Headshot of La Cieca

Cher Public

  • MontyNostry: This one seems to be submerged in Ruritanian polyester. 4:38 PM
  • armerjacquino: I was turned off by finding out that it was the same director as that useless ARIADNE at... 4:30 PM
  • MontyNostry: So, far, a clutch of distinctly negative reviews for the determinedly non-Regie production of... 4:28 PM
  • reedroom: but, but, but…I LOVED GERHARD STOLZE! 4:13 PM
  • La Cieca: He’s about 6 feet, which for a tenor is tall. 3:49 PM
  • MontyNostry: He’s not tall, but he’s slim. 3:07 PM
  • manou: Who is in charge of the nominations? 3:03 PM
  • quibbleglib: Just how tall is Signor Fabiano anyway? I met him several years ago and don’t remember... 2:53 PM
  • La Cieca: As they used to say in the 1930s, “All your taste is in your mouth.” 2:29 PM
  • leftcoastlady: Interesting you should mention the Corleones. Saw a photo of Fabiano, full face w/two days... 2:26 PM

O Engländer! Seid ihr nicht Toren…

As she herself points out, Zerbinetta is perhaps the first woman besides “the inimitable Heather MacDonald” to write a serious critique of Calixto Bieito‘s production of Die Entführung aus dem Serail.

Kaufmänner

“Taking the libretto’s description of ‘panther-like’ literally, Bacchus appears in a shiny leopard-print suit (well, close enough) and proceeds to creep up to Ariadne like a shy housecat.”  Veteran blogress Zerbinetta (pictured, left) was right there for the Salzburg Festival’s gala Ariadne auf Naxos and the two-tenor version of La boheme, and reviewed both productions for the website bachtrack.

Separated at UPC

A “Machine” that’s been dished and hung out to dry, and a “Magasin” you hang dishes on to dry. Thanks to Zerbinetta for noticing the striking similaries (not to mention that fact that the object that actually does something costs less than half the one that does nothing; a lesson for us all?) Read more »