Cher Public

  • thenoctambulist: Well, I hear so much of maestro’s works that it hardly leaves me any time for anybody else. I can hardly make... 3:46 AM
  • mrsjohnclaggart: Thank you, Porgy, for being so kind. After I had posted I realized there was more than one poster here with a handle that... 1:55 AM
  • Cicciabella: Thanks, Ed. Everytime I see Callas on video it reinforces how much expression she put in the voice. You can see that she is... 1:43 AM
  • Porgy Amor: Weep no more, mrsjohnclaggart. I just looked at the entry in question (“Soft Center”), and that question was posed... 1:42 AM
  • zinka: httpv://www.youtub LcdZU7s HOLD ON TO YOUR…… ……R 30;……. Albania presents... 1:35 AM
  • Lohenfal: Anti, thanks for the detailed Tosca reviews. It seems that you were able to ignore all the debatable aspects of the production... 12:18 AM
  • la vociaccia: Ignored Cieca’s title, saw “Mascagni 221; and “duet” and am now supremely depressed that it... 11:54 PM
  • lorenzo.venezia: Beware the lethal F shard. 11:34 PM

One night only, one night only, there’s nothing more to say

The Art House in Provincetown, MA, headed by Mark Cortale, will present Metropolitan Opera Star Deborah Voigt in ‘Voigt Lessons’ created by Terrence McNally, Francesca Zambello and Deborah Voigt, for one night only on August 2 at 6:30 PM.

The recursion of kitsch

Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a Jake Heggie setting of Maria Callas‘s final monologue from Terrence McNally‘s Master Class. You know, the one that McNally didn’t actually write but rather collated from some random remarks Callas made in an entirely different emotional context. Read more »