I suppose the most significant moment of the season premiere of Bellini’s I Puritani at the Metropolitan Opera occurred when someone—a deranged purist no doubt—heckled Javier Camarena from the balcony of the opera house for withholding the infamous high F during “Credeasi, misera.” Read more »
La Cieca (pictured) invites you all to enjoy and comment upon this afternoon’s broadcast of Rigoletto, already in progress.
With a cast of stellar singers and maladroit direction by Mary Zimmerman, Dvorák’s Rusalka debuts in a new production at the Metropolitan Opera. The libretto, by Jaroslav Kvapil (based upon the fairy tale Undine by Friedrich de la Motte Fouqué) is probably most recognizable as an iteration of The Little Mermaid, a folktale made famous by Hans Christian Andersen in the 19th century, and the wonderful world of Disney in the 20th. Read more »
While some once-popular Met operas have fallen into neglect in the past quarter century, Rusalka has returned regularly since its 1993 premiere.
Verdi’s Rigoletto returned to the Met Friday in the stilted “Las Vegas” production by Michael Mayer, with mostly competent singing from a good-looking cast.
The Metropolitan Opera’s revival of Carmen began with a bit of drama Thursday night when tenor Rafael Davila replaced Marcelo Álvarez.
“Clémentine Margaine will make her Met debut in the title role of Bizet’s Carmen this Thursday, January 19.”
The Met has canceled its new production of La forza del destino, which was to have been directed by Calixto Bieito.