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Cher Public

  • Jungfer Marianne Leitmetzerin: I think we petty much established that the Radamès is Giovanni Martinelli most... 3:57 AM
  • WindyCityOperaman: Sorry – in between the time I chose it and now someone turned the light off on the... 3:56 AM
  • Guestoria Unpopularenka: Only 1 night. Why? I have no clue. 3:34 AM
  • La Cieca: Selecting video clips for the “On this day” feature is difficult: how, for example, is... 3:17 AM
  • Cicciabella: Finally! Soneone who likes Haroutounian for herself and not because she comes to the aid of an... 2:41 AM
  • Angelo Saccosta: Me too, Quanto. It all started for me on March 31, 1956, Manon Lescaut with Licia and Jussi. 2:08 AM
  • basso profundo: He has a decent voice but, having met him, I’m not sure if “good-lookin g”... 1:14 AM
  • Guestoria Unpopularenka: LOL @ the bows after Celeste Aida. Who’s this tenor? 12:54 AM
  • katya toyanova: San Francisco Opera review: Soprano’s magnificent ‘Tosca’ debut http://www.sfga... 12:50 AM
  • katya toyanova: Review: Lianna Haroutounian Triumphs as Tosca – San Francisco Opera, October 23, 2014... 12:33 AM

Oh, how we danced on the night we were webbed

Diamonds_are_foreverLots of media news today, so let’s not waste any time! La Cieca congratulates Opera News on the occasion of the mag’s 75th anniversary this month, though your doyenne is willing to swear that the mag doesn’t look a day over 60!  Read more »

Who criticizes the critics?

watching_the-watchmenSee, La Cieca thinks Brian Kellow is asking for trouble when, in the second paragraph of his analysis of last March’s Slatkinshchina, he admits, “I did not attend the March 29 opening-night performance of La Traviata, nor did I listen to it on Sirius Radio.”   Read more »