Cher Public

  • armerjacquino: Haha, you think one person expressing a different opinion is some kind of all-pile-on ‘massacre 217;? What a... 5:14 AM
  • Howling in Tune: Granted it’s a recording and not a live performance, but I found Dawn Upshaw’s rendition on the album... 4:39 AM
  • Howling in Tune: In that case, we can blame Florida. Blaming Florida is usually a safe option. By the way, did you guys see that the... 4:34 AM
  • cgambol: Yes, she had hips. Women have them you know…. and your point? 2:47 AM
  • Quanto Painy Fakor: httpv://www.youtub e.com/watch?v=SwAh LaFV2bw 11:58 PM
  • PCally: Sills at her most beautiful https://www.google .com/search?q=beve rly+sills+tosca&am p;prmd=ivmn&so urce=lnms&t... 11:46 PM
  • Henry Holland: I love La Campana sommersa, it’s too bad that the only two recordings I know of have problems. There’s a... 11:38 PM
  • Quanto Painy Fakor: httpv://www.youtub e.com/watch?v=JhYz qkmq8sE 11:34 PM

The singing dead

“Somehow with opera, just as with theatre, it turns out that the monster’s head still hasn’t been cut off. Or else, like any monster worthy of the name, it keeps finding ways to rise from the grave.” Occasional friend of the box Joseph Cermatori offers an obituary of sorts for opera in New York in 2011-2012 in PAJ: A Journal of Performance and Art.