Headshot of La Cieca

Cher Public

  • mia apulia: Thank you Arianna; I am truly dotty with the late hour and a...
  • Arianna a Nasso: Caballe's studio Duchess is Anna Reynolds. Verrett recorded...
  • mia apulia: I heard this production in the 60s and have very happy memor...
  • louannd: Here is a good quote for you, from "Frontal Cortex" blog: ...
  • Indiana Loiterer III: I might also note that Lambton shows a lot less knowledge of...
  • Indiana Loiterer III: My problem with attitudes like Douglas's and Taruskin's is t...
  • The Wistful Pelleastrian: Hi Kennedet,Thanks for quoting a very interesting and...
  • A. Poggia Turra: For some reason, I always find myself rooting for the Duches...
  • Henry Holland: and how many would say “L’Amour De Loin?”Me, my f...
  • RosinaLeckermaul: The Donmar Warehouse in London just did a brilliant revival ...

blog advertising is good for you

Pray for Verena’s baby

koboldSiegfried Wagner ‘s 1903 opera Der Kobold  (The Goblin) is a fascinating yet infuriating work. It often seems as if both music and libretto were written by a committee that couldn’t come to agreement.   The plot structure careens wildly from realism to mysticism to symbolism; the music hops from style to style and influence to influence until S. Wagner’s own stamp is hard to find.

The story is the journey of Verena, tormented by dreams of her illegitimate child who now appears to her as a goblin, searching for redemption. We learn that her own cruel mother killed Verena’s child, and there are dark hints of sexual abuse.   Read more »