I can scarcely remember a performance where so many conflicting thoughts raced through my mind as happened Thursday night during the Met Orchestra’s “bleeding chunks” of Wagner’s Ring at Carnegie Hall. On one hand, superb Wagnerians Christine Goerke and Stefan Vinke soared through duets and solos from Siegfried and Götterdammerung magnificently supported by the sterling orchestra, but the complicated subtext prevented me from entirely enjoying the evening. Read more »
“The Met: Live in HD concluded its tenth anniversary season Saturday with a live transmission of Patrice Chéreau’s acclaimed production of Elektra, with an estimated attendance of 48,000 in North America earning a gross of $1,037,000.”
The no-star, slapstick revival of John Dexter’s 37-year-old production of Mozart’s Die Entführung aus dem Serail that opened Friday night proved James Levine’s tenure as Music Director of the Met will end in two weeks with neither a whimper nor a bang.
The haunted Mycenae of Patrice Chéreau’s enthralling production of Richard Strauss’s Elektra had seized its viewers in an unrelenting vise that never relaxed even at its quietly shattering conclusion.
La Cieca will go out on limb and predict that the Met’s new music director will be Yannick Nezet-Seguin.
Soprano Ailyn Pérez has been named the recipient of the 11th annual Beverly Sills Artist Award for young singers at the Metropolitan Opera.
La Cieca hears that Joseph Calleja will sing Pollione opposite the Norma of Anna Netrebko at the Met for opening night 2017.
That Placido Domingo and James Levine, the Met’s inexorable septuagenarians, would team up yet again—on April Fools’ Day, no less—for a revival of Verdi’s Simon Boccanegra occasioned an uncomfortable degree of doubt and dread.