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Cher Public

  • tiger1: Miss Stemme, yes, but I find it very unlikely that Mr Pape will sing Hagen. But, of course, I could... 4:54 AM
  • ML: Starting yesterday, he is a member of Oper Frankfurt, with 2014-15 appearances in Bohème, Rosenkav, and... 4:04 AM
  • WindyCityOperaman: httpv://www.youtub e.com/watch?v=YMB9 wW-bOSo 3:59 AM
  • WindyCityOperaman: Born on this day in 1840 writer Giovanni Verga httpv://www.youtub e.com/watch?v=N... 3:57 AM
  • Feldmarschallin: Well not in Salzburg Camille. The gratis thing is something you can do if there is no other... 3:03 AM
  • m. p. arazza: Gwynn Cornell took over Troyanos’s Cassandres (except the Sat. broadcast, which of course... 2:37 AM
  • Feldmarschallin: Well for those bel canto operas Dame Joan sang, diction really didn’t matter but if... 1:54 AM
  • danpatter: Has anyone heard anything recently about the announced Gergiev SIEGFRIED and GOTTERDAMMERUNG? I... 1:36 AM
  • Lohenfal: Liebster MMII, Wie lange fern! Wie fern so lang! Inspired by the one and only Mathilde (von)... 12:35 AM
  • DellaCasaFan: Jungfer Marianne, I had no idea that there was another recording with Bruna Rasa/Mascagni.... 12:11 AM

Sticks and stones

Here’s a story in which practically nobody in authority comes off well. Daniel Harding conducts a concert at La Scala that includes a selection from Tristan und Isolde, about which the Corriere della Sera‘s venerable critic Paolo Isotta snipes “Harding’s conducting was so soft it made you think he wanted to back the unfounded theory that Wagner was homosexual.” So then La Scala’s GM Stéphane Lissner kicks Isotta off the press list for the company: he can still review Scala events but will have to pay for his own ticket. [The Telegraph]