Cher Public

Meine Klangkunst, sie küssen so heiß! Meine Kleider sind schmiegsam und weiß!

klangkunstNow this I call arts journalism: “Mit brausendem Beifall und Bravorufen gefeiert, präsentiert sich eine strahlende, braun gebrannte Anna Netrebko in spektakulären Roben und wirft immer wieder Kusshände ins Publikum: Das Konzert der Star-Sopranistin am Sonntagabend in der Hamburger Laeiszhalle ist zum triumphalen Fest für Ohren und Augen geraten.”

Lulu’s back in town

Continuing coverage of the Met’s new Alban Berg spectacular includes Our Own JJ‘s extended review, now online at the Observer website, and a critique by Ivan Martinson (aka Hans Lick) in GBOPERA. (Photo: Ken Howard/Metropolitan Opera.)

Internet won

La Cieca figures she might as well retire from editing, and for that matter, Manuel Brug can put down his critic’s pen, because the above is, bar none, the greatest headline ever written.

mary_garden

Tuesdays with Mary

Miss Garden smiled. “You probably have never seen a thin Violetta,” she exclaimed. “You’ll find that that will make a difference.”

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lady_anna

Lady for one day

But the part she seems most excited about is Lady Macbeth in Verdi’s treatment of Shakespeare’s Scottish play.

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You, Midgette

Adroit, awesome, autononomous Anne Midgette nominates her Top 10 Classical and Opera Releases of 2010 over at Soundcheck, and, La Cieca thinks to herself, why should Anne have all the fun? What are your favorite opera CDs and DVDs of the year, cher public? (Here are a few reviews to jog your memory.)

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Plain speaking

Martin Bernheimer, who was wise long before most of the rest of us were on solid food, writes what is likely to be remembered as the definitive essay on the Donald Rosenberg/Plain Dealer situation.

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Journalists ruin everything again

Linda Watson and John Treleaven have issued a joint not-apology, blaming “selective and biased representation of these interviews” for giving the impression that anything was less than stellar at the “fantastic history-making project” that is the LA Ring cycle. [Class Act via OperaChic]

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Gone in 60 Seconds

“Why can’t a general director with the fame, charm and ability of Domingo roll up his sleeves and work to realize his vision, rather than distancing himself from the results? The answer: because he isn’t actually there, running the company. He’s conducting Stiffelio, or singing Simone Boccanegra, or trying to keep up with his other company, the Los Angeles Opera (with equally dicey results) instead.”  

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