Headshot of La Cieca

Cher Public

  • Dabrowski: Midgette weighs in. She focuses mostly on the production, and her judgments of the singers are... 3:02 PM
  • DellaCasaFan: Oops. Sorry, QPF. I didn’t see you already had done it here before I linked to the same... 3:00 PM
  • redbear: That name appears in Anne Midgette’s review in the Washington Post (plus she has a photo of... 2:53 PM
  • scifisci: I also heard him a little while back in the pique dame with galouzine, mattei, and mattila in... 2:51 PM
  • la vociaccia: Complete shot in the dark, but it could be Tatyana Ryaguzova, who is listed on the Met roster... 2:51 PM
  • DellaCasaFan: Regardless of one’s view on the Ukranian/Russian situation, this was clearly a serious... 2:47 PM
  • redbear: The last commission of Gerard Mortier, Wuorinen’s “Brokeback Mountain,” will be... 2:40 PM
  • littoraldrift: Great, detailed review. Interesting conjecture about Michael’s true Fach hmmm. Anyone... 2:33 PM
  • armerjacquino: In my experience, once you get past stage door you’re able to go pretty much anywhere... 2:32 PM
  • chicagoing: I went looking for the review of Ms. Chuchman’s performance here and found instead an... 2:31 PM

Thanking you so much

La Scoopenda tries on Vera Galupe-Borszkh‘s mantle of grandezza for an interview with the Philadelphia Inquirer (“I don’t even know where Indiana, Pa., is – but I’m going there soon, for a concert”), describing herself as being from the old school, “especially compared to the young turks running around on the operatic stages in Europe these days, sometimes wearing nothing but their underwear. Opera over there has become quite a youthful pursuit and competitive sport.”