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Cher Public

  • PCally: The best example currently would be the Schenk Rusalka, which is in serious need of a paint job,... 12:35 AM
  • Krunoslav: ‘Jolson’s style has dated terribly, but I don’t know how many performers of his generation... 12:19 AM
  • parpignol: I heard Rysanek sing in this production in 1977; I have no memory of the production at all. . . 12:06 AM
  • Sempre liberal: An advantage of cheap, distant seats: I have never seen a production looking faded or... 11:50 PM
  • Henry Holland: Pelleas et Melisande is a good example for me of the “traditional ” v.... 11:28 PM
  • Fluffy-net: I’d love to see the Kriegenburg production of Zimmermann’s Die Soldaten come to the... 11:24 PM
  • m. croche: If you can’t come up with more than two MET-worthy operas written since 1945, I’d say... 10:24 PM
  • Hippolyte: I’ve been attending the Met regularly for over 30 years more often than not sitting (or... 10:07 PM
  • DonCarloFanatic: Never really cared for him in movies, and obviously not old enough to have seen him live and... 9:59 PM
  • PCally: The Rake’s Progress was staged at La Monnaie and subsequently traveled/was supposed to travel... 9:54 PM

Thanking you so much

La Scoopenda tries on Vera Galupe-Borszkh‘s mantle of grandezza for an interview with the Philadelphia Inquirer (“I don’t even know where Indiana, Pa., is – but I’m going there soon, for a concert”), describing herself as being from the old school, “especially compared to the young turks running around on the operatic stages in Europe these days, sometimes wearing nothing but their underwear. Opera over there has become quite a youthful pursuit and competitive sport.”