Cher Public

  • m. croche: The lyrical, expressive score by Paula M. Kimper is the opera’s central attraction, and the closest comparison I can make to... 4:38 PM
  • La Cieca: Check back tomorrow at noon for a link to the video and a discussion page for La Juive. 4:23 PM
  • NPW-Paris: Another senior moment. I read “porker̶ 1;. 1:25 PM
  • Jungfer Marianne Leitmetzerin: Anna Netrebko’s “Vier letzte Lieder” (“Four Last Songs”) of Richard Strauss are now on Mixcloud. Christian... 1:04 PM
  • laddie: Whoops, WRONG day, dearie. 11:52 AM
  • laddie: No thread for La Juive? 11:51 AM
  • Will: Just when I’m thinking this whole barihunk thing is getting a little tired, along comes a picture of Mr. Jarrett Ott and I... 10:17 AM
  • Donna Anna: David, Watch “Alive Inside” if you want to see just how powerful music can be for people with dementia. Amazing... 9:15 AM

The singing dead

“Somehow with opera, just as with theatre, it turns out that the monster’s head still hasn’t been cut off. Or else, like any monster worthy of the name, it keeps finding ways to rise from the grave.” Occasional friend of the box Joseph Cermatori offers an obituary of sorts for opera in New York in 2011-2012 in PAJ: A Journal of Performance and Art.