Cher Public

  • manou: …unfortunate ly! 6:36 AM
  • NPW-Paris: The mood often takes you, I think. 5:57 AM
  • phoenix: right you are Rudie – Sig. Bybee advertises himself as a baritone - I remember the old RCA Moffo set. It was engineered so... 4:39 AM
  • soubrettino: I love a good Rondine. The Doretta’s dream is done to death IMHO, and I prefer Magda’s second aria.... 3:59 AM
  • manou: As I am in the mood for an excruciating bilingual pun (and when am I not?), I will ask whether the stage holes are green. 3:57 AM
  • NPW-Paris: “Netrebko herself took a tumble in one of the Paris Opera potholes.” With whom? 2:52 AM
  • NPW-Paris: In true French style it was announced that A.Netrebko would be replaced by “Madame Eh”. I wonder how they might... 2:50 AM
  • CwbyLA: Great review Albert! So informative. It was a great pleasure to read it. I saw the work in Santa Fe last year. It was my first... 2:25 AM

Feline AIDS continues unabated

“[J]udging singers in their 20s is truly difficult, especially with so much at stake for the finalists, including a $15,000 cash prize for each winner. Comparably gifted pianists in their 20s are much more likely to be technically assured and finished performers. Operatic voices, though, need long nurturing. Most young singers are still working out elements of their technique. Inevitably, the judges for these auditions are assessing the potential of the finalists as much as their actual performances. Moreover, as was made clear by the documentary film ‘The Audition,’ which followed the last round of the 2007 competition, performing in this concert could not be more high-pressure.” [Need You Ask?]