Headshot of La Cieca

Cher Public

  • Regina delle fate: I snatched up the Inge Borkh “Most Wanted” recital, which Decca has just... 4:41 AM
  • Cicciabella: Indeed, Alagna sounds good. Adrianne Pieczonka is a lovely Elisabetta: the voice sounds both... 4:39 AM
  • rofrano: [SNORT!] 4:23 AM
  • MontyNostry: I thought that was a photo of Maria Guleghina until I realised it was Alagna. 4:20 AM
  • Cicciabella: +1 re the Maureen Forrester biography, sfmike. I really enjoyed the down-to-earth tone.... 4:15 AM
  • DeepSouthSenior: Please let it be noted that I did not make the original statements – “redbear&... 3:37 AM
  • Lohengrin: Sorry, he is NOT my cup of tea……& #8230;…. 3:15 AM
  • Guestoria Unpopularenka: One could hardly notice his absence then, he doesn’t have that much to sing +... 2:54 AM
  • La Cieca: Here is the final scene from 28 September. Whatever Alagna’s injury, either he recovered... 2:49 AM
  • Albertine: The interval was after the auto-da-fe scene, and of course Don Carlo does not appear in the... 2:29 AM

The incomplete idiot

Intendant Alexander Pereira halts the merry-go-round briefly to discuss Salzburg and La Scala with Zachary Woolfe of the New York Times.

Man of the future

Javier Camerena, “as close to a rock star as the Met has produced from its male roster this season,” has big plans with the company, with at least four roles planned for future seasons. [New York Times]

Happy February 1!

To celebrate the birthday of Renata Tebaldi, our friends at Opera Depot are offering a free download of live performances by this great diva. And speaking of divas, Our Own JJ returns to Operavore this afternoon for a talk about operatic miscasting. And don’t miss Zachary Woolfe‘s fascinating look at the Met’s new and different Prince Igor in the New York Times.

wilted_rose

Ancien regie

“But like any production left out in the sun a few decades, it gradually faded into mere decoration.”

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vepres

The mystery of Stefan’s “Vêpres”

The much-anticipated Stefan Herheim production of Les Vêpres Siciliennes opened last night at the Royal Opera, and the New York TimesZachary Woolfe was something less than completely bowled over.

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Noises Off

Pushkin comes to shove

Onegin, which opens the Met’s season on Monday, has taken an unusually precipitous tumble…

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anna_nicole

Annagnorsis

Our Own JJ debuts in the pages of the New York Observer.

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gay_stravinsky

Mavra, don’t ask!

And then she was all like, “Nuh-uh! Igor was so not gay,” and I was all like…

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woolfe

Zach talk

Longtime Friend of the Box Zachary Woolfe (pictured) sits down with Marc Scorca of Opera America for a “Conversation about Opera in America,” implausibly enough.

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metropolis

A series of ones and zeroes

“I’m analytical, not wild,” Ms. Garanca told an interviewer in 2009.

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