Cher Public

  • luvtennis: Can you imagine her 4 last songs!!!!! With Lenny – say ’62????? Too bad she didn’t care more about her legacy... 5:18 PM
  • Camille: Magali Chalmeau-Damonte is Laure Cinti-Damoreau reincarnated. No, really, think about it. 5:10 PM
  • phoenix: armerjac – avoiding the social media scene over here – so, as much as I love you I would just as soon go on Mars as... 5:08 PM
  • Camille: Well, you know, it seems they either sing the D and don’t sing the scene, or vice versa. So, I’ll take the Farrell... 5:05 PM
  • La Cieca: “He runs out of breath during “Cortigiani& #8217;.” 4:49 PM
  • La Cieca: Strictly speaking, I would say that the omission of the high D would be more stylistically correct in this music, since (in the... 4:47 PM
  • Camille: Hahahahahahananaha hahaHA! Oh, I will forevermore be sorry never to have witnesseth the glory days of Charles Ludlam! I wish we... 4:44 PM
  • Big Q: From Frank Rich’s 1985 review: “Salammbo 221; was, in Guy de Maupassant’s words, “a kind of opera in... 4:38 PM

Mein Ross! Sei mir gegrüsst!

Götterdämmerung, the final installment of Lepage’s Ring, arrived in January, rounding out what must be considered a historic achievement. Pound for pound, ton for ton, it is the most witless and wasteful production in modern operatic history….  It’s an embarrassment that this catastrophically vapid spectacle is what New York has to offer to the world on the occasion of the Wagner bicentennial, which arrives next year.”  [The New Yorker]

Those whom the goddesses would destroy

poplavskaya_thumbControversial diva Marina Poplavskaya is the subject of a profile in the current New Yorker that does not include any bloodhounds snappin’ at her rear end, but that’s about the only life experience omitted. Highlights include the soprano’s lugging a trolley full of luggage across 14 lanes of Buenos Aires traffic following a dispute with a hotel manager, marking up in a dozen different colors the orchestra score of the Verdi Requiem, and the bit where she runs out the stage door in full evening dress, hops on a motorcycle, and zips off to the airport. Believe me, this is worth subscribing!

L’argent fait stealth attacks

koch_state_theaterCongratuations to David H. Koch for a lavish profile in The New Yorker celebrating his social success with Kennedys and Trumps and especially his munificence with artistic and cultural organizations including the New York City Opera!  And further kudos to The New Yorker for noting high up in the article that the publicity-shy philanthropist is “best known as part of a family that has repeatedly funded stealth attacks on the federal government, and on the Obama Administration in particular.” [The New Yorker]