Headshot of La Cieca

Cher Public

  • "Hi Feldmarschallin, found a nice Interview with AH and would like to mail it to..." - Lohengrin
  • "Sorry for the typing error: NPW-Paris ,of course" - Albertine
  • "re: le Roi Arthus ,NWP-Paris, I read your review (we left at the interval) with..." - Albertine
  • "Oh meine liebe Feldmarschallin, how was Lulu? I am going on the 6th and would love..." - Fluffy-net
  • "It will be on CultureBox on June 2: http://culturebox. francetvinfo.fr/" - NPW-Paris
  • "For the musical side. So far, I’ve only seen reviews that loved the singing..." - NPW-Paris
  • "that was a lovely and informative report kashania; thank you :-). I went on..." - antikitschychick
  • "…and speaking of Halevy, this week’s “World of Opera”..." - operablogger

The recursion of kitsch

Like the double or triple negative (where theoretically pairs of “nots” cancel each other out, but in practice you can’t be so sure) this tidbit of news La Cieca just read has her confused and uncertain. It seems that at a recital in Tulsa last night, Dame Kiri te Kanawa sang as an encore a Jake Heggie setting of Maria Callas‘s final monologue from Terrence McNally‘s Master Class. You know, the one that McNally didn’t actually write but rather collated from some random remarks Callas made in an entirely different emotional context. Read more »