Cher Public

  • Camille: Beautiful voice, technique, intonation, musicality, and singing. Thank you for introducing me to this particular piece as I am... 10:09 PM
  • Batty Masetto: Oy, but some of those farkakte shmattes they put on the ladies these days! 9:58 PM
  • Camille: Alagna will be singing Éléazar in Feldmarschallin 217;s backyard, in München next June. I remember noting that it will be... 9:46 PM
  • Camille: Thank you again so kindly and now I shall make a point of it. His terrible suicide becomes a bit more clear as, for a writer, the... 9:28 PM
  • Camille: So relieved to hear you are home safely and are not still levitating over Josie Robertson Plaza in extasi! You don’t know... 9:22 PM
  • LT: Tomorrow(Sunday)th e traditional Advenskonzert from Dresden will take place with Sonya Yoncheva and Luca Pisaroni. It will be... 8:52 PM
  • antikitschychick: Just got back from the matinee of Tosca and omfg I died. I.AM.DEAD. Morta I tell you! It was riveting. When Tosca jumped... 8:52 PM
  • Rowna: We were ungepotchked as well. And I am so glad to see Yiddish on Parterre. Sometimes the sets of opera productions have too many... 8:39 PM

Count or countess

“Mezzo Susan Graham’s 2015-16 Includes Count/Countess Double Act at the Met Opera in November and December” [21c Media Group]

Fou fighter

It is easy to become overly identified with opera—as a cleverer friend of mine once noted: being a sports fan is an interest, but if you like opera, everyone thinks of it as a crippling obsession. Les Troyens doesn’t help matters; “I’m going to a four hour opera,” you tell someone, trying to convey the magnitude of Troyens, but somehow it seems not to hint at the right degree of lunacy, so the next time, you include intermissions and say “I’m going to a five hour opera” and up and up it goes until you admit, between puffs on your gauloise, that everyone was right and you must be tres fou.   Read more »

The woman in Greene

Susan Graham (pictured) and Piotr Beczala are the latest additions to the roster of “WQXR Presents Metropolitan Opera Spring Highlights” at The Greene Space on Monday, April 6 at 7:00 PM. And a lucky parterrian +1 will be special guests at the event!   Read more »


Le roi danse

“This summer, [Susan] Graham will cap her season in Paris by making her role debut as Anna in The King and I at the Théâtre du Châtelet (June 13-29).”

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Photo: Ken Howard/Metropolitan Opera

West side, east side

Recently, opera showed up at both Mets, the Metropolitan Opera and the Metropolitan Museum of Art.

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Teen spirit

La Cieca thought it would be amusing to do a bit of speculation about what’s to come as we approach the middle of the decade.

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She’s Tyred

Elizabeth Bishop will sing Didon today at the Met, replacing an ailing Susan Graham.

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Our retrospection will now be all to the future

La Cieca predicts you won’t be seeing any puritans at the Met next season, except of course for the ones who slouch around during intermission hissing, “You call that a trill?”

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