Cher Public

  • armerjacquino: I’m sure Isolde is not far off too… https://twitter.co m/heldenmommy/stat us/621716511363887 105 12:26 PM
  • kashania: I think this is fair. The rep for which Goerke is now in demand is the relatively small dramatic soprano rep — Elektra,... 12:23 PM
  • armerjacquino: Yep. httpv://www.youtub e.com/watch?v=otyX Re9kxw4 12:16 PM
  • La Cieca: That’s not the Muse, but please feel free to make judgments about the production before you have watched more than five... 12:07 PM
  • kashania: Very well. I probably shouldn’t have said anything considering my foggy memory of the performance. 12:00 PM
  • La Cieca: She sang very flat through the passaggio, which is where the part of Donna Elvira sits a lot of the time. I remember that very... 11:57 AM
  • La Cieca: Oh, get over yourself. Goerke was cast as Brunnhilde for a 2016-2017 revival of the Ring at the Met that was canceled for what... 11:54 AM
  • gustave of montreal: L’ai-je bien descendu ? That drunken Muse looks like a man. (Poor Barbier et Carré what they did to their... 11:53 AM

The music lovers

The curious things about accepted wisdom is that sometimes it’s correct. Take the case of Herbert von Karajan, a conductor whose early work is often considered more powerful and spontaneous (and less self-indulgent) than the stuff on his later recordings. Perhaps nowhere is this more apparent than in his 1952 live Tristan und Isolde from Bayreuth, a bracing account with Ramon Vinay and Martha Mödl that in almost every way surpasses his widely praised 1972 studio version with Jon Vickers and Helga Dernesch.   Read more »

Springtime for Wagner

Could Marek Janowski do for Wagner what the early music movement did for the Baroque and Classical repertory? Though the distinguished maestro is smart enough not to stake any claims of authenticity, his generally fleet, lean-sounding and gracefully shaped interpretations provide a stimulating perspective on works that often invite interpretive overkill. Read more »

Dark side of the moon

Finally some video of Stefan Herheim‘s Salome production shows up on YouTube. Read more »

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Equal rites

As with all good myths, certainly all the myths at the heart of Wagner’s operas, the juggling of symbols and archetypes and themes in Parsifal opens the piece to a great variety of interpretations.

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One touch of venous

Like the hero of Parsifal, who finds the Holy Grail after a lifetime of frustrated wandering, the Met’s audience was finally rewarded for its patience.

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Ring à la russe

Wagner is becoming an important calling card for Valery Gergiev and the Mariinsky Theatre.

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Zukunftsmiausik

Leave it to a cat to transform a Wagner festival into the Jellicle Ball.

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Wholly Grail

Certain opera productions become the stuff of legend as much for the circumstances surrounding the performance as for the musical results.

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Twilight of the Machine

“Now that it has become apparent that Robert Lepage‘s production of the Ring at the Met is a fiasco (too soon? Nah.)… well, anyway, since arguably the production is a dreary, unworkable, overpriced mess whose primary (perhaps only) virtue is that it actually hasn’t killed anyone yet, and since, let’s face it, the Machinecentric show turned out to be so mind-bogglingly expensive (all those Sunday tech rehearsals with stagehands being paid, no doubt, in solid platinum ingots!), something has to be done. In this article, I intend to propose that ‘something’.” Our Own JJ gets prescriptive at Musical America. (Image based on photos by Ken Howard)

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“Lehman’s Syndrome” bewilders medical establishment

From the Met press office: “Jay Hunter Morris will sing the role of Siegfried in Siegfried on April 21 matinee and April 30, 2012, and in Götterdämmerung on May 3, 2012. He replaces Gary Lehman who has withdrawn due to illness.”

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