Headshot of La Cieca

Cher Public

  • Buster: Bradic is indeed wonderful. She was in the ensemble in Antwerp a few years ago – saw her in... 4:30 PM
  • phoenix: I didn’t need another NYT Clinton endorsement, but read the article and enjoy it –... 4:29 PM
  • PushedUpMezzo: I was at one of the Dresden performances and she certainly convinced me. In fact, having heard... 4:16 PM
  • manou: http://opernnetz.d e/seiten/rezension en/dre_tri_hoe_131 116.htm 4:15 PM
  • PCally: The one review I read was decidedly mixed, after which I read that she canceled the Bayreuth Isolde.... 4:09 PM
  • Gualtier M: Hey Broken Record: The Richard Tucker Prize goes to a young AMERICAN singer. ALWAYS. (I know I... 4:08 PM
  • Thingsaregettingbetterdownhere: orestes: The boys can’t keep up with Goerke-Mattila-Bar ton, but that... 4:03 PM
  • turings: I’m glad they’re featuring Katarina Bradic in Amor vien dal destino. I don’t know... 3:51 PM
  • orestes: I’m going to Walkure on Thursday and can’t wait to hear her. She wowed me as Adalgisa,... 3:44 PM
  • uwsinnyc: Good points. I find her interesting but she doesn’t give me goosebumps and the voice never... 3:11 PM

The singing dead

“Somehow with opera, just as with theatre, it turns out that the monster’s head still hasn’t been cut off. Or else, like any monster worthy of the name, it keeps finding ways to rise from the grave.” Occasional friend of the box Joseph Cermatori offers an obituary of sorts for opera in New York in 2011-2012 in PAJ: A Journal of Performance and Art.