Headshot of La Cieca

Cher Public

  • Dabrowski: “Do people protesting about anti-Semitism tend to bomb cinemas?” Well, the JDL is... 7:55 PM
  • Poison Ivy: I realize this was a very different situation, but I know Anne Frank’s father after the war... 6:55 PM
  • Baltsamic Vinaigrette: aj, Gelb has just been interviewed on Newsnight [BBC2] and told Evan Davis all about... 6:28 PM
  • armerjacquino: This. The story has already been adapted into art. It’s dodgy at best to help some... 6:26 PM
  • armerjacquino: Sorry, but this is the first I’ve heard about ‘bomb threats in cinemas’... 6:24 PM
  • Rudolf: @ steveac10 He’s gotten older and wiser. Or has he? Just joking … :) 6:14 PM
  • kashania: Well said, Luvt. Some artists are able to develop as artists and change the audience expectations... 6:12 PM
  • La Cieca: JJ’s take in the New York Observer: http://observer.co m/2014/10/opera-re view-an-imperfe... 6:04 PM
  • luvtennis: Kashie: I have made a similar point in past posts about the stars from that era. They were always... 6:03 PM
  • kashania: Luvt: Yes, Joan had earned the right to do whatever she wanted. As a rule, I don’t object to... 5:56 PM

The incomplete idiot

Intendant Alexander Pereira halts the merry-go-round briefly to discuss Salzburg and La Scala with Zachary Woolfe of the New York Times.

Man of the future

Javier Camerena, “as close to a rock star as the Met has produced from its male roster this season,” has big plans with the company, with at least four roles planned for future seasons. [New York Times]

Happy February 1!

To celebrate the birthday of Renata Tebaldi, our friends at Opera Depot are offering a free download of live performances by this great diva. And speaking of divas, Our Own JJ returns to Operavore this afternoon for a talk about operatic miscasting. And don’t miss Zachary Woolfe‘s fascinating look at the Met’s new and different Prince Igor in the New York Times.

wilted_rose

Ancien regie

“But like any production left out in the sun a few decades, it gradually faded into mere decoration.”

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vepres

The mystery of Stefan’s “Vêpres”

The much-anticipated Stefan Herheim production of Les Vêpres Siciliennes opened last night at the Royal Opera, and the New York TimesZachary Woolfe was something less than completely bowled over.

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Noises Off

Pushkin comes to shove

Onegin, which opens the Met’s season on Monday, has taken an unusually precipitous tumble…

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anna_nicole

Annagnorsis

Our Own JJ debuts in the pages of the New York Observer.

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gay_stravinsky

Mavra, don’t ask!

And then she was all like, “Nuh-uh! Igor was so not gay,” and I was all like…

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woolfe

Zach talk

Longtime Friend of the Box Zachary Woolfe (pictured) sits down with Marc Scorca of Opera America for a “Conversation about Opera in America,” implausibly enough.

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metropolis

A series of ones and zeroes

“I’m analytical, not wild,” Ms. Garanca told an interviewer in 2009.

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