Headshot of La Cieca

Cher Public

  • Jungfer Marianne Leitmetzerin: How utterly sweet of you to suggest this, ML, but I have to say that I am... 4:30 AM
  • La marquise de Merteuil: Teseo is in my fav Handel opera. Startling music a shame it is not done more. Also,... 4:17 AM
  • Jungfer Marianne Leitmetzerin: To the best of my knowledge, airchecks were done in the 1930s and 1940s as... 4:12 AM
  • SF Guy: Trying again… httpv://www.youtub e.com/watch?v=0ItN 6J5wSlM 3:36 AM
  • ML: Someone should invite Jungfer on an all-expenses-paid trip to the U.S. and the Met, as an expression of... 3:34 AM
  • SF Guy: I see several definitions of aircheck in the Wikipedia entry–in this context, is it the... 3:34 AM
  • Jungfer Marianne Leitmetzerin: You might particularly enjoy the passage starting at 14:50. 3:24 AM
  • steveac10: I don’t know that Moser as Nedda is all that odd, but if you look at the sequencing her... 3:20 AM
  • ML: Ernest Fleischmann! Exclusivity, etc. 3:15 AM
  • Jungfer Marianne Leitmetzerin: Mr. K. – You might enjoy one of Moser’s four Met Musettas at... 3:12 AM

Rodelinda, regina del primo piano

I half-wanted to dislike it; my expectations were very low. Renée Fleming in the Baroque, after her very uncertain recent outings in bel canto! Let’s face it; this year, her Rossini (Armida) and Donizetti (Lucrezia Borgia) did not cover her in glory. How, at this HD relay on December 3, would she cope with Handel’s stitchery, hardly less complex for the voice than that of Rossini?  Read more »