“After attending the dress rehearsal in London I wrote the following to Mr Carsen to give him the opportunity to make changes.” A commenter on Slipped Disc named “Michael” (pictured) offers a few observations on the staging of Falstaff.
Mezzo-soprano Joyce DiDonato is first among equals in a spectacular cast when she sings the title role of Ariodante in this season’s installment of Carnegie Hall’s critically acclaimed cycle of Handel’s operas in concert. A brilliantly melodic work, the opera features outstanding arias for each of the principal singers, including Ariodante’s melancholy “Scherza infida” and show-stopping “Doppo note.” Harry Bicket and The English Concert bring authentic Handelian brilliance to this marvelous opera. (Photo: Simon Pauly) Get tickets. Read more »
“Who knows what to expect from an opera about the Internet? But when Nico Muhly’s Two Boys evokes the complex mysteries of cyberspace in a series of shimmering choruses, it’s easy to think this is the most gorgeous music you’ve ever heard.” [New York Post]
The Bayreuth Festival is trying something new and outreachy this season.
So La Cieca was thinking back, what with the end of the oughts and all, and she found herself wondering how parterre.com has changed in the past ten years. Here’s a screenshot of the site (not yet a blog) circa December 1999, and what nostalgia to think of the days when we still used “frames!” (About the faux-brick background image, perhaps the less said the better.)
The BBC 3 broadcast of Tristan und Isolde that so captivated the cher public yesterday afternoon is available in streaming form for the next week.
Just added to Google’s online archive of Life magazine photographs: over a hundred full-color images from the Old Met in the 1960s. Be prepared for a strong pang of nostalgia as you glimpse Richard Tucker, Leontyne Price, Birgit Nilsson, Franco Corelli, Anna Moffo, Zinka Milanov and many other greats of that regrettably bygone era. [Google Images]