“Italian tenor Francesco Demuro will make his Met debut in the role of Rodolfo in this evening’s performance of La Bohème, replacing Charles Castronovo who is ill. Demuro was scheduled to make his Met debut as Alfredo in La Traviata next month. Read more »
“The soup is hot; the soup is cold; Norman Lebrecht got it wrong again.” Read more »
Every year I say I’m not going to another La Bohème because I’ve seen this too many times. And every year I end up going to multiple performances. I always find an excuse. “Oh there’s so-and-so singing and I haven’t heard him in anything but Madama Butterfly and that doesn’t even count because the tenor doesn’t sing at all after the first act …” But today after I won the lotto for yet another Bohème I wondered if I go simply because the opera (and production) is comfort food. At this point in my second career as an opera-queen-with-two-X-chromosomes, La Bohème doesn’t require very active, pins-and-needles listening. It’s like watching an old MGM musical. Read more »
“In a fiscal year that challenged the nation’s largest performing arts organization to find a more sustainable financial model for the future, the Metropolitan Opera incurred an estimated $22 million budget shortfall for the 2013-14 season.”
The Met has just announced it is revising once again its rush ticket policy, doing away the “lottery” system in place earlier this season and instead going to a “first come, first served” online sale daily.
“In a last-minute substitution, American tenor Bryan Hymel will sing the role of Rodolfo in this evening’s performance of La Bohème, replacing Ramón Vargas, who is ill.”
Throw in a trio of murders and a healthy splash of vodka and you have, more or less, the plot of Shostakovich’s Lady Macbeth of Mtsensk.
This was the kind of night that proves the haters right: sometimes opera is boring.
“Sonya Yoncheva will sing her first-ever staged performances of Mimì in Puccini’s La Bohème at the Met on November 14, 20, 24, 28, December 1 and 5, replacing Kristine Opolais.