Headshot of La Cieca

Cher Public

  • m. croche: Nice to be reminded that critics for the German dailies can be just as goofy as their... 3:56 AM
  • Feldmarschallin: http://www.nzz.ch/ feuilleton/buehne/ ein-rosenkavalier- ohne-lebenstiefe-1 .18512522 3:41 AM
  • Feldmarschallin: http://www.sueddeu tsche.de/kultur/dr ei-festpremieren-v om-wochenende-bunt es-opernosterf... 2:01 AM
  • parpignol: that would be Faustina, one of the great felines of British literature. . . 12:43 AM
  • marshiemarkII: Armer! check this link: http://rateyourmus ic.com/release/alb um/giovanni_bat... 12:27 AM
  • marshiemarkII: Stutzmann, now that is a voice from the past, she was really wonderful and I really like the... 12:24 AM
  • DeepSouthSenior: I have a special fondness for the Pergolesi Stabat Mater with Nathalie Stutzmann and Roy... 12:11 AM
  • DeepSouthSenior: Thank, everyone, for the Don Carlo recommendations. Met on Demand video has only 1980 and... 11:39 PM
  • peter: Jack Jikes, coincidentally I’m reading Excellent Women right now, but I don’t think... 11:18 PM
  • antikitschychick: armerjac, yes the Forza Leonora is a spinto role and in general I don’t think those... 11:13 PM

The singing dead

“Somehow with opera, just as with theatre, it turns out that the monster’s head still hasn’t been cut off. Or else, like any monster worthy of the name, it keeps finding ways to rise from the grave.” Occasional friend of the box Joseph Cermatori offers an obituary of sorts for opera in New York in 2011-2012 in PAJ: A Journal of Performance and Art.