Cher Public

  • Camille: You know, come to think of it, she sang the duet with Domingo, in the 2009 Gala, and there were many singers there being futured... 9:22 PM
  • steveac10: I’ve only seen Gerzmava live once – in last year’s Hoffmann. My experience was much like the description of... 9:13 PM
  • Quanto Painy Fakor: That score is really deficient in many ways. The preface is woefully inadequate and that editor is woefully refutable! 9:12 PM
  • Camille: Thank you for sharing your sweetest memories and I am so happy you have known such great fulfillment and joy. Don’t worry,... 9:11 PM
  • John L: I noticed that too. Like the Met is one to two years behind the LOC. Although certainly not as busy as the Met, the quality of... 8:37 PM
  • Camille: Bill, Jungfer, La Cieca und Alles! I refer you to the SCHOTT publication: TANNHÄUSER und der Sängerkrieg auf Wartburg Große... 8:27 PM
  • oscar: I was at the premier of this production back in 1977 as well. I’d make a pilgrimage to NY if I knew I could regain my lost... 8:06 PM
  • WindyCityOperaman: Also born on this day in 1835 composer Camille Saint-Saëns httpvh://www.youtu 7c_z806c 7:32 PM

Rodelinda, regina del primo piano

I half-wanted to dislike it; my expectations were very low. Renée Fleming in the Baroque, after her very uncertain recent outings in bel canto! Let’s face it; this year, her Rossini (Armida) and Donizetti (Lucrezia Borgia) did not cover her in glory. How, at this HD relay on December 3, would she cope with Handel’s stitchery, hardly less complex for the voice than that of Rossini?  Read more »