Cher Public

  • Cicciabella: Thank you so much, manou, for taking the time to sum It all up. “bows to pressure”: not really. Productions are... 12:59 AM
  • WindyCityOperaman: Conga! number my favorite song in the show! 11:03 PM
  • Poison Ivy: Thank you manou. Great review. And good to hear that Osborn’s upper register didn’t betray him in the big... 10:35 PM
  • laddie: Thank you manou. 10:11 PM
  • Batty Masetto: Read it all, manou, and not too long at all, either. 9:58 PM
  • gustave of montreal: Merci, cara. Et, bon 4 juillet aux américains. 8:57 PM
  • manou: …and also: http://tinyurl.com /pjgznbh 8:49 PM
  • vilbastarda: Lovely! Thank you for the detailed report, manou! Sounds like a successful night at the opera, with maybe some questionable... 8:48 PM

The singing dead

“Somehow with opera, just as with theatre, it turns out that the monster’s head still hasn’t been cut off. Or else, like any monster worthy of the name, it keeps finding ways to rise from the grave.” Occasional friend of the box Joseph Cermatori offers an obituary of sorts for opera in New York in 2011-2012 in PAJ: A Journal of Performance and Art.