Headshot of La Cieca

Cher Public

  • Camille: Pardon me, but is this Peter KazarAs, the former tenor who is associated with Seattle Opera, or... 10:01 PM
  • Camille: That reminds me, in the book Never sang for Hitler: The Life and Times of Lotte Lehmann, [Michael... 9:53 PM
  • DeCaffarrelli: A correction: I overlooked a passage in the Director’s Note where he mentoned the cuts... 9:45 PM
  • Camille: Yeay! Go Heidi go!!! Put these other byotches out of business! Bordeaux gets better than we do. I am... 9:36 PM
  • Camille: Very “own” version. Just like my typing. Perdona 9:34 PM
  • Camille: Jeanette singing this below was a prime gateway drug into the wonderful world of grand old opera.... 9:33 PM
  • Camille: I thought she was Brünnhildy??? She got the red wig from Debbie ‘n everything̷... 9:27 PM
  • Camille: London Bridges— 9:25 PM
  • Camille: Yeay and thanks much! I don’t care how cute he is, I still want Filianoti. I am standing by... 9:19 PM
  • Camille: I wish Seattle Opera would allow us that marvelous Rusalka from October 1990 with Big Ben and Renée... 9:16 PM

Rodelinda, regina del primo piano

I half-wanted to dislike it; my expectations were very low. Renée Fleming in the Baroque, after her very uncertain recent outings in bel canto! Let’s face it; this year, her Rossini (Armida) and Donizetti (Lucrezia Borgia) did not cover her in glory. How, at this HD relay on December 3, would she cope with Handel’s stitchery, hardly less complex for the voice than that of Rossini?  Read more »