Headshot of La Cieca

Cher Public

  • pasavant: Great review. How can I keep from confusing Michael Fabiano and Stephen Costello? I keep getting... 3:09 PM
  • WindyCityOperaman: You are welcom, my dear Tatiana, but I cannot claim full credit for this. It is La Cieca... 2:56 PM
  • Will: Yes, a review that gives the reader a real sense of the kind of excitement that must have been going on... 2:53 PM
  • MontyNostry: The set for that Trovatore was fabulous, though! 2:52 PM
  • diva2themax: Yeah last week was pretty special at the Met nothing like standard repertoire performed w/... 2:52 PM
  • MontyNostry: I heard an interesting view from a young soprano who has had some success in La traviata and she... 2:51 PM
  • MontyNostry: That was definitely the low-point of the Konwitschny production, which I thought worked pretty... 2:48 PM
  • semira mide: Tiger1, are you from Aarhus, too? It’s my mother’s home town. 2:47 PM
  • MontyNostry: Another terrific review by JJ. 2:44 PM
  • Dabrowski: It is definitely more disturbing than the worst of Calixto Bieito’s excesses. 2:20 PM

Breaking dawn

When Giuseppe Filianoti isn’t busy being one of the world’s more versatile tenors (as he will be next season at the Met, headlining La rondine and La clemenza di Tito), he plays detective. The latest target of his crafty Calabrian grey cells is the score to Francesco Cilèa’s L’Arlesiana, which he will perform in concert next week at Theater Freiburg, and in typically tenorial fashion, his discovery involves a “lost” aria for his character of Federico. Read more »

Cross purposes

fedora_amazonIt was while attending a performance of Fédora in Naples in 1885 that eighteen year-old Umberto Giordano fell in love with Sardou’s then immensely popular play; the protagonist was none other than Sarah Bernhardt, the creator of the title role.

He immediately asked the French dramatist to sell him the rights, a request Sardou did not even take into consideration.  After the composer scored modest successes with Marina, Mala vita and Regina Diaz, Sardou seemed almost persuaded to relent, although the publisher Sonzogno considered the author’s financial demands too excessive.  Only after the triumph of Andrea Chénier did Sardou and Sonzogno come to an agreement, and Giordano was finally able to devote himself to his long-awaited project. Read more »

Is Renée Renata reborn?

Following the jump, snippets of all the tracks on the new “Verismo” album, as performed by America’s Soprano.  Read more »