Cher Public

  • PCally: She’s quite open about it as well. I believe she’s married with a child. 9:08 AM
  • Walther von Holzhaufen: A very perceptive observation, m. croche. 4:10 AM
  • gerbear: Thank you PCally: Ms. Pieczonka was the first person I thought of as well. 10:38 PM
  • Krunoslav: “what to make of Christopher Marlowe’s Edward II? ” That’s a Poker Scene to rival the one in FANCIULLA. 9:10 PM
  • m. croche: The lyrical, expressive score by Paula M. Kimper is the opera’s central attraction, and the closest comparison I can make to... 4:38 PM
  • La Cieca: Check back tomorrow at noon for a link to the video and a discussion page for La Juive. 4:23 PM
  • NPW-Paris: Another senior moment. I read “porker̶ 1;. 1:25 PM
  • Jungfer Marianne Leitmetzerin: Anna Netrebko’s “Vier letzte Lieder” (“Four Last Songs”) of Richard Strauss are now on Mixcloud. Christian... 1:04 PM

One night only, one night only, there’s nothing more to say

The Art House in Provincetown, MA, headed by Mark Cortale, will present Metropolitan Opera Star Deborah Voigt in ‘Voigt Lessons’ created by Terrence McNally, Francesca Zambello and Deborah Voigt, for one night only on August 2 at 6:30 PM.

The recursion of kitsch

Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a Jake Heggie setting of Maria Callas‘s final monologue from Terrence McNally‘s Master Class. You know, the one that McNally didn’t actually write but rather collated from some random remarks Callas made in an entirely different emotional context. Read more »