Headshot of La Cieca

Cher Public

  • La Cieca: Other cost saving measures are not directly relevant to the current negotiations, which are... 11:53 PM
  • Satisfied: Rumored for awhile now….apparen tly she’ll perform Elsa first in Dresden with... 11:42 PM
  • Henry Holland: Here’s an example of why I think the house is too damn big. I went to a Parsifal at the... 11:40 PM
  • coloraturafan: Yes, I have the video, however uploading anything from Munich onto YouTube is a risk. They... 11:30 PM
  • kashania: Also Norma and I don’t mind at all. 11:09 PM
  • Krunoslav: “To elaborate further, it’s Hector Berlioz’s 1859 version, with material added to entice... 11:03 PM
  • CwbyLA: Oh my! I really liked the Rodelinda production. I thought it was very suitable for such a static... 10:57 PM
  • phoenix: So did I. And it doesn’t make any sense. 10:54 PM
  • Leontynes Weave: And once again, not a single syllable about what other cost saving measures are necessary... 10:46 PM
  • Krunoslav: Sorry, but if it’s not made with Salad Cream, it’s *not* Krunoslaw. 10:38 PM

The singing dead

“Somehow with opera, just as with theatre, it turns out that the monster’s head still hasn’t been cut off. Or else, like any monster worthy of the name, it keeps finding ways to rise from the grave.” Occasional friend of the box Joseph Cermatori offers an obituary of sorts for opera in New York in 2011-2012 in PAJ: A Journal of Performance and Art.