Headshot of La Cieca

Cher Public

  • Lindoro Almaviva: not available in the USA, oh well 3:01 PM
  • Chanterelle: Oui, c’est ça. Why I asked about workarounds. 2:59 PM
  • messa di voce: Connais tu le pays ou cette video est disponible? 2:55 PM
  • bluecabochon: The house was papered again last night and there were empty pockets here and there despite... 2:53 PM
  • Billys Butt: I’m not saying it was. I made a statement about the acting of Scotto, Rysanek, Callas,... 2:53 PM
  • Lady Abbado: Also speaking in generalities, the epistemic problem with the need to “see” a... 2:50 PM
  • Cicciabella: Seconded. If you need to “see” a performer for their performance to be successful,... 2:38 PM
  • Buster: My pleasure Grim – this is how she looked for the second half, très Patsy: http://imagizer... 2:38 PM
  • Chanterelle: Ah, you mean with everyone who can READ. Thanks, La Cieca! 2:36 PM
  • kashania: Voigt might make sense because even if she is nice person as her public persona indicates, she was... 2:24 PM

Feline AIDS continues unabated

“[J]udging singers in their 20s is truly difficult, especially with so much at stake for the finalists, including a $15,000 cash prize for each winner. Comparably gifted pianists in their 20s are much more likely to be technically assured and finished performers. Operatic voices, though, need long nurturing. Most young singers are still working out elements of their technique. Inevitably, the judges for these auditions are assessing the potential of the finalists as much as their actual performances. Moreover, as was made clear by the documentary film ‘The Audition,’ which followed the last round of the 2007 competition, performing in this concert could not be more high-pressure.” [Need You Ask?]