Cher Public

  • Howling in Tune: For that trip, Bolt/Megabus/Greyh ound/Chinatown is really better – unless there’s serious traffic,... 2:16 AM
  • NPW-Paris: Salome is great for ironing. Seriously. 2:06 AM
  • operablogger: Totally off-topic (sorry about that), but seeing the surname Hage on the Philadelphia “Traviata 221; roster... 1:27 AM
  • Krunoslav: Ich habe Mut und Kraft! 1:10 AM
  • overstimmelated: Braving the glacial website, I noticed that Julianna di Giacomo is currently on the roster (“Who We Are”). As... 1:06 AM
  • m. croche: Clearly, I failed to reckon with the power of Kraft. 1:01 AM
  • Krunoslav: http://www.walmart .com/ip/10295787?r eviews_limit=7& ; 12:54 AM
  • m. croche: I call shenanigans. Monterey Jack does not crumble. As for Plump Jack… 12:50 AM

The singing dead

“Somehow with opera, just as with theatre, it turns out that the monster’s head still hasn’t been cut off. Or else, like any monster worthy of the name, it keeps finding ways to rise from the grave.” Occasional friend of the box Joseph Cermatori offers an obituary of sorts for opera in New York in 2011-2012 in PAJ: A Journal of Performance and Art.