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Cher Public

  • "Ok, but it’s crazy to think of the Komische as small. Yes, they’re..." - Bluebeard
  • "Bluebeard, what I’m saying is that the model for running a smaller, regional..." - Poison Ivy
  • "As far as I’m aware, the problem with attracting premiere singers at Bayreuth..." - Bluebeard
  • "good points Ivy, but wouldn’t you agree that some changes are still..." - antikitschychick
  • "Not to stray too far from the discussion from Ianw’s liquid shits, but for my..." - m. croche
  • "Just a couple of details: – The Komische Oper draws singers primarily from a..." - Fluffy-net
  • "A penthouse Don G. How revolutionary. Next you’ll blow my mind with a Verdi..." - ianw2
  • "If someone is really interested in opera, they would likely read the few paragraphs..." - ianw2

The recursion of kitsch

Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a Jake Heggie setting of Maria Callas‘s final monologue from Terrence McNally‘s Master Class. You know, the one that McNally didn’t actually write but rather collated from some random remarks Callas made in an entirely different emotional context. Read more »