Headshot of La Cieca

Cher Public

  • danpatter: Camille, I believe Beverly Sills’ recording of NORMA has “Casta diva” in G,... 10:47 PM
  • danpatter: I watched the ARABELLA clip with some trepidation. Fleming’s voice has loosened a bit, but... 10:31 PM
  • danpatter: Yes it Roberta Alexander, as the Fifth Maid, and she gets a very nice ovation at the end. Also... 10:23 PM
  • laddie: Do like the rest of us do, buy $32 tickets and move up. Better yet, volunteer a teensy amount of your... 9:31 PM
  • Ruxxy: What? She breathes oxygen and can move her legs and arms? lol 8:32 PM
  • pavel: Quite a tempting selection of treats, save for the Rameau. Even people dancing in their knickers... 8:10 PM
  • Archaeopteryx: I must say that I find Eaglen’s reading of Norma’s scene on her recital disc with... 6:29 PM
  • manou: Toscanini e passato naturalmente. 6:17 PM
  • manou: Toscanini ed “passatoR 21; non hanno bisogno di lettere in più. 5:52 PM
  • kashania: Well, that feistiness carries through the third act. My throat hurts! She’s very exciting but... 5:28 PM

C’est la guerre, mais ce n’est pas magnifique

“If war is hell, then Soldier Songs should rank somewhere around ‘purgatory.’ David T. Little’s hourlong opera, which made its NYC debut Sunday, takes a serious and exciting idea—the experiences of ordinary soldiers before, during and after combat—and reduces it to a mishmash of verbal and musical clichés.” [New York Post]