Headshot of La Cieca

Cher Public

  • alejandro: THANK YOU! This is one of my favorite shows ever. I’m a Japanophile and a Sondheimite . . .... 8:10 AM
  • La Valkyrietta: Enjoyed the review. I loved the performances Monday. Camarena is definitely a new star in New... 8:04 AM
  • Cocky Kurwenal: I saw the opening night PI, which I don’t suppose was the broadcast performance, but... 7:52 AM
  • Cocky Kurwenal: I would also go with Sills for this opera, overall, even though I have never particularly... 7:47 AM
  • Regina delle fate: Surely La Cenerentola is Rossini’s comic masterpiece, Camille. Which are your other... 6:54 AM
  • Regina delle fate: Bartoli at the Met is an entirely different thing from Bartoli in Zurich or at the Haus... 6:51 AM
  • manou: mskapay – it is very clear that you are not happy with the tone of this blog (“it’s really... 6:49 AM
  • Regina delle fate: I’ve got it already Buster! But not played it yet. Grim – thanks for the... 6:48 AM
  • Regina delle fate: Camille – I didn’t see her at La Scala, but I’ve seen her Elsa twice at... 6:46 AM
  • oedipe: Great. But you don’t consider baroque opera to be synonymous with Handel, I hope. How about a... 5:56 AM

The singing dead

“Somehow with opera, just as with theatre, it turns out that the monster’s head still hasn’t been cut off. Or else, like any monster worthy of the name, it keeps finding ways to rise from the grave.” Occasional friend of the box Joseph Cermatori offers an obituary of sorts for opera in New York in 2011-2012 in PAJ: A Journal of Performance and Art.