Headshot of La Cieca

Cher Public

  • Feldmarschallin: BTW I got a very strange email from Todd. Did your account get hacked? You might want to... 4:11 AM
  • Feldmarschallin: Well Flora I must disagree with you. As much as I love Steber her Arabella cannot really be... 3:44 AM
  • Flora del Rio Grande: Mme Marschallin, my I suggest a better comment would be we haven’t had an... 1:01 AM
  • Guestoria Unpopularenka: I would welcome that. They should replace both of the hosts. 12:21 AM
  • Krunoslav: httpv://www.youtub e.com/watch?v=FYFE c33zoqE 12:05 AM
  • Constantine A. Papas: Tonight on the internet, I watched live streaming of a concert from Carnegie... 11:52 PM
  • zinka: httpv://www.youtub e.com/watch?v=LT9P x9Jg3HY NUMERO DOS (Osie was Numero Uno) in our Standee... 10:25 PM
  • Quanto Painy Fakor: Turning attention to South Korea tonight (Saturday) there was a José Carerras concert and... 9:07 PM
  • Grane: Hey, stories about musicians losing their instruments aren’t going to write themselves. 7:49 PM
  • Jungfer Marianne Leitmetzerin: I was there tonight. A great triumph for the company (some vocal snags but not... 7:29 PM

The singing dead

“Somehow with opera, just as with theatre, it turns out that the monster’s head still hasn’t been cut off. Or else, like any monster worthy of the name, it keeps finding ways to rise from the grave.” Occasional friend of the box Joseph Cermatori offers an obituary of sorts for opera in New York in 2011-2012 in PAJ: A Journal of Performance and Art.