Artistic temperament she had, but not including self-centered megalomania.  She was one of the most fully human individuals I have ever known.

I had no idea whatsoever of the reality of the life of this strong, vibrant woman I had gotten to know, the traumas she suffered; the extent and the horror of her experiences was all very surreal to me.

The 1990s effectively signaled a new phase in Edita Gruberova‘s career with her undertaking more demanding, heavier roles, while still essaying Zerbinetta and Lucia.

The entire dinner was spent discussing conductors.

You know in some of those old Jeanette MacDonald movies where she plays a prima donna and receives applause in a public setting? That’s just what happened when the three of us walked into that restaurant, one patron calling out “Brava!”

I proposed to Edita that we turn my 20-page paper into a book, a musical biography.

I never fathomed I’d be writing words as these this soon.