Headshot of La Cieca

Cher Public

  • kashania: I mean Pat is very sympathetic and all but that Goldie is crazy! (I imagine that Simone... 10:43 PM
  • Grane: LOL. Goldie’s “Embroidery Aria” is second to none. 9:40 PM
  • kashania: On the night I saw it, we were so disappointed to find out that it was Goldie Hawn’s night... 9:00 PM
  • Krunoslav: Scotto sang Elvira in 1957 at the Stoll Theater seasons in London. 8:51 PM
  • Grane: The one that looked like the Joke Wall from Laugh-In? 8:42 PM
  • kashania: httpv://www.youtub e.com/watch?v=wQvB TO7ExMc 8:12 PM
  • kashania: Thanks for that story, willym. When I first heard this I wondered whether she and Vickers had ever... 8:10 PM
  • operaassport: The thought of Jessye Norman and 69 sent shivers down my spine. 7:37 PM
  • operaassport: Doesn’t matter. 7:36 PM
  • willym: Many thanks Kashania – I was in tears by the end. She, Vickers and Louis Quilico did an Otello... 7:23 PM

O Engländer! Seid ihr nicht Toren…

As she herself points out, Zerbinetta is perhaps the first woman besides “the inimitable Heather MacDonald” to write a serious critique of Calixto Bieito‘s production of Die Entführung aus dem Serail.

Kaufmänner

“Taking the libretto’s description of ‘panther-like’ literally, Bacchus appears in a shiny leopard-print suit (well, close enough) and proceeds to creep up to Ariadne like a shy housecat.”  Veteran blogress Zerbinetta (pictured, left) was right there for the Salzburg Festival’s gala Ariadne auf Naxos and the two-tenor version of La boheme, and reviewed both productions for the website bachtrack.

Separated at UPC

A “Machine” that’s been dished and hung out to dry, and a “Magasin” you hang dishes on to dry. Thanks to Zerbinetta for noticing the striking similaries (not to mention that fact that the object that actually does something costs less than half the one that does nothing; a lesson for us all?) Read more »