Cher Public

  • gustave of montreal: Thibaudet also performed at the Met in Fedora as the exiled Polish pianist Lazinski. 9:01 PM
  • PCally: Adrianne Pieczonka 8:53 PM
  • NPW-Paris: Exactly where I’ll hear Sweeney Todd this Sunday. 7:24 PM
  • NPW-Paris: I heard it in a hot tent in Brussels with noisy ventilators and jet planes overhead, on their way to land. 7:01 PM
  • Operngasse: I first saw Much Ado in the Joseph Papp 1972 production with Sam Waterston and Kathleen Widows. Updated to early 20th century... 6:55 PM
  • NPW-Paris: Ayayay… grateful. 6:34 PM
  • NPW-Paris: I heard him in Rigoletto in Paris and agree with you: I was greatful for his generosity and risk-taking. 6:32 PM
  • quibbleglib: I’ve only seen him live once — in the Met Boheme — but in my experience, Fabiano is praised here because... 6:30 PM

Feline AIDS continues unabated

“[J]udging singers in their 20s is truly difficult, especially with so much at stake for the finalists, including a $15,000 cash prize for each winner. Comparably gifted pianists in their 20s are much more likely to be technically assured and finished performers. Operatic voices, though, need long nurturing. Most young singers are still working out elements of their technique. Inevitably, the judges for these auditions are assessing the potential of the finalists as much as their actual performances. Moreover, as was made clear by the documentary film ‘The Audition,’ which followed the last round of the 2007 competition, performing in this concert could not be more high-pressure.” [Need You Ask?]