Cher Public

  • phillyoperalover: I think people need to have several of seats and calm down. It’s a rape scene, there are plenty of rape scenes in... 10:49 AM
  • Cicciabella: Feature about Pappano’s recording of Aida on BBC 3′s CD Review (starts at about 2 hrs): http://www.bbc.... 10:46 AM
  • Indiana Loiterer III: Oh goody! And maybe we can get Ann Coulter instead of Philip Gossett to do the pre-opera lecture! Think outside the... 9:36 AM
  • La Valkyrietta: Okay, I had a brilliant idea this morning. If the Royal Opera Guillaume Tell is done at in NYC in the future, and if they... 9:11 AM
  • Cicciabella: You’re welcome, armer! The heat is boiling my brain, and I forgot to mention the level-headed Brit by name: Mark... 7:37 AM
  • armerjacquino: But not all Brits agree *crying with relief* I’ve been waiting ten years for someone to say that on here. THANK you,... 6:55 AM
  • Cicciabella: Context for above posts: ENO’s Queen of Spades, avaiable on BBC iPlayer and elsewhere discussed by manou et al. 6:20 AM
  • Cicciabella: But not all Brits agree. After singling out Felicity Palmer’s Countess (powerful even via radio), he praises thr... 6:01 AM

Thanking you so much

La Scoopenda tries on Vera Galupe-Borszkh‘s mantle of grandezza for an interview with the Philadelphia Inquirer (“I don’t even know where Indiana, Pa., is – but I’m going there soon, for a concert”), describing herself as being from the old school, “especially compared to the young turks running around on the operatic stages in Europe these days, sometimes wearing nothing but their underwear. Opera over there has become quite a youthful pursuit and competitive sport.”