Headshot of La Cieca

Cher Public

  • marshiemarkII: CammiB adoree!!! I was just thinking about you tonight as I was back again at Bar Boulud, and... 1:25 AM
  • Poison Ivy: “X-RAY STORY: A type of DIVA ANECDOTE that’s all windup and no delivery. Named for a... 10:52 PM
  • zinka: n the old Met we stood all the way down near the orchestra..Boxes hardly were overhanging. One night... 10:09 PM
  • zinka: httpv://www.youtub e.com/watch?v=Lrm3 jSrJwCE See next comment. 10:08 PM
  • Jungfer Marianne Leitmetzerin: That should be: Lance Ryan has talked about the booing and the hatred from the... 9:53 PM
  • Jungfer Marianne Leitmetzerin: Petrenko is passing the “Ring” to Marek Janowski in 2016 &... 9:52 PM
  • Camille: It almost has seemed on many occasions I’ve listened in on in the past few years that the... 9:48 PM
  • Camille: Mr. Fabiano has two sterling qualities, per my view: he PROJECTS his voice out and into the theatre,... 9:21 PM
  • kennedet: I apologize for the off-topic comment. I promise to mend my ways, in future. 9:11 PM
  • kennedet: I watched Fleming’s Christmas in NY and was quite taken with her ability to capture the... 9:09 PM

The little gunmetal dress

Sleeveless Anna Netrebko performs scenes from Verdi’s Macbeth. Read more »

Splitting hairs

Today on Operavore, Our Own JJ talks about wig-pulling catfights. Also heard (in passing) are Marilyn Horne and Susan Graham. Read more »

Wigs and weaves

It’s easiest to write reviews when there are soaring triumphs and miserable failures. This is true in any field.  One need only look back at the review of Birgit Nilsson‘s legendary debut as Isolde in 1959 or Pete Wells‘ much more recent takedown of Guy Fieri‘s “restaurant” in Times Square.   Read more »

Read more »

Valley of the doll song

Separated at the 14th Street wig store: drag queen Lady Bunny and Disney princess Diana Damrau.

Read more »

Read more »

Una soave immagine me n’ho formato in petto

Here,  on what appears to have been a rather chilly evening,  are Michael Fabiano and his “mom” Renée Fleming in Die Walküre Lucrezia Borgia at the San Francisco Opera.

Read more »

Read more »

Anna’s anthem

Awesome Anna Netrebko wraps her considerable talent around a the Europop hit “La Voix.”  Note the correct use of hair extensions (without those ridiculous “rocker chick” bangs) and the plain but striking red gown. 

Read more »

Read more »

Elina Garatsnest

We may have a contender in the category of Most Overdone Camp Diva Crossover Hair Extension.

Read more »

Read more »

Greetings from the Alcova Dorata!

What a concept, or La Cieca should say what a concept! This is Regie at its finest and most boldly satirical, genius that makes Graham Vick look like two-day-old steak frites. For this production of Puccini’s Manon Lescaut, the director (unnamed, alas in the YouTube clip below) utilizes the cinematic convention of the flash-forward in a postmodern epoch-bending variation. What if, this staging asks, Manon were to survive her various torments and travails? What would her life be like at, say, age 60? And what if, instead of hanging around mosquito-ridden Louisiana, she invested in a condo in Miami Beach [...]

Read more »

Read more »

Blonde date

Your feelings about the new Opus Arte DVD of Handel’s Acis and Galatea will have a lot to do with your tolerance for gentle whimsy. As a cultural consumer who tends to gravitate toward the more high-octane, Italianate drama of a Verdi overture or a Real Housewives of New Jersey hair-pull, I do my best to steer clear of pastoral operas about the lives and loves of those who tend sheep for a living, but an assignment is an assignment. 

Read more »

Read more »

Dry cleaning

First things first: how are the clothes? Well, there’s enough leather to fill The Eagle ten times over, and there’s definitely fodder for intermission conversation: an adorable tweedy, puffy coat for Uldino; the pimped-out spiky bike helmet with the L.E.D. lights for Attila; all the L.E.D. lights in fact, like the ones that outline Ezio’s epaulettes; that insane blonde beehive wig with the single massive braid—worn, mais oui, with sparkly headband—that makes Violeta Urmana’s Odabella look half-Marge Simpson, half-Aubrey Beardsley Salome. But, good, bad, or crazy, the clothes are just that: clothes. 

Read more »