Headshot of La Cieca

Cher Public

  • 98rsd: That said, I just listened to the Celeste Aida and he sounds rather unsteady. Listen to the... 3:46 PM
  • 98rsd: The audience there doesn’t burst into applause at every opportunity. I’m not sure Kaufmann... 3:36 PM
  • Milady DeWinter: That was a wonderful (and funny) image – does the muddy ascent make that note... 3:28 PM
  • Patrick Mack: ” The four-wheeler-drive s-through-the-mud ascent to the high C in “O patria mia”... 3:23 PM
  • uwsinnyc: When was this concert recorded? I’m curious. It’s a deluxe voice; I hope she... 3:10 PM
  • kashania: Moore was in the rotation for the Met Aidas but had to withdraw when she became pregnant. 2:59 PM
  • armerjacquino: Well, I did say ‘apparently& #8217;… ;-) It’s interesting, that line in the... 2:59 PM
  • Porgy Amor: Thanks, moritz, especially for the review quotation. 2:39 PM
  • Clita del Toro: And what about Latonia Moore? I liked her Aida much more than Monastryrska’ ;s. 2:37 PM
  • manou: Two white hopes – Andrea Carè and Francesco Meli. Piero Pretti (quite pretty) is also well... 2:35 PM

C’est la guerre, mais ce n’est pas magnifique

“If war is hell, then Soldier Songs should rank somewhere around ‘purgatory.’ David T. Little’s hourlong opera, which made its NYC debut Sunday, takes a serious and exciting idea—the experiences of ordinary soldiers before, during and after combat—and reduces it to a mishmash of verbal and musical clichés.” [New York Post]