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Cher Public

  • Quanto Painy Fakor: Things are not going well in Rome either. On Tuesday the board of the Rome Opera will... 1:24 AM
  • la vociaccia: The Peter Grimes production was a huge musical achievement; unfortunately everyone hated the... 1:14 AM
  • Sempre liberal: Are they arguing for the return of Anthony Bliss (Boheme) or Bruce Crawford (Aida)? Granted,... 1:07 AM
  • la vociaccia: I wouldn’t call her top ‘free,’ ; when she’s confident and in her... 1:01 AM
  • FomalHaut: I hadn’t realized Le Comte Ory was reviewed so poorly; I thought the combination of Damrau,... 12:46 AM
  • laddie: A nice little clip of Morley from King Roger a couple of years ago: httpv://www.you... 12:26 AM
  • steveac10: One glaring (and telling)inaccuracy – the Boheme and Aida are credited in part to... 12:22 AM
  • Krunoslav: What about Charles Castronovo if we’re casting for body type ( he also has better French... 12:10 AM
  • laddie: How wonderful that she will be able to grace the stage of the Paris Opera. I believe it is mentioned... 12:05 AM
  • johns33: Basing his arguments on reviews is silly. As for the ones he cites as getting a negative review: I... 12:00 AM

The recursion of kitsch

Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a Jake Heggie setting of Maria Callas‘s final monologue from Terrence McNally‘s Master Class. You know, the one that McNally didn’t actually write but rather collated from some random remarks Callas made in an entirely different emotional context. Read more »