Cher Public

  • luvtennis1: On records? Crespin. A live recording from the 60s. Awesome. 1:38 AM
  • la vociaccia: I never said she should hang it up or anything like that; I’ve said frequently that she’s extremely effective... 11:39 PM
  • Krunoslav: Funny, I had written Gorr and then realized it’s been many, many years since I’ve heard that performance.... 11:18 PM
  • Poison Ivy: Ok to use a more contemporary example other than Birgit Nilsson, would you want to hear Anna Netrebko, Sondra Radvanovsky or... 10:01 PM
  • la vociaccia: Surely there lies a gulf between “singing it well” and “covering yourself in glory.” I agree this is... 9:52 PM
  • joggerboy: Was anyone able to listen to it yet? France Musique hasn’t put it On Demand yet. 9:44 PM
  • Poison Ivy: I think this argument is getting rather pointless. For instance I don;t think Birgit Nilsson covered herself in glory when she... 8:39 PM
  • laddie: I took him to mean that he was previewing the role debut at the MET. He has sung the role in Torino as well as London. 8:25 PM

One night only, one night only, there’s nothing more to say

The Art House in Provincetown, MA, headed by Mark Cortale, will present Metropolitan Opera Star Deborah Voigt in ‘Voigt Lessons’ created by Terrence McNally, Francesca Zambello and Deborah Voigt, for one night only on August 2 at 6:30 PM.

The recursion of kitsch

Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a Jake Heggie setting of Maria Callas‘s final monologue from Terrence McNally‘s Master Class. You know, the one that McNally didn’t actually write but rather collated from some random remarks Callas made in an entirely different emotional context. Read more »