Cher Public

  • PCally: Had no idea she was still singing. I guiltily admit that I’m rather unfamiliar with most of her work, outside some opera... 4:50 AM
  • redbear: There was an old BBC series shown on PBS, “The Story of English.” I remember regional speakers had (very necessary)... 3:07 AM
  • Krunoslav: In truth, an impressive list: 5 Elektra: Orest [Bailey, Norman] 7 Elektra: Orest [Cassel, Walter] 14 Elektra: Orest [Dooley,... 2:53 AM
  • Buster: After cancelling her October farewell recitals, Helen Donath has now also cancelled the one at the Vienna Staatsoper due to... 2:53 AM
  • Feldmarschallin: Der amerikanische Heldentenor und Kammersänger Stephen Gould wird sich aus familiären Gründen und auf Anraten seines... 2:35 AM
  • Lohenfal: Grim, I remember your opinion of Meistersinger from a year or two ago and am not going to refute it. Everything you say about... 12:55 AM
  • pirelli: I only saw the Grimes on TV. I thought it was horrible. Doyle has this incredible knack for taking highly dramatic pieces and... 12:08 AM
  • -Ed.: Why doesn’t the Met hold their HD-broadcast intermissions on stage, in house? It seems a shame to deny the house from such... 11:36 PM

High notes on camp

“In naïve, or pure, Camp, the essential element is seriousness, a seriousness that fails. Of course, not all seriousness that fails can be redeemed as Camp. Only that which has the proper mixture of the exaggerated, the fantastic, the passionate, and the naïve.” (Susan Sontag)   Read more »

The recursion of kitsch

Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a Jake Heggie setting of Maria Callas‘s final monologue from Terrence McNally‘s Master Class. You know, the one that McNally didn’t actually write but rather collated from some random remarks Callas made in an entirely different emotional context. Read more »