“We do not go to opera to see stories similar to those we would see in movies. We go to see jewels, love stories, balls, and fantastic bird creatures looking for love. Opera should be dripping in luxury. They don’t need to mimic any other medium.” [paste]
La Cieca (pictured) notes that next year’s recipients of the F. Paul Driscoll Awards for Outstanding Achievement in the Field of Excellence will include Joseph Calleja, Elina Garanca, Waltraud Meier, Anna Netrebko and José van Dam, which means we are now officially out of old singers.
La Cieca (third from right) has always prided herself on offering opportunities to the young, even if they aren’t always quick to pick up on her hints, and today is no exception. Your doyenne has several unusual (one might even say offbeat) opera events on the calendar, and she’d be interested in sending novice parterre writers to cover them.
La Cieca wants to give a quick “shout-out” (as the youngsters say, they tell me) to “critic, novelist and record-store clerk” Daniel Stephen Johnson, who on top of all that is not only one of our newest and nicest commenters, but a smart and sassy blogger in his own right. He writes somewhat in the style of a younger, more hirsute Alex Ross, which La Cieca means in the nicest possible way.
The current issue of The Advocate includes anÂ interview with adorable 27-year-old bedhead Nico Muhly about his next composition project, an opera “based on a true Internet romance/friendship between two teenage boys that ended in one of the two stabbing the other to death.” Muhly’s “teen gay Internet sex drama,” to a libretto by Craig Lucas, is co-commissioned by the Metropolitan Opera and Lincoln Center Theatre. Meanwhile Muhly is touring in support of his new CD Mothertongue and ranting on his blog about knockoff iPhones. Â