Verdi’s Rigoletto returned to the Met Friday in the stilted “Las Vegas” production by Michael Mayer, with mostly competent singing from a good-looking cast. However, in the role of Gilda, Olga Peretyatko was the standout performer, with a clean, brilliant soprano and a fresh face. In both “Caro nome” and “Tutte le feste al tempio” she displayed a spinning, controlled vocalism with moving, evocative phrasing. Read more »
The Metropolitan Opera’s revival of Carmen began with a bit of drama Thursday night when tenor Rafael Davila replaced Marcelo Álvarez in the role of Don José at the last minute. The tenor, debuting at the house, was announced as a replacement from the stage. (Earlier in the week came the news that Clémentine Margaine—also making her Met debut—would jump in for Sophie Koch in the title role.) Read more »
“Clémentine Margaine will make her Met debut in the title role of Bizet’s Carmen this Thursday, January 19, and will sing the role in all performances of the opera at the Met this season. The French mezzo-soprano, who was to make her company debut in the role later this season, replaces the originally announced Sophie Koch, who has withdrawn from her scheduled performances due to illness.” Thus saith the Met’s press department. (Photo by Photo by Scott Suchman / Washington National Opera)
The Met has canceled its new production of La forza del destino, which was to have been directed by Calixto Bieito.
Mortality is ugly—it smells, it makes uncomfortable noises, it takes its time; and then there is the overwhelming sense of dread and helplessness.
Soprano Pretty Yende (soon to be a Met Rosina) guests on Stephen Colbert’s Late Show at 11:35 this evening.
The Met ushers out this wretched year and rings in the new with an elegant and effective new production of Charles Gounod’s Roméo et Juliette.
Kirsten Chambers will make her Met debut in the title role of this evening’s performance of Strauss’s Salome, replacing Patricia Racette, who is ill.