Headshot of La Cieca

Cher Public

  • CerquettiFarrell: LOL Dame Kiri tries her best hand at impersonating Joan Crawford, 20:00 And her... 10:34 AM
  • Jungfer Marianne Leitmetzerin: It was just announced that Paolo Rumetz, who jumped in for Keenlyside on... 9:43 AM
  • aulus agerius: From what little of it I looked at, it appeared to be just Keenlyside doing Keenlyside, i.e.,... 9:40 AM
  • PushedUpMezzo: That’s nice to know! Was hoping for those ones with a chaise longue and a red velvet... 7:48 AM
  • Belfagor: Surely MTT’s strangest operatic contribution has been his championing of Rimsky-Korsakov... 7:39 AM
  • Buster: Great! Hope you enjoy your trip. Note that the boxes are unsuitable for manspreading. 7:01 AM
  • La Valkyrietta: Before someone (Kruno?) corrects me, your friend is not Richard but Henry. :) 6:19 AM
  • PushedUpMezzo: You two have finally convinced me. Will definitely try to get along to Liege for my first... 6:18 AM
  • La Valkyrietta: Another Zinka type anecdote. Your friend Richard lets out a fart in public, you tell him... 6:16 AM
  • DeepSouthSenior: I did a Google search on “Metropolita n Opera organ” and got some interesting... 5:39 AM

Feline AIDS continues unabated

“[J]udging singers in their 20s is truly difficult, especially with so much at stake for the finalists, including a $15,000 cash prize for each winner. Comparably gifted pianists in their 20s are much more likely to be technically assured and finished performers. Operatic voices, though, need long nurturing. Most young singers are still working out elements of their technique. Inevitably, the judges for these auditions are assessing the potential of the finalists as much as their actual performances. Moreover, as was made clear by the documentary film ‘The Audition,’ which followed the last round of the 2007 competition, performing in this concert could not be more high-pressure.” [Need You Ask?]