‘Tis the season, by which of course I mean that time of year when companies confirm or deny for us the rumors we’ve been crawling around the dark corners of the internet collecting. The San Francisco Opera has just done the big reveal for 2015-2016 and here’s what we have in store. Read more »
La Cieca hears that there will be a little quasi-operatic activity on the Great White Way a year hence. Fall 2015 is the target date for an as yet untitled one-woman show based on the life of Kathleen Battle, scheduled to star Oscar winner Lupita Nyong’o. (And before you ask, no, the playwright is not Terrence McNally!)
Maestro Christian Thielemann has made his choice for Lohengrin casting in Dresden and, later, Bayreuth: “Anna Netrebko als Elsa und Piotr Beczala in der Titelpartie.” [Kurier]
“Ms. Netrebko, 43, spoke about her willingness to take risks…”
Given Anna Netrebko‘s continuing success at the Met in Macbeth (as evidenced by an mid-scene “brava” in last night’s Sirius broadcast), it’s time to think about the future—specifically her local assignments for next season.
This past week of contract negotiations at the Metropolitan Opera has been notable for the absence of any new PowerPoint presentations or fustian proclamations.
La Cieca hears that the Met’s planned production of West Side Story in the 2017-2018 season has been shelved.
Short answer: yes. But let’s begin by dismissing the a blatant canard. One thing that the Metropolitan Opera does not need to do is to scale back the number of performances in a season.
The Met’s financial challenges are not meteorological, demographic, or cyclical; they are structural.
Our Own JJ (not pictured) offers his recommendations for 10 opera and classical music events worth hearing this spring.