Headshot of La Cieca

Cher Public

  • damekenneth: Well, Lotfi never admitted liking men. 5:47 PM
  • operaassport: Probably. 5:42 PM
  • manou: He did sing at the subsequent performances. 5:32 PM
  • MontyNostry: … with an unnecessary British import? 5:03 PM
  • operaassport: Friend doesn’t cast Mimi, he would cast Colline. 4:41 PM
  • manou: Then I am certainly of a certain age. *Sniff* 4:36 PM
  • liza: @ M.Croche: Frankly I have no idea. 4:22 PM
  • almavivante: More on the subject of autobiography: I guess we really can’t expect opera stars to... 4:09 PM
  • Albertine: I should add that I was present on the night but I’ll refrain from commenting on... 3:55 PM
  • Albertine: Gaultier, there have already been several more objective comments in the off- topic discussion... 3:51 PM

Deliberate cruelty is unforgivable

For the second performance of Renée Fleming‘s “Perspectives” performances at Carnegie Hall she chose a semi-staged version of André Previn‘s A Streetcar Named Desire, with the “People’s Diva” herself in the iconic role of the unstable Blanche DuBois.  Bravo to her for choosing an opera based on an American subject matter that had yet to be presented in NYC!  Bravo to her for arriving at a level of celestial operatic stardom that allows her to cherry pick all manner of repertoire for her own series of concerts presented at Carnegie Hall!

And yet… Read more »

Big Daddy says “bullfighter”

Says the Met press office this snowy afternoon: “Dwayne Croft will sing the role of Escamillo in Bizet’s Carmen on February 9, 13, and 16, replacing Teddy Tahu Rhodes, who determined in rehearsals that the role was no longer suitable for his voice. Casting for the performances on February 20, 23 matinee, 26, and March 1 will be announced at a later date.”

Solid gold

Mezzo-soprano Isabel Leonard has been named the recipient of the sixth annual Beverly Sills Artist Award for young singers at the Metropolitan Opera. She receives a $50,000 prize and is married to Teddy Tahu Rhodes, which frankly strikes La Cieca as overkill. (Photo: Marty Sohl/Metropolitan Opera)