Cher Public

  • danpatter: I couldn’t agree more. Tucker’s voice was the first tenor voice I listened to and liked. He was on so many... 6:45 PM
  • kennedet: I could be dead wrong but I find it difficult to believe that Battle’s life will ever appear on stage, film or anywhere... 5:14 PM
  • gustave of montreal: Then BOULEVARD SOLITUDE 4:50 PM
  • JohninSeattle: Returns of the day to our favored “playwright, actor, commentator and diseuse”. That said… Oh to have... 3:51 PM
  • Daniel: Arquez, pardonnez-moi̷ 0; 3:33 PM
  • Daniel: It’s unfortunate to read yet another review so focused on soloists’ vocal timbre rather than the overall effect of the... 3:31 PM
  • 98rsd: Levine and the Met Chorus and Orchestra easily outclassed this effort. And the soloists were basically just okay. Any idea why... 2:41 PM
  • zinka: BOOHOO!!!!!!!!!!!! !!!!!!!!!!!!! As we approach (Aug.28) the birthday of my favorite tenor, Richard Tucker, I think of some of the... 12:56 PM

His cup runneth over

Elisir 1I hadn’t seen the Met’s most recent L’Elisir d’Amore since its premiere three-and-a-half years ago, but I would have sworn Bartlett Sher’s production was pretty traditional. But its revival which opened Thursday night featured an edgy, unorthodox interpretation unlike any I’d ever seen or read about. As portrayed by Vittorio Grigolo, Nemorino was a manic self-absorbed, probably bipolar, stalker whoagainst all odds and good sense—gets the poor girl. One could easily imagine a sequel in which Adina ended up stabbed to death six months after the wedding by her scary new husband.  Read more »

Lede buried

“…Bill and Hillary Rodham Clinton were in the audience, with their daughter, Chelsea, and her husband, Marc Mezvinsky. They were there, opera insiders said, because Chelsea Clinton is a friend of the tenor Vittorio Grigolo, who was playing the Chevalier, Manon’s true love.” [New York Times]

Je sens une pure flamme

“[T]here’s no chill to be detected at the Metropolitan Opera. There, the temperature rises nearly to boiling every time Diana Damrau and Vittorio Grigolo are on stage together in a sensational revival of Manon, which opened on Monday…” Our Own JJ‘s take on the Massenet will not appear until next week, but for now you are invited to make do with Zachary Woolfe‘s rave in the New York Times. (Photo: Ken Howard/Metropolitan Opera)

Hoffmann

A wasted time

Vittorio Grigolo in the title role of the Met’s revival of Les Contes d’Hoffman is the opera version of the charming homeless drunk.

Read more »

La Boheme

Spring will be a little late this year

La bohème  is such a popular romantic opera that hardly anyone ever notices that Mimì and Rodolfo undergo what in modern terms would be called speed dating.

Read more »

florez_amazon

Where the boys are

When Norman Lebrecht is declaring on an almost daily basis that classical music is dead, it’s perhaps heartening that four of today’s prominent tenors have recently released what might be called fluff/vanity albums.

Read more »

grigolo

A pretty boy milking his bows

This afternoon at the Met, Grigolo sold his performance like the rent was due tomorrow and he was down to his last penny.

Read more »

grigolo

In solitaria stanza

La Cieca alerts the cher public to be on the lookout for discounts and downright giveaways for the upcoming Vittorio Grigolo recital at the Met.

Read more »

requiem_amazon

Bowled over

I never thought I’d see the day when Giuseppe Verdi and Benjamin Britten would battle it out for musical superiority but that’s exactly what happened in Los Angeles this year.

Read more »

jj_post

Young man with a horn

Ring a ding ding! There’s a new Duke in town, and he’s jolting the Met’s Rigoletto with enough electricity to light up the Las Vegas Strip.

Read more »