Cher Public

  • Dabrowski: Co-signing this. They are both much better in the hall than on recording, but I find that especially so with Becza?a. 7:19 AM
  • armerjacquino: Twenty years from now? Aged 67? 5:09 AM
  • armerjacquino: I have no dog in this fight, but you can’t say ‘just pointing out facts’ about a post which started... 5:08 AM
  • YigeLi: The complete quotation is: Netrebko: I’m doing ‘Lohengrin’ in St. Petersburg, but after that I don’t know. I think I would love... 4:53 AM
  • guy pacifica: That’s fantastic singing — thank you for including it. 12:40 AM
  • stevey: +1 10:49 PM
  • la vociaccia: She also has her worst tuning problems when she has to sing high notes that aren’t approached stepwise. Her soprano 2... 10:44 PM
  • JackJack: I strongly disagree about the Immolation Scene. I thought it was clearly the best part of the night. Her voice had warmed up... 8:16 PM

The singing dead

“Somehow with opera, just as with theatre, it turns out that the monster’s head still hasn’t been cut off. Or else, like any monster worthy of the name, it keeps finding ways to rise from the grave.” Occasional friend of the box Joseph Cermatori offers an obituary of sorts for opera in New York in 2011-2012 in PAJ: A Journal of Performance and Art.