Headshot of La Cieca

Cher Public

  • "Seem to be having problems copying the link. httpv://youtu.be/X _AArumG76U" - mjmacmtenor
  • "Oops. Let’s try this again. httpv://youtu.be/L Jno125Cvk4" - mjmacmtenor
  • "Here’s one who could pull it off. Should have recorded it with him and..." - mjmacmtenor
  • "This is only the second year I’ve missed the Whitsun Festival in ten years..." - willym
  • "naturally; and if Dudamel should fall ill, we should know whom to expect to..." - antikitschychick
  • "W Zauscher’s Salome is a personal favorite. I love this clip. Thanks,..." - Sempre liberal
  • "Wonderful article JJ. I loved your profound comment about the Marschallin..." - Quanto Painy Fakor
  • "Except for Officer Krupke, who will be played by Placido Domingo." - Batty Masetto

Feline AIDS continues unabated

“[J]udging singers in their 20s is truly difficult, especially with so much at stake for the finalists, including a $15,000 cash prize for each winner. Comparably gifted pianists in their 20s are much more likely to be technically assured and finished performers. Operatic voices, though, need long nurturing. Most young singers are still working out elements of their technique. Inevitably, the judges for these auditions are assessing the potential of the finalists as much as their actual performances. Moreover, as was made clear by the documentary film ‘The Audition,’ which followed the last round of the 2007 competition, performing in this concert could not be more high-pressure.” [Need You Ask?]