Headshot of La Cieca

Cher Public

  • Buster: Thanks for that story, Zinka. He seems to have a lot of fun here: httpv://www.youtub e.com/watch?v... 11:06 AM
  • Cicciabella: Absolutely, MdM! The interpretation is sweet without being cloying. And such a beautiful,... 10:45 AM
  • La Cieca: Never mind that you think it would be cute assign to a mob of political opportunists the absolute... 10:32 AM
  • La marquise de Merteuil: Cicciabella is there ANYTHING more wonderful than La Battle in Scarlatti’s Il... 10:27 AM
  • Cicciabella: …that would be Baroque Duet. 10:27 AM
  • La Valkyrietta: La Cieca, manou, sorry and thank you, respectively. No intention of getting out of line.... 10:26 AM
  • Cicciabella: I haven’t seen this documentary (hope I find time to do so), but Baroque Duets is one of... 10:23 AM
  • alejandro: hot pic. *swoon* 10:05 AM
  • manou: Oh I don’t know – I find it quite witty. 10:02 AM
  • La Cieca: You’re not funny, you know. 9:37 AM

Feline AIDS continues unabated

“[J]udging singers in their 20s is truly difficult, especially with so much at stake for the finalists, including a $15,000 cash prize for each winner. Comparably gifted pianists in their 20s are much more likely to be technically assured and finished performers. Operatic voices, though, need long nurturing. Most young singers are still working out elements of their technique. Inevitably, the judges for these auditions are assessing the potential of the finalists as much as their actual performances. Moreover, as was made clear by the documentary film ‘The Audition,’ which followed the last round of the 2007 competition, performing in this concert could not be more high-pressure.” [Need You Ask?]