Headshot of La Cieca

Cher Public

  • armerjacquino: And you don’t get to decide what ‘merit and quality’ are, you know. 2:09 PM
  • armerjacquino: Wow, you’re going to have to do a hell of a lot better than that. My post was an... 2:09 PM
  • EarlyRomantic: ‘Things should be allowed to exist regardless of merit or quality if Flemingflappers... 1:27 PM
  • armerjacquino: ‘Things should be allowed to exist if I like them’. 1:08 PM
  • EarlyRomantic: If she wants to make a Christmas album and people want to buy it- fine. I won’t be, but its... 12:52 PM
  • Krunoslav: Hammond-Stroud (indeed wonderful in an ENO RHINEGOLD I saw) did fine as Faninal at the Met but... 12:10 PM
  • SF Guy: Speaking of G&S and crossover… httpv://www.youtub e.com/watch?v=1ud5 4BCPJv8 (More... 12:08 PM
  • La marquise de Merteuil: LOL – My fav version is with Hinge and Brackett – Helas – not to... 11:42 AM
  • kashania: We all know that a real diva wears a turban! 11:40 AM
  • antikitschychick: And see how she develops we shall Feldm! If nothing else, a recording of Bel Canto &... 11:37 AM

The little gunmetal dress

Sleeveless Anna Netrebko performs scenes from Verdi’s Macbeth. Read more »

Splitting hairs

Today on Operavore, Our Own JJ talks about wig-pulling catfights. Also heard (in passing) are Marilyn Horne and Susan Graham. Read more »

Wigs and weaves

It’s easiest to write reviews when there are soaring triumphs and miserable failures. This is true in any field.  One need only look back at the review of Birgit Nilsson‘s legendary debut as Isolde in 1959 or Pete Wells‘ much more recent takedown of Guy Fieri‘s “restaurant” in Times Square.   Read more »

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Valley of the doll song

Separated at the 14th Street wig store: drag queen Lady Bunny and Disney princess Diana Damrau.

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Una soave immagine me n’ho formato in petto

Here,  on what appears to have been a rather chilly evening,  are Michael Fabiano and his “mom” Renée Fleming in Die Walküre Lucrezia Borgia at the San Francisco Opera.

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Anna’s anthem

Awesome Anna Netrebko wraps her considerable talent around a the Europop hit “La Voix.”  Note the correct use of hair extensions (without those ridiculous “rocker chick” bangs) and the plain but striking red gown. 

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Elina Garatsnest

We may have a contender in the category of Most Overdone Camp Diva Crossover Hair Extension.

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Greetings from the Alcova Dorata!

What a concept, or La Cieca should say what a concept! This is Regie at its finest and most boldly satirical, genius that makes Graham Vick look like two-day-old steak frites. For this production of Puccini’s Manon Lescaut, the director (unnamed, alas in the YouTube clip below) utilizes the cinematic convention of the flash-forward in a postmodern epoch-bending variation. What if, this staging asks, Manon were to survive her various torments and travails? What would her life be like at, say, age 60? And what if, instead of hanging around mosquito-ridden Louisiana, she invested in a condo in Miami Beach [...]

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Blonde date

Your feelings about the new Opus Arte DVD of Handel’s Acis and Galatea will have a lot to do with your tolerance for gentle whimsy. As a cultural consumer who tends to gravitate toward the more high-octane, Italianate drama of a Verdi overture or a Real Housewives of New Jersey hair-pull, I do my best to steer clear of pastoral operas about the lives and loves of those who tend sheep for a living, but an assignment is an assignment. 

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Dry cleaning

First things first: how are the clothes? Well, there’s enough leather to fill The Eagle ten times over, and there’s definitely fodder for intermission conversation: an adorable tweedy, puffy coat for Uldino; the pimped-out spiky bike helmet with the L.E.D. lights for Attila; all the L.E.D. lights in fact, like the ones that outline Ezio’s epaulettes; that insane blonde beehive wig with the single massive braid—worn, mais oui, with sparkly headband—that makes Violeta Urmana’s Odabella look half-Marge Simpson, half-Aubrey Beardsley Salome. But, good, bad, or crazy, the clothes are just that: clothes. 

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