“Zeljko Lucic has withdrawn from his spring Met engagements due to illness. In his place, George Gagnidze will sing Alfio in the new production of Mascagni’s Cavalleria Rusticana. Gagnidze, who will also sing Tonio in Pagliacci as originally scheduled, will join Marcelo Álvarez in performing in both halves of the evening’s double bill; Álvarez sings both Turiddu in Cavalleria Rusticana and Canio in Pagliacci. Mark Delavan will replace Lucic as Amonasro in this April’s performances of Verdi’s Aida.” So says the Met press department.
That much-anticipated and much-feared “exposé” about Peter Gelb and the Met? Almost completely rehash (whores in Tosca, the Ring set was noisy, those gazillion dollar poppies.) Of smoking guns there are none. Though it’s always fascinating to hear what the heir to the Piggly Wiggly fortune has to say about arts management. [New Yorker]
“[T]here’s no chill to be detected at the Metropolitan Opera. There, the temperature rises nearly to boiling every time Diana Damrau and Vittorio Grigolo are on stage together in a sensational revival of Manon, which opened on Monday…” Our Own JJ‘s take on the Massenet will not appear until next week, but for now you are invited to make do with Zachary Woolfe‘s rave in the New York Times. (Photo: Ken Howard/Metropolitan Opera)
“It was the chilliest opening night at the Met in years on Monday—barely 15 degrees when the curtain went up on the company premiere of La Donna del Lago.“
The Met announces its 2015-2016 season tomorrow at 1:00 PM, cher public, and La Cieca knows you will all be here to discuss and dissect
Ellen Douglas finds herself in Act II of Rossini’s La Donna del Lago in the far from unusual operatic position of having her love claimed by two impassioned tenors in the bel canto version of a macho drag race.
James Levine turns 72 this year. Even though his health has improved considerably in the past year and he may continue to conduct for a decade or more, it seems inevitable that he will step down as the Met’s Music Director sometime in the next few years to assume the role of Conductor Laureate.
It’s that time of the year when the Met does its season announcement, cher public.
“If Mozart had only had the sense to write Don Giovanni in a… single-performer format, last Wednesday’s revival at the Met would have been one for the ages.
A sharp-eyed parterrian reports a poster of some sort (perhaps protesting Anna Netrebko and Valery Gergiev?) has somehow been affixed to the wall of the Met lobby at balcony level during tonight’s performance of Iolanta/Bluebeard’s Castle.