Headshot of La Cieca

Cher Public

  • Flora del Rio Grande: Mme Marschallin, my I suggest a better comment would be we haven’t had an... 1:01 AM
  • Guestoria Unpopularenka: I would welcome that. They should replace both of the hosts. 12:21 AM
  • Krunoslav: httpv://www.youtub e.com/watch?v=FYFE c33zoqE 12:05 AM
  • Constantine A. Papas: Tonight on the internet, I watched live streaming of a concert from Carnegie... 11:52 PM
  • zinka: httpv://www.youtub e.com/watch?v=LT9P x9Jg3HY NUMERO DOS (Osie was Numero Uno) in our Standee... 10:25 PM
  • Quanto Painy Fakor: Turning attention to South Korea tonight (Saturday) there was a José Carerras concert and... 9:07 PM
  • Grane: Hey, stories about musicians losing their instruments aren’t going to write themselves. 7:49 PM
  • Jungfer Marianne Leitmetzerin: I was there tonight. A great triumph for the company (some vocal snags but not... 7:29 PM
  • Sir Ferris: He also has a minor operatic connection through his grandmother, whose translation of Oscar Wilde... 6:55 PM
  • MontyNostry: … and the sad thing is that a lot of people out there think he is a real music journalist... 5:52 PM

Feline AIDS continues unabated

“[J]udging singers in their 20s is truly difficult, especially with so much at stake for the finalists, including a $15,000 cash prize for each winner. Comparably gifted pianists in their 20s are much more likely to be technically assured and finished performers. Operatic voices, though, need long nurturing. Most young singers are still working out elements of their technique. Inevitably, the judges for these auditions are assessing the potential of the finalists as much as their actual performances. Moreover, as was made clear by the documentary film ‘The Audition,’ which followed the last round of the 2007 competition, performing in this concert could not be more high-pressure.” [Need You Ask?]