Headshot of La Cieca

Cher Public

  • La Cieca: The 1954 Doris Day musical Love Me or Leave Me, which is based on the life and career of 190s... 5:30 AM
  • tiger1: Thanks for sharing, Zinka, really great singing – and the first time I have heard this cut... 4:30 AM
  • Feldmarschallin: Well sometimes those foreigners don’t want to be integrated. If you come to a... 4:28 AM
  • tiger1: There are LOADS of films about real crime stories, LMM. What about the family whose kid was taken by... 4:27 AM
  • tiger1: Well, not all of the column is dumb. I agree, for instance, that “The point is not that “The... 4:23 AM
  • La Cieca: So you’re advocating that Western countries should emulate Muslim theocracies? 4:20 AM
  • tiger1: Kashania, how did Sutherland and Bonynge know that the audience would prefer a too low lying... 4:15 AM
  • CwbyLA: Is this the best defense you can come up with Guestoria Unpopularenka? 3:40 AM
  • tancredipasero: Not quite the dumbest – google Mark Langfan – but it is really dumb. Choice,... 1:15 AM
  • tancredipasero: great typo, thanks!! I am pretty sure you meant “non-photoge nic” – the... 12:46 AM

Ass backwards

“If you think that elegant transitions like these are the crucial elements in the Ring — if you view Wagner’s cycle primarily as a series of logistical puzzles waiting to be solved with advanced technology — Ka might convince you, as it apparently did Mr. Gelb, that Mr. Lepage is the man for the job.  But if you care more about the cycle’s nuances — its characters and their relationships, its emotions, its philosophical complexities — then the idea of giving the reins to the creator of Ka, which is wholly devoid of all those complexities, is preposterous.” Zachary Woolfe went to Las Vegas and all we got was a thoughtful analysis of why Robert Lepage never was a good fit for the Ring.