Headshot of La Cieca

Cher Public

  • Regina delle fate: or maybe Dutch. 6:29 PM
  • Ilka Saro: “bodygebuild ete” looks plenty English to me. 6:27 PM
  • MontyNostry: It looks as though something has gone terribly wrong with the commedia dell’arte troupe in... 6:24 PM
  • pasavant: This is America. Speak English! 6:20 PM
  • Archaeopteryx: Here is what you are looking for, in full HD glory: http://www.amazon. de/Verdi-Trovat... 6:10 PM
  • Lindoro Almaviva: Yum… I’d do him 5:48 PM
  • operaassport: Okay, I’ll say it. He’s HOT! 5:48 PM
  • semira mide: Boy, didn’t they! 5:48 PM
  • Jungfer Marianne Leitmetzerin: I am just in from the Britten “War Requiem” – today is the 100th anniversary... 5:47 PM
  • semira mide: Yes,but I was assuming that the broadcasts needed the GM’s support, approval etc. 5:47 PM

O Engländer! Seid ihr nicht Toren…

As she herself points out, Zerbinetta is perhaps the first woman besides “the inimitable Heather MacDonald” to write a serious critique of Calixto Bieito‘s production of Die Entführung aus dem Serail.

Kaufmänner

“Taking the libretto’s description of ‘panther-like’ literally, Bacchus appears in a shiny leopard-print suit (well, close enough) and proceeds to creep up to Ariadne like a shy housecat.”  Veteran blogress Zerbinetta (pictured, left) was right there for the Salzburg Festival’s gala Ariadne auf Naxos and the two-tenor version of La boheme, and reviewed both productions for the website bachtrack.

Separated at UPC

A “Machine” that’s been dished and hung out to dry, and a “Magasin” you hang dishes on to dry. Thanks to Zerbinetta for noticing the striking similaries (not to mention that fact that the object that actually does something costs less than half the one that does nothing; a lesson for us all?) Read more »