Headshot of La Cieca

Cher Public

  • NPW-Paris: I’ve published a write-up, but it was tough going and the result is nothing special, though... 5:22 AM
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  • m. croche: Nice to be reminded that critics for the German dailies can be just as goofy as their... 3:56 AM
  • Feldmarschallin: http://www.nzz.ch/ feuilleton/buehne/ ein-rosenkavalier- ohne-lebenstiefe-1 .18512522 3:41 AM
  • Feldmarschallin: http://www.sueddeu tsche.de/kultur/dr ei-festpremieren-v om-wochenende-bunt es-opernosterf... 2:01 AM
  • parpignol: that would be Faustina, one of the great felines of British literature. . . 12:43 AM
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  • marshiemarkII: Stutzmann, now that is a voice from the past, she was really wonderful and I really like the... 12:24 AM
  • DeepSouthSenior: I have a special fondness for the Pergolesi Stabat Mater with Nathalie Stutzmann and Roy... 12:11 AM
  • DeepSouthSenior: Thank, everyone, for the Don Carlo recommendations. Met on Demand video has only 1980 and... 11:39 PM

Hurling

It shouldn’t take you but a moment to find the great huge clunking error of fact in this Vanity Fair profile of Joyce DiDonato. And that publication is usually at its best when discussing dead rich people!

United we…?

backstageWe’ve all had a rough time in the last few years; but cultural institutions have had it worse than they could have possibly imagined. With a business model that relies entirely on private donations to achieve fiscal viability, the challenge to make ends meet has never been greater.  Read more »

La Cieca’s favorite couple of sentences from that Vanity Fair piece, and why

vanity_gelbVolpe, who is 69, wants to set the record straight, now that Peter Gelb is being held up as the architect of a new, dynamic Met: with enough money, he too could have been creative. ‘Peter spends money in ways I never could,’ Volpe told me. ‘If I had Mercedes Bass and I could have spent money upon money in those days, it would have been a lot different. But I couldn’t. You know, I couldn’t’.” Read more »