Cher Public

  • overstimmelated: Thank you so much – had always wished I could hear this again – and on this recording, one can! Does a tape... 10:33 PM
  • Ingrid Delaria: Alessandra Marc sang in a Washington National Opera concert of scenes and arias at Strathmore in Bethesda, MD around... 10:10 PM
  • Jungfer Marianne Leitmetzerin: Due to popular demand, Monday’s “Parsifal 221; has been posted at my Mixcloud site:... 7:31 PM
  • Jungfer Marianne Leitmetzerin: Cami, the link to BR-Klassik has said – from Day 1 – “Aus rechtlichen Gründen ist dieses... 5:03 PM
  • Cocky Kurwenal: D’Intino was Amneris at my first ever visit to the ROH, as a young teenager. I’ve looked out for her ever... 5:01 PM
  • Krunoslav: Actually, “bol’s hie” is plural. 4:56 PM
  • Krunoslav: One other world-class Eboli, though she didn’t seem to linger long abroad ever: Lucia d’Intino, whose Met debut... 4:53 PM
  • Cicciabella: Do the Old Norse myths are banal gibberish. Now we know. 4:38 PM

High notes on camp

“In naïve, or pure, Camp, the essential element is seriousness, a seriousness that fails. Of course, not all seriousness that fails can be redeemed as Camp. Only that which has the proper mixture of the exaggerated, the fantastic, the passionate, and the naïve.” (Susan Sontag)   Read more »

The recursion of kitsch

Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a Jake Heggie setting of Maria Callas‘s final monologue from Terrence McNally‘s Master Class. You know, the one that McNally didn’t actually write but rather collated from some random remarks Callas made in an entirely different emotional context. Read more »