Cher Public

  • redbear: This is from The Guardian site about 5 hours ago: Fears over Bayreuth opera festival Germany’s legendary Bayreuth opera festival... 5:06 AM
  • redbear: They could change but they don’t because of reams of the mindless who vote regardless. 4:34 AM
  • Sanford: Control of the media by the DNC???? If that were true, Trump wouldn’t have gotten billions of dollars of free TV coverage.... 3:14 AM
  • Sanford: Well, here;s the original, Patricia Elliot. She died last December after a long career on One Life To Live as Renee Buchanan and... 3:00 AM
  • Lohengrin: He is! 2:13 AM
  • La Cieca: President Nader thanks you for your vote. 11:08 PM
  • antikitschychick: Yes I just saw that and I’m not at all surprised, especially the part about them wanting to smear Bernie Sanders.... 10:47 PM
  • Camille: Yes, Jungfer, I remember when that happened a while ago as I also recall your mention of this being a royalties paying based... 10:39 PM

Feline AIDS continues unabated

“[J]udging singers in their 20s is truly difficult, especially with so much at stake for the finalists, including a $15,000 cash prize for each winner. Comparably gifted pianists in their 20s are much more likely to be technically assured and finished performers. Operatic voices, though, need long nurturing. Most young singers are still working out elements of their technique. Inevitably, the judges for these auditions are assessing the potential of the finalists as much as their actual performances. Moreover, as was made clear by the documentary film ‘The Audition,’ which followed the last round of the 2007 competition, performing in this concert could not be more high-pressure.” [Need You Ask?]