Cher Public

  • The Poet Lenski: Groves for Graves was an autocorrect fail. And I never said that she didn’t sing other roles. But it’s not... 8:31 PM
  • PCally: Here’s another Dido which I’m sure won’t appeal to everyone. I find it exceptionally regal and intense and her... 8:08 PM
  • PCally: Camille she sang the Plaint and the complete Dido. She was finer in the latter IMO, quite restrained and small scaled in a good.... 8:06 PM
  • Krunoslav: True, but Denyce *Graves* also sang Dorabella, Périchole (both in Philly), Federica, Baba the Turk, Maddalena and Margaret... 8:05 PM
  • Krunoslav: I first heard Lindstrom as Menotti’s Madga (CONSUL) at Opera Arizona with a strong cast– Phyllis Pancella, Eugenie... 8:01 PM
  • Camille: About last night— The question that haunts me the most is this: was that FUCHSIA or MAGENTA the diva du soir was sporting?... 6:59 PM
  • Camille: “The same as his Juilliard Rodolfo, which was lavishly praised”R 30;.yes well, wanting to refresh my memory about... 6:30 PM
  • Camille: “Deal me in” aulis. You haven’t even seen nasty yet. 6:13 PM

Muhly marvelous

A few spoilsport commentators have complained that the clever marketing video for Nico Muhly‘s Two Boys at the English National Opera doesn’t accurately represent the somewhat dark subject matter of the new opera. La Cieca won’t take sides on this matter of vital import, but she will reveal to you, the cher public, that a few moments of the hush-hush score and production of the opera have been leaked on video, and you can sample the piece after the jump.   Read more »

It’s complicated

The ever-alert PR people at the English National Opera (why can’t we have a company like this?) have assembled a “what if?” video to promote Nico Muhly‘s impending Two Boys, and thrown in an admirably scruffy “reality” actor to boot. Read more »

twitterdammerung

gimmick

The Royal Opera House, which in its past season glitzed up its programming with such gimmicks as a tabloid tie-in and a mezzo-soprano strapped to a wheelchair, now looks to be getting desperate. The venerable opera company has commisioned a “Twitter Opera,” with a libretto to be gleaned from sundry tweets posted via the popular social networking service.  The resultant text will then be musicked by Helen Porter.

“Current posts can be viewed at www.twitter.com/youropera.”

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i blog to differ!

A member of Facebook (which, La Cieca is told, is some kind of Information Superhighway thing that the youngsters seem to enjoy) forwards this invitation to what your doyenne (channeling Andy Samberg channeling Diablo Cody) likes to call Die Bloggerdammerung:

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