Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure. Read more »
After four years of delegating union talks to his predecessor, Joseph Volpe, Met honcho Peter Gelb will now lead negotiations himself. [New York Times]
Mezzo-soprano Joyce DiDonato is first among equals in a spectacular cast when she sings the title role of Ariodante in this season’s installment of Carnegie Hall’s critically acclaimed cycle of Handel’s operas in concert. A brilliantly melodic work, the opera features outstanding arias for each of the principal singers, including Ariodante’s melancholy “Scherza infida” and show-stopping “Doppo note.” Harry Bicket and The English Concert bring authentic Handelian brilliance to this marvelous opera. (Photo: Simon Pauly) Get tickets. Read more »
“Ogni Cura si doni al diletto / E s’accorra nel magico petto,” the joke went back in the late ’90s. What wags we were! José Cura, cover boy for this vintage issue of parterre box, is not the main focus of the magazine, though. La Cieca muses on the telecast of Previn’s A Streetcar Named Desire, the premiere of the (second) Zeffirelli Traviata at the Met and Christopher Alden‘s take on The Mother of Us All; Indiana Loiterer III covers the first visit of the Duchess of Argyll to BAM; various parterriani dream dreams of recordings; and Dawn Fatale unleashes the seminal rant “The Volpe Era.” [Download Issue #35]
The multi-slashed Manuela Hoelterhoff (Bloomberg editrix/spouse to disgruntled New York City Opera intendant manquée Francesca Zambello/grouch emeritus) dipped her goose quill in venom this morning once again to take on her favorite subject, i.e., how NYCO has gone to hell in a handbasket ever since they didn’t hire her girlfriend to run the place.