Cher Public

  • Jungfer Marianne Leitmetzerin: Due to popular demand, Monday’s “Parsifal 221; has been posted at my Mixcloud site:... 7:31 PM
  • Jungfer Marianne Leitmetzerin: Cami, the link to BR-Klassik has said – from Day 1 – “Aus rechtlichen Gründen ist dieses... 5:03 PM
  • Cocky Kurwenal: D’Intino was Amneris at my first ever visit to the ROH, as a young teenager. I’ve looked out for her ever... 5:01 PM
  • Krunoslav: Actually, “bol’s hie” is plural. 4:56 PM
  • Krunoslav: One other world-class Eboli, though she didn’t seem to linger long abroad ever: Lucia d’Intino, whose Met debut... 4:53 PM
  • Cicciabella: Do the Old Norse myths are banal gibberish. Now we know. 4:38 PM
  • Cocky Kurwenal: There’s no doubt that Barton can be phenomenally classy – I loved her in her Cardiff performances. But having... 4:35 PM
  • Nero Wolfe: I heard Marc in a recital and was blown away–not only by the quality of her voice but by the sheer volume she could put... 4:04 PM

Equal rites

As with all good myths, certainly all the myths at the heart of Wagner’s operas, the juggling of symbols and archetypes and themes in Parsifal opens the piece to a great variety of interpretations. Many recent productions have twisted things in a way that seemed to strain or defy Wagner’s intricate libretto and lush, meticulous score: gray springtimes in a world beyond nuclear or environmental holocaust, that sort of thing. But the world of Wagner’s tale is, like our own, a world in crisis, on a razor’s edge. That’s bound to resonate with contemporary directors. They then have many options in setting out the workings of the crisis in this fable of a solution to whatever may be broken.   Read more »