Cher Public

  • Camille: Beautiful voice, technique, intonation, musicality, and singing. Thank you for introducing me to this particular piece as I am... 10:09 PM
  • Batty Masetto: Oy, but some of those farkakte shmattes they put on the ladies these days! 9:58 PM
  • Camille: Alagna will be singing Éléazar in Feldmarschallin 217;s backyard, in München next June. I remember noting that it will be... 9:46 PM
  • Camille: Thank you again so kindly and now I shall make a point of it. His terrible suicide becomes a bit more clear as, for a writer, the... 9:28 PM
  • Camille: So relieved to hear you are home safely and are not still levitating over Josie Robertson Plaza in extasi! You don’t know... 9:22 PM
  • LT: Tomorrow(Sunday)th e traditional Advenskonzert from Dresden will take place with Sonya Yoncheva and Luca Pisaroni. It will be... 8:52 PM
  • antikitschychick: Just got back from the matinee of Tosca and omfg I died. I.AM.DEAD. Morta I tell you! It was riveting. When Tosca jumped... 8:52 PM
  • Rowna: We were ungepotchked as well. And I am so glad to see Yiddish on Parterre. Sometimes the sets of opera productions have too many... 8:39 PM

Ass backwards

“If you think that elegant transitions like these are the crucial elements in the Ring — if you view Wagner’s cycle primarily as a series of logistical puzzles waiting to be solved with advanced technology — Ka might convince you, as it apparently did Mr. Gelb, that Mr. Lepage is the man for the job.  But if you care more about the cycle’s nuances — its characters and their relationships, its emotions, its philosophical complexities — then the idea of giving the reins to the creator of Ka, which is wholly devoid of all those complexities, is preposterous.” Zachary Woolfe went to Las Vegas and all we got was a thoughtful analysis of why Robert Lepage never was a good fit for the Ring.