Headshot of La Cieca

Cher Public

  • manou: That is a very good example too – it must be so frustrating to have so much talent and find that... 8:04 PM
  • laddie: Can Parterrians also use Tube Chop to post videos? I’ve been able to chop but cannot figure out... 8:00 PM
  • Jungfer Marianne Leitmetzerin: Don’t forget the autumn career of Martine van Hamel, truly a class act... 7:52 PM
  • Bill: Hartig does sing Mozart – Pamina and Susanna at least in Vienna. The voice is a bit more fragile... 7:41 PM
  • Poison Ivy: Ty manou :) And here’s a Baryshnikov goodie now that I know you’re a fan:... 7:31 PM
  • manou: Sorry to hear you are not well, Ivy. Do look after yourself. And wear cashmere, of course. 7:08 PM
  • MontyNostry: Oh, I didn’t realise who she was! She comes over as a complete bimbo, though the other... 6:55 PM
  • manou: Jungfer – I saw Baryshnikov in all the performances he gave here in London, including the ones... 6:53 PM
  • Baritenor: Huh. I had a production meeting for GIANNI SCHICCHI today, which Is of course based on Dante.... 6:48 PM
  • la vociaccia: different *from* recordings 6:41 PM

The singing dead

“Somehow with opera, just as with theatre, it turns out that the monster’s head still hasn’t been cut off. Or else, like any monster worthy of the name, it keeps finding ways to rise from the grave.” Occasional friend of the box Joseph Cermatori offers an obituary of sorts for opera in New York in 2011-2012 in PAJ: A Journal of Performance and Art.