“The Met: Live in HD concluded its tenth anniversary season Saturday with a live transmission of Patrice Chéreau’s acclaimed production of Elektra, with an estimated attendance of 48,000 in North America earning a gross of $1,037,000. It was seen live on more than 900 screens.” So says the Met press office.
The no-star, slapstick revival of John Dexter’s 37-year-old production of Mozart’s Die Entführung aus dem Serail that opened Friday night proved James Levine’s tenure as Music Director of the Met will end in two weeks with neither a whimper nor a bang. Other than Albina Shagimuratova’s dramatically dour but vocally gleaming Konstanze, no compelling reason for these performances presented itself besides its maestro’s desire to conduct a favorite work. Read more »
The haunted Mycenae of Patrice Chéreau’s enthralling production of Richard Strauss’s Elektra had seized its viewers in an unrelenting vise that never relaxed even at its quietly shattering conclusion.
La Cieca will go out on limb and predict that the Met’s new music director will be Yannick Nezet-Seguin.
Soprano Ailyn Pérez has been named the recipient of the 11th annual Beverly Sills Artist Award for young singers at the Metropolitan Opera.
La Cieca hears that Joseph Calleja will sing Pollione opposite the Norma of Anna Netrebko at the Met for opening night 2017.
That Placido Domingo and James Levine, the Met’s inexorable septuagenarians, would team up yet again—on April Fools’ Day, no less—for a revival of Verdi’s Simon Boccanegra occasioned an uncomfortable degree of doubt and dread.
“This story has been revised to correct production was Giancarlo del Monaco‘s, not Elijah Moshinsky‘s.”
After five flops in a row, Mr. McVicar continues to win new assignments from the Met.