Given Anna Netrebko‘s continuing success at the Met in Macbeth (as evidenced by an mid-scene “brava” in last night’s Sirius broadcast), it’s time to think about the future—specifically her local assignments for next season. Read more »
This past week of contract negotiations at the Metropolitan Opera has been notable for the absence of any new PowerPoint presentations or fustian proclamations. One can only hope that this means that serious negotiations are, in fact, taking place. While we all sit huddled in Dante Park, telephoto lenses trained on the Grand Tier, eagerly awaiting news, we pass the time in speculation. Some thoughts after the jump. Read more »
La Cieca hears that the Met’s planned production of West Side Story in the 2017-2018 season has been shelved. No word yet on how (or whether) the company will salute the centennial of Leonard Bernstein‘s birth.
Short answer: yes. But let’s begin by dismissing the a blatant canard. One thing that the Metropolitan Opera does not need to do is to scale back the number of performances in a season.
The Met’s financial challenges are not meteorological, demographic, or cyclical; they are structural.
Our Own JJ (not pictured) offers his recommendations for 10 opera and classical music events worth hearing this spring.
Peter Gelb, the Met’s general manager… has engaged Mr. Domingo to sing Don Carlo in Ernani next season, Simon Boccanegra the following season and Nabucco in 2016-17.”
AGMA’s Alan Gordon warns his membership of a possible lockout by the Met if contract negotiations break down this summer.
Goddess Anna Caterina Antonacci takes the “Sophia Loren” starring role in La Ciociara, a new work premiering at San Francisco Opera in June, 2015.