Cher Public

  • Lohengrin: http://www.welt.de /kultur/buehne-kon zert/article156704 933/Eklat-in-Bayre uth-Parsifal-ohne- Dirigent.html and many further... 6:28 AM
  • Will: The NY Times is reporting this morning that Andris Nelsons has withdrawn from conducting Parsifal in Bayreuth this summer citing a... 5:40 AM
  • grimoaldo: Thank you Camille and Batty for your kind messages! it is funny how one can make true friends on a forum like this. You are not... 4:02 AM
  • NPW-Paris: It was en economical but mostly effective production, but amplified, so it was hard to judge of the performance. But above all... 2:59 AM
  • Tamerlano: And that Medée with Christie…it& #8217;s an absolutely astonishing performance. 1:53 AM
  • Cicciabella: In the meantime, you can listen to Radvan singing a fantastic “O patria mia”, Go to the ARTE Concert channel on... 1:53 AM
  • Krunoslav: While “old hags” is certainly a pertinent phrase in this thread, Niel, my intervention concerned only the actual... 12:52 AM
  • Niel Rishoi: BWAHAHAHAHA!!!!!!! !!!!!!!!!!!!!! Look at all you old hags taking this seriously!!!!!!!! You just LOVE this, Krunoslav,... 12:42 AM

Coupe de grâce

Those among the cher public who did not find enough Wagner in their Christmas stockings (or who are still reeling from the recent ROH travesty they called a Bühnenweihfestspiel) will be pleased to hear that our good friends at Opera Depot are currently offering a free download of Parsifal conducted by Hans Knappertsbusch at the 1963 Bayreuth Festival.

The opposite of canard is truth

“Is Parsifal, then, a religious artwork, or is it a work ‘about’ religion? Unsurprisingly, the answer turns out to be: both. More profoundly, however, the very material of Wagner’s drama may be understood to lie in exploring the relationship between the two tendencies.” This week, an anti-canard: words of wisdom from the always fascinating Boulezian.

The music lovers

The curious things about accepted wisdom is that sometimes it’s correct. Take the case of Herbert von Karajan, a conductor whose early work is often considered more powerful and spontaneous (and less self-indulgent) than the stuff on his later recordings. Perhaps nowhere is this more apparent than in his 1952 live Tristan und Isolde from Bayreuth, a bracing account with Ramon Vinay and Martha Mödl that in almost every way surpasses his widely praised 1972 studio version with Jon Vickers and Helga Dernesch.   Read more »

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Springtime for Wagner

Could Marek Janowski do for Wagner what the early music movement did for the Baroque and Classical repertory?

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Dark side of the moon

Finally some video of Stefan Herheim‘s Salome production shows up on YouTube.

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Equal rites

As with all good myths, certainly all the myths at the heart of Wagner’s operas, the juggling of symbols and archetypes and themes in Parsifal opens the piece to a great variety of interpretations.

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One touch of venous

Like the hero of Parsifal, who finds the Holy Grail after a lifetime of frustrated wandering, the Met’s audience was finally rewarded for its patience.

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Ring à la russe

Wagner is becoming an important calling card for Valery Gergiev and the Mariinsky Theatre.

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Zukunftsmiausik

Leave it to a cat to transform a Wagner festival into the Jellicle Ball.

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Wholly Grail

Certain opera productions become the stuff of legend as much for the circumstances surrounding the performance as for the musical results.

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