Headshot of La Cieca

Cher Public

  • CwbyLA: I thought you didn’t care much about the tenure system in universities. 10:25 PM
  • Stendhal: Sorry Ian – wish I could reply directly to you. Thanks for your response. So if we keep... 9:58 PM
  • DellaCasaFan: ianw2: you do not mention that Baumol’s theory is based on the quality-nonadjuste d... 9:56 PM
  • PokeyGascon: I was curious what exactly is the job description for a Bill Poster union member? I saw... 9:33 PM
  • ianw2: But isn’t that the whole point of the Baumol Effect- that standard market economics don’t... 9:16 PM
  • ianw2: I should probably add that even though the vast majority of ushers in Australia are on casual... 9:04 PM
  • m. croche: But I don’t see why they have to be unionised. Um, because they want to be unionized? 9:04 PM
  • kashania: I’m surprised to hear that the majority of ushers in the U.S. are volunteers. Volunteers are... 8:53 PM
  • Stendhal: “That’s exactly the point- there isn’t one.” Which is what I was hinting at. The... 8:53 PM
  • steveac10: And a part time job that is not a livelihood probably does not need a union. I was not being mean... 8:45 PM

The singing dead

“Somehow with opera, just as with theatre, it turns out that the monster’s head still hasn’t been cut off. Or else, like any monster worthy of the name, it keeps finding ways to rise from the grave.” Occasional friend of the box Joseph Cermatori offers an obituary of sorts for opera in New York in 2011-2012 in PAJ: A Journal of Performance and Art.