Headshot of La Cieca

Cher Public

  • Milady DeWinter: I agree that JJD was fine and her singing (and demeanor and outfit) appropriate to the... 11:09 AM
  • La Cieca: I corrected my above comment to reflect the $17,000 figure. 10:42 AM
  • irontongue: I think the top fee is higher than $14,000 per, unless it has gone down. Here’s what the... 10:36 AM
  • Krunoslav: Wasn’t Kasarova also down for a series of Met performancea as Nicklausse/Muse in CONTES?... 10:18 AM
  • Chanterelle: “Who knows where the time goes” on a Christmas album? Who knows where the time goes... 10:15 AM
  • Flora del Rio Grande: Basso, but then there was Pauline Viardot (1821-1910). Not a lot of voice, but a lot... 10:10 AM
  • Flora del Rio Grande: Marschallin, remember Wedgies? Diva footwear? - Flora 10:02 AM
  • La Cieca: Okay, this is remembering off the top of my head what I have been told over the years, but the Met... 9:50 AM
  • Feldmarschallin: Well in München you also get paid for rehearsal time and apparently also if you are sick and... 9:43 AM
  • Dabrowski: Do they get the fee for rehearsal time, or just performances? Are there reimbursements or per... 9:32 AM

Feline AIDS continues unabated

“[J]udging singers in their 20s is truly difficult, especially with so much at stake for the finalists, including a $15,000 cash prize for each winner. Comparably gifted pianists in their 20s are much more likely to be technically assured and finished performers. Operatic voices, though, need long nurturing. Most young singers are still working out elements of their technique. Inevitably, the judges for these auditions are assessing the potential of the finalists as much as their actual performances. Moreover, as was made clear by the documentary film ‘The Audition,’ which followed the last round of the 2007 competition, performing in this concert could not be more high-pressure.” [Need You Ask?]