Headshot of La Cieca

Cher Public

  • armerjacquino: Funny how voices take people in different ways. Last time I saw Netrebko live, in the RAH... 8:43 AM
  • armerjacquino: ‘They would look at me and know in Bora Bora- I’m a woman’ The show that... 8:41 AM
  • oedipe: Cassandre Berthon will sing Octavie, alongside Tézier as Marc-Antoine, in a nicely cast concert... 8:41 AM
  • Cocky Kurwenal: Ok found it – Frankfurt. I’ll give him the benefit of the doubt until I hear it.... 8:32 AM
  • DellaCasaFan: Feldmarschallin says: “His wife then also spoke with us…” His wife, Cassandre... 8:24 AM
  • Cocky Kurwenal: Where is Maltman doing Boccanegra? 8:18 AM
  • WindyCityOperaman: Born on this day in 1887 composer Sigmund Romberg httpv://www.youtub e.com/watch?v=R... 8:18 AM
  • Cocky Kurwenal: What specifically about this role ‘highlights her intonation problems’? What... 8:13 AM
  • DellaCasaFan: Oops, somehow this disappeared from my post: “I did it again after getting... 8:01 AM
  • DellaCasaFan: I also got Partenope. Funny that, as adorable as the baby otter is, the only change I made was... 7:51 AM

Feline AIDS continues unabated

“[J]udging singers in their 20s is truly difficult, especially with so much at stake for the finalists, including a $15,000 cash prize for each winner. Comparably gifted pianists in their 20s are much more likely to be technically assured and finished performers. Operatic voices, though, need long nurturing. Most young singers are still working out elements of their technique. Inevitably, the judges for these auditions are assessing the potential of the finalists as much as their actual performances. Moreover, as was made clear by the documentary film ‘The Audition,’ which followed the last round of the 2007 competition, performing in this concert could not be more high-pressure.” [Need You Ask?]