Cher Public

  • antikitschychick: Haha can you tell I was excited?? They sang back to back show-stopping arias for sure, even though they were technically... 9:36 PM
  • davidzalden: Thanks so much for the lovely thought — I have not had the opportunity to see this Guillaume Tell but I have heard from... 8:58 PM
  • Batty Masetto: Lowe-Porter is always a trudge. My students have regularly made more accurate and entertaining translations of Mann than... 8:52 PM
  • wenarto: Poor Anna, now the same rank as me httpv://www.youtub e.com/watch?v=dgmM mywY2MY 8:43 PM
  • manou: Henry – sorry about the Times review. We agreed with La Cieca that I would not copy and paste whole reviews for copyright and... 8:40 PM
  • wenarto: OMG yes I agree 8:38 PM
  • Henry Holland: Many thanks for the link, manou, I had to read this twice to make sure I got it right: To include all the opera’s ballet... 8:30 PM
  • antikitschychick: Hey Luv :-) Yes there were some flaws, and those who prefer a more italianate rendition would have reason to be... 8:15 PM

Sticks and stones

Here’s a story in which practically nobody in authority comes off well. Daniel Harding conducts a concert at La Scala that includes a selection from Tristan und Isolde, about which the Corriere della Sera‘s venerable critic Paolo Isotta snipes “Harding’s conducting was so soft it made you think he wanted to back the unfounded theory that Wagner was homosexual.” So then La Scala’s GM Stéphane Lissner kicks Isotta off the press list for the company: he can still review Scala events but will have to pay for his own ticket. [The Telegraph]