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Cher Public

  • ML: Vociaccia, I agree completely. 6:06 AM
  • ML: Justin Davidson, below, tackles the Klinghoffer controversy better than others I have read.... 5:59 AM
  • Baltsamic Vinaigrette: Thank you as ever, WCO. Guy Chauvet is not the only notable French musician born on... 5:37 AM
  • Cicciabella: Here’s another thinking reviewer/bowling pin knocked over by Ms Netrebko: http://tinyurl... 3:25 AM
  • Feldmarschallin: I am wondering if perhaps Mrs. Claggart and I were at that same Salome since I also heard... 2:55 AM
  • m. croche: Happy birthday, Frantisek Tuma! httpv://www.youtub e.com/watch?v=7YgN rEyKtNo httpv://www.you... 2:55 AM
  • Feldmarschallin: Borodina was absolutely atrocious in the Rückert Lieder on Monday. She looked like she was... 2:51 AM
  • Bill: Feldmarschallin – Vienna used to have closed performances as well several in a season. Or once... 12:12 AM
  • mia apulia: Hell, the voice was certainly grand, the presence was grand, and the musicianship was grand. Why... 11:58 PM
  • mrsjohnclaggart: Wonderful! But Of course, Flo! I saw Leonie Rysanek do exactly the same thing to Mara... 11:46 PM

Rodelinda, regina del primo piano

I half-wanted to dislike it; my expectations were very low. Renée Fleming in the Baroque, after her very uncertain recent outings in bel canto! Let’s face it; this year, her Rossini (Armida) and Donizetti (Lucrezia Borgia) did not cover her in glory. How, at this HD relay on December 3, would she cope with Handel’s stitchery, hardly less complex for the voice than that of Rossini?  Read more »