Headshot of La Cieca

Cher Public

  • Feldmarschallin: Well nobody said that they performances were at the Met. There are still a few other houses... 3:49 AM
  • tiger1: I think I read somewhere that DiDonato will no longer be singing Semiramide, at least not at the Met.... 3:37 AM
  • tiger1: Dear GU, Yes, Desdemona might be terrified and fearing for her life when singing the Ave Maria... 3:29 AM
  • steveac10: I get importing him as Caliban. Just like they used to bring Senechal in for Hoffman. Sometimes it... 3:25 AM
  • MontyNostry: Maybe because he was at the Met less than a year ago in Die Fledermaus. 3:24 AM
  • Baritenor: Alan Oke is exceptional, let’s not mince words. I can think of very few tenors who could... 3:12 AM
  • Greg.Freed: I find it a little depressing etc. I never know when anyone’s kidding here anymore.... 3:08 AM
  • Cicciabella: Lady, last year’s concert was better. For one thing, she was alone. She came out, warmed... 2:47 AM
  • Cicciabella: O’Neill was very promising, covering at the Met for years. I don’t think he’s... 2:30 AM
  • Feldmarschallin: Germany or Sweden it’s all the same no? 2:26 AM

Donc, c’est ce qu’elle appelle “faire la connaissance de Mme Haines”

Some interesting programming in Avignon next season: Roberto Alagna performs Le dernier jour d’un condamné on March 9 and 12, 2014, and in between (March 11) will be a concert by Milos Karadaglic, youthful protégé of Angela Gheorghiu.

The look your heart can’t disguise

In what is without doubt the final chapter of their on-again, off-again romance, Angela Gheorghiu and Roberto Alagna are on again, she says.