Headshot of La Cieca

Cher Public

  • Lurker_del_Cairo: Thank you – no wonder I could not find any performance information! 4:59 AM
  • Buster: Schwanewilms was an excellent Ariadne too, for Laufenberg. That was an awful production, by the way.... 4:47 AM
  • Feldmarschallin: http://www.gettyim ages.de/galleries/ events/543094813?p age=2 Photos von Salzburg besonders... 4:20 AM
  • Feldmarschallin: Well but you have to put up with Hillebrecht who was in the 60′s what Racette and... 4:16 AM
  • Buster: Ricarda Merbeth has a new website (about time), and facebook. From that we not only learn she will... 4:14 AM
  • Buster: The first Tatiana Troyanos Ariadne is back into print – always a hard one to find on CD. I... 4:07 AM
  • Feldmarschallin: Guten Morgen Camille and Marianne, no flowers yet but I do have a camille about to bloom... 1:44 AM
  • Operngasse: There is a very nice birthday entry for Samuel Ramey on barihunks.com: http://www.bari... 12:29 AM
  • DeepSouthSenior: . . . Greatest DISadvantage . . . 12:02 AM
  • DeepSouthSenior: Ah, La Rondine. Some lovely music, but more dramatically inert than Act I of Parsifal, and... 11:59 PM

Sticks and stones

Here’s a story in which practically nobody in authority comes off well. Daniel Harding conducts a concert at La Scala that includes a selection from Tristan und Isolde, about which the Corriere della Sera‘s venerable critic Paolo Isotta snipes “Harding’s conducting was so soft it made you think he wanted to back the unfounded theory that Wagner was homosexual.” So then La Scala’s GM Stéphane Lissner kicks Isotta off the press list for the company: he can still review Scala events but will have to pay for his own ticket. [The Telegraph]