rosenkavlier trio. I think..." - John L
  • "Hi Feldmarschallin, found a nice Interview with AH and would like to mail it to..." - Lohengrin
  • "Sorry for the typing error: NPW-Paris ,of course" - Albertine
  • "re: le Roi Arthus ,NWP-Paris, I read your review (we left at the interval) with..." - Albertine
  • "Oh meine liebe Feldmarschallin, how was Lulu? I am going on the 6th and would love..." - Fluffy-net
  • "It will be on CultureBox on June 2: http://culturebox. francetvinfo.fr/" - NPW-Paris
  • "For the musical side. So far, I’ve only seen reviews that loved the singing..." - NPW-Paris

O Engländer! Seid ihr nicht Toren…

As she herself points out, Zerbinetta is perhaps the first woman besides “the inimitable Heather MacDonald” to write a serious critique of Calixto Bieito‘s production of Die Entführung aus dem Serail.

Kaufmänner

“Taking the libretto’s description of ‘panther-like’ literally, Bacchus appears in a shiny leopard-print suit (well, close enough) and proceeds to creep up to Ariadne like a shy housecat.”  Veteran blogress Zerbinetta (pictured, left) was right there for the Salzburg Festival’s gala Ariadne auf Naxos and the two-tenor version of La boheme, and reviewed both productions for the website bachtrack.

Separated at UPC

A “Machine” that’s been dished and hung out to dry, and a “Magasin” you hang dishes on to dry. Thanks to Zerbinetta for noticing the striking similaries (not to mention that fact that the object that actually does something costs less than half the one that does nothing; a lesson for us all?) Read more »