Headshot of La Cieca

Cher Public

  • NPW-Paris: I can’t imagine any production being worse. Do you have pictures? 2:26 PM
  • Jungfer Marianne Leitmetzerin: I just listened to the preview clips available on Amazon and it sure as hell... 2:22 PM
  • Milady DeWinter: Tanner is indeed hard on the ears – I was somewhat traumatized by his Samson.... 1:40 PM
  • la vociaccia: I might try to get to her performance, then. I was also planning on going to Tamara... 1:17 PM
  • antikitschychick: lol Milady it’s ok. You don’t have to apologize for disagreeing with me,... 1:05 PM
  • antikitschychick: ok for all those who have yet to see this here is proof of how compelling L :shock: mi can... 12:56 PM
  • Krunoslav: Tanner is scheduled for 1/2, the same show as the debut of Marjorie Owens. , I heard her in the... 12:54 PM
  • Krunoslav: “[W]ho knows more about Italian opera than Muti?” –Fiend and Billingsgate... 12:51 PM
  • la vociaccia: Palombi, the tenor on youtube bleating the entirety of ‘Vesti La Giubba’ out of... 12:45 PM
  • antikitschychick: thanks for responding to my comment Ivy. I now totally get what you mean and again, I... 12:38 PM

Rodelinda, regina del primo piano

I half-wanted to dislike it; my expectations were very low. Renée Fleming in the Baroque, after her very uncertain recent outings in bel canto! Let’s face it; this year, her Rossini (Armida) and Donizetti (Lucrezia Borgia) did not cover her in glory. How, at this HD relay on December 3, would she cope with Handel’s stitchery, hardly less complex for the voice than that of Rossini?  Read more »