Headshot of La Cieca

Cher Public

  • Krunoslav: “not that many Marzellines have moved up to Fidelio” Only Met example: Metropolitan... 1:23 AM
  • Dabrowski: This is an illuminating discussion. Thanks, all! Pavarotti died with a fortune of 250 million... 12:45 AM
  • La Cieca: I’ll try to explain myself once, and then I’ll leave it. I’ve used that word... 12:34 AM
  • antikitschychick: LOL hurrah for you Porgy! :-). Also, Queen DiDo is a kewl name. 12:28 AM
  • laddie: OPERA CAKE – I cannot find my recording of that Hoffman; if anyone has any clues where I can... 12:25 AM
  • antikitschychick: “Or you could, on the other hand, do the constructive thing of comparing her to a... 12:24 AM
  • laddie: yes, and I listened to that Onegin broadcast very closely and no matter what’s in the head,... 12:22 AM
  • antikitschychick: that’s a great anecdote mjmacmtenor. It’s great to hear this person got... 12:10 AM
  • antikitschychick: you’re welcome Le_Chiffre and I echo your sentiments as well :-). 12:07 AM
  • antikitschychick: I would have thought she makes at least 20k per performance. She and others certainly... 11:59 PM

The incomplete idiot

Intendant Alexander Pereira halts the merry-go-round briefly to discuss Salzburg and La Scala with Zachary Woolfe of the New York Times.

Man of the future

Javier Camerena, “as close to a rock star as the Met has produced from its male roster this season,” has big plans with the company, with at least four roles planned for future seasons. [New York Times]

Happy February 1!

To celebrate the birthday of Renata Tebaldi, our friends at Opera Depot are offering a free download of live performances by this great diva. And speaking of divas, Our Own JJ returns to Operavore this afternoon for a talk about operatic miscasting. And don’t miss Zachary Woolfe‘s fascinating look at the Met’s new and different Prince Igor in the New York Times.

wilted_rose

Ancien regie

“But like any production left out in the sun a few decades, it gradually faded into mere decoration.”

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vepres

The mystery of Stefan’s “Vêpres”

The much-anticipated Stefan Herheim production of Les Vêpres Siciliennes opened last night at the Royal Opera, and the New York TimesZachary Woolfe was something less than completely bowled over.

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Noises Off

Pushkin comes to shove

Onegin, which opens the Met’s season on Monday, has taken an unusually precipitous tumble…

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anna_nicole

Annagnorsis

Our Own JJ debuts in the pages of the New York Observer.

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gay_stravinsky

Mavra, don’t ask!

And then she was all like, “Nuh-uh! Igor was so not gay,” and I was all like…

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woolfe

Zach talk

Longtime Friend of the Box Zachary Woolfe (pictured) sits down with Marc Scorca of Opera America for a “Conversation about Opera in America,” implausibly enough.

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metropolis

A series of ones and zeroes

“I’m analytical, not wild,” Ms. Garanca told an interviewer in 2009.

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