Headshot of La Cieca

Cher Public

  • DeepSouthSenior: “Thanks, aulus agerius . . .” 5:38 PM
  • DeepSouthSenior: Thank, saulus agerius, for one of the first reports on today’s Live in HD. I’ll... 5:38 PM
  • Krunoslav: Did Solti and Cossotto ever work together at all? 5:14 PM
  • aulus agerius: Back from the C/P HD. What a wonderful way to spend a cold rainy afternoon in Charlottesvil... 4:54 PM
  • Amnerees: One of the music magazines, High Fidelity probably, reported in its “upcoming recordings... 4:49 PM
  • m. croche: Mostly in French, there is also a small amount of English in “Emilie̶ 1;. 4:01 PM
  • parpignol: on the radio sounds like Racette has developed quite a dramatic wobble on top; is that new? 3:49 PM
  • moi: Mattila created Emilie,by Saariaho, a one woman opera of one and half hours all in french in Lyon.... 3:48 PM
  • Krunoslav: If you’ll forgive my saying so, Tatiana Troyanos herself told me that she had replaced... 3:27 PM
  • Krunoslav: It was even more fun in Staten island, where Cossotto used the same megawatt semaaphore gestures... 3:25 PM

Rodelinda, regina del primo piano

I half-wanted to dislike it; my expectations were very low. Renée Fleming in the Baroque, after her very uncertain recent outings in bel canto! Let’s face it; this year, her Rossini (Armida) and Donizetti (Lucrezia Borgia) did not cover her in glory. How, at this HD relay on December 3, would she cope with Handel’s stitchery, hardly less complex for the voice than that of Rossini?  Read more »