Cher Public

  • Camille: Don’t worry about fiddle-arcing. It is okay, whenever and wherever. I am highly unreliable myself, so no es problema!! 5:35 PM
  • Camille: Thank you so much Monsieur Hippolyte! I used to always go there–they have saved me so many dollars, but I’ve gotten... 5:34 PM
  • NPW-Paris: Camille I’m in a place so remote I can only reply by smartphone and it’s too fiddle-arsing. I hope to find time... 5:33 PM
  • Hippolyte: According to its website, the New York Public Library owns two circulating copies of the Gounod Polyeucte CD on Dynamic–a... 4:50 PM
  • Dolciamente Pipo: Sorry to butt in here, but I am such a huge fan of the Ediciones Singulares/Palazze tto Bru Zane survey of rare French... 4:46 PM
  • PCally: Well many consider Fruhling the hardest of the four songs. One virtually all recordings the soprano struggles a bit. Netrebko in... 4:41 PM
  • Orlando Furioso: It’s also worth mentioning that (as many of our knowledgeable readers are aware) the fact that Berg had completed... 4:01 PM
  • operaspike: I’m going again tonight; got the last best seat available in the house. And last night’s “Jenufa̶ 1; was... 3:56 PM

Rodelinda, regina del primo piano

I half-wanted to dislike it; my expectations were very low. Renée Fleming in the Baroque, after her very uncertain recent outings in bel canto! Let’s face it; this year, her Rossini (Armida) and Donizetti (Lucrezia Borgia) did not cover her in glory. How, at this HD relay on December 3, would she cope with Handel’s stitchery, hardly less complex for the voice than that of Rossini?  Read more »