Cher Public

  • armerjacquino: I think, as ever, it depends on the director. In that Salzburg BOHEME she was genuinely remarkable as an actor- maybe the... 6:52 PM
  • Signor Bruschino: I completely agree- dreadful conducting. And when he was conducting South Pacific, during the dialogue scenes, he would... 6:34 PM
  • RosinaLeckermaul: Yes, rewriting classics was typical in the Restoration. Shakespeare was considered a genius, but one who needed editing... 6:07 PM
  • la vociaccia: I thought Sperling’s conducting in THE KING AND I was dreadful; rushed, shallow and completely without sweep or... 5:44 PM
  • JohninSeattle: So, they *added* to a universally known and beloved work? I know that Romeo and Juliet (and even King Lear) were routinely... 5:33 PM
  • phoenix: kash, sorry about the mistaken identity – Baba was talking about Anna but I found his description suited Angela (and Anna)... 5:01 PM
  • mandryka: I noticed that KJ has a gig coming up at the Cafe Carlyle , usually a fairly sophisticated venue. It was the home of Bobby Short... 4:51 PM
  • Lady Abbado: Just noticed…on this day 11 years ago Angie was in great form singing for Queen Beatrix’ Silver Jubilee:... 4:38 PM

Embroidered silk

After having triumphed last month in Paris in Stéphane Braunschweig’s new Norma at the Théâtre des Champs-Elysées, Maria Agresta began 2016 more modestly. For her American stage debut, the Italian soprano knocked on Rodolfo’s door as Mimi in the 458th performance of Franco Zeffirelli’s outsized production of Puccini’s La Bohème at the Metropolitan Opera, Her delicately-acted, sumptuously-sung seamstress transformed what might have been just an average Wednesday night revival into something finer.   Read more »

Coffee break

La Cieca (pictured, in her dreams) would like to pause just a moment in her editrixing duties for a spot of housekeeping, by which she doesn’t mean she’s finally going to get rid of those hideous drapes (though goodness knows she should!) but rather to salute our sponsors and to remind you, the cher public, how you can help spread the word about your favorite parterre box material, if any.   Read more »

Tweet charity

La Cieca is positively brimming with excitement to bring you an exclusive interview with @FakeNLebrecht, connoisseur of sick notes, writer of fiction and obituaries.   Read more »

gelb

The Met: What is to be done?

Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure.

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danielle

Danielle fires back

The leading lady of the Bayerische Staatsoper’s production of La Calisto has taken to the Twitters to respond to the recent discussion of her comments about Miley Cyrus.

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adjani

With one look

Lyric Opera of Chicago’s 2014-2015 season will consist of Tannhäuser, The Passenger, Tosca, Porgy and Bess, Il Trovatore, Anna Bolena, Capriccio and Don Giovanni.

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um_huh

Tweet and lowdown

Everyone can go home now, because Twitter has reached its zenith.

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bad_news

… and now the worse news

A couple of tweets from Thomas Hampson detailing some grisly-sounding future projects.

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yannick

Couldn’t you just eat him up?

ust when you thought it was impossible to adore Yannick Nézet-Séguin any more than you already did…

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How tweet the sound

“I will be on #Broadway again!”

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