Headshot of La Cieca

Cher Public

  • La Valkyrietta: The Walküre in that box is wonderful too, with Melchior and Flagstad. Leinsdorf conducts. Oh, and... 9:07 PM
  • La Valkyrietta: It’s a hundred bucks at the Met store. 9:00 PM
  • La Valkyrietta: I am sure Tebaldi never bounced, she used to walk down. 8:58 PM
  • MontyNostry: Aha. I was thinking to myself, “Ferruccio Tagliavini isn’t that famous.” 8:56 PM
  • La Valkyrietta: I’m sure it happened to her in Boston, unless my memory is playing tricks on me. 8:52 PM
  • Nerva Nelli: FT = Famous Tenor = Franco Corelli 8:47 PM
  • papopera: -FT ? ? ?? 8:44 PM
  • parpignol: I heard Haroutounian on Wednesday night and thought she was superb; beauty of tone, great control,... 8:42 PM

Equal rites

As with all good myths, certainly all the myths at the heart of Wagner’s operas, the juggling of symbols and archetypes and themes in Parsifal opens the piece to a great variety of interpretations. Many recent productions have twisted things in a way that seemed to strain or defy Wagner’s intricate libretto and lush, meticulous score: gray springtimes in a world beyond nuclear or environmental holocaust, that sort of thing. But the world of Wagner’s tale is, like our own, a world in crisis, on a razor’s edge. That’s bound to resonate with contemporary directors. They then have many options in setting out the workings of the crisis in this fable of a solution to whatever may be broken.   Read more »