Cher Public

  • Lohengrin: https://www.youtub e.com/watch?v=0gJl vu8FNxM https://www.youtub e.com/watch?v=Gd-o Ykr05Ec 2:06 AM
  • Quanto Painy Fakor: Youtubies like the vast collection collection of coloratura fan can be difficult to locate, but if you enter (for... 1:32 AM
  • Porgy Amor: I would have guessed O’Hara for Belinda, but the NYT’s piece has her as Dido. Also, Deborah Voigt is doing Pirates... 1:30 AM
  • Paysan Bleu: Camille, it was last July during the outdoor performance of the “Gala Anna Netrebko & Friends” in the... 1:19 AM
  • DerLeiermann: This news have me conflicted. 12:45 AM
  • Baritenor: Well, I’ll take “headlines I didn’t expect to read today” for 400 Alex. Does anyone know what the... 12:38 AM
  • Camille: Merci bien, mon ami L’oseau lyre! Yes, I auditioned this version as well but decided to go for the one more close in time... 10:25 PM
  • Gualtier M: As for the fusty English translation – I have a suspicion that they used an old, out of copyright translation from the... 10:15 PM

One night only, one night only, there’s nothing more to say

The Art House in Provincetown, MA, headed by Mark Cortale, will present Metropolitan Opera Star Deborah Voigt in ‘Voigt Lessons’ created by Terrence McNally, Francesca Zambello and Deborah Voigt, for one night only on August 2 at 6:30 PM.

The recursion of kitsch

Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a Jake Heggie setting of Maria Callas‘s final monologue from Terrence McNally‘s Master Class. You know, the one that McNally didn’t actually write but rather collated from some random remarks Callas made in an entirely different emotional context. Read more »