Headshot of La Cieca

Cher Public

  • Clita del Toro: I watched about half of The Requiem as I didn’t know it was on. I did enjoy it. 12:04 AM
  • 98rsd: Am I missing some key fact? Is there a reason an orchestra member SHOULD be paid more “than,... 12:00 AM
  • steveac10: Who said anything about outsourcing? I said there are innumerable qualified applicants for that... 11:56 PM
  • Constantine A. Papas: To change the subject: did anyone watch Verdi’s Requiem with LA Philharmonic on... 11:56 PM
  • steveac10: I said nothing about glamour. I also think you are underestimating the pool of talent that would... 11:48 PM
  • ianw2: I hadn’t responded as I haven’t read the 2012 book- I’m drawing on what I know... 11:40 PM
  • DellaCasaFan: It sounds from his subsequent response to ianw2 that the quality-adjusted productivity was not... 11:35 PM
  • ianw2: I should’ve added ‘public̵ 7; to the description of ‘cheerleader ’.... 11:23 PM
  • ianw2: Since you brought it up, the HDs could be argued as a way of increasing productivity with a fixed... 11:22 PM
  • La Cieca: i love the assumption, for example, that members of the met orchestra really don’t deserve to be... 10:56 PM

Blood types

“The finale of Sweeney Todd left the stage of Avery Fisher Hall littered with corpses, but the evening, for all its flaws, felt vibrantly alive. If only the Met could get similarly revved for its production of Wozzeck. On Thursday night, the opera, whose graphic violence quotient is small potatoes compared to the Sweeney Todd bloodbath, played to a listless half-empty house.” [New York Observer] (Photo: Chris Lee)

Hats off!

The stunning New Broadway Cast Recording of Sondheim’s Follies is currently on sale on Amazon for an astonishing $4.99: that’s to download the entire two discs’ worth of music and dialogue from the current Broadway revival of this landmark musical. Though La Cieca was on the fence about this production, she can recommend without reservation this recording, produced brilliantly by Tommy Krasker.   Read more »

Topper

“…to a certain degree, good critics are no longer necessary to find. The phrase ‘Everybody’s a critic’ has taken on a universal cast. The internet encourages people to share their opinions with the world. In the theatre, the buzz created by chatroom chatters has become increasingly important to a show’s reputation before it opens. There are thousands of critics tapping away their opinions to whoever will listen – so who needs a paid pontificator to tell you what your opinion should be?” Stephen Sondheim rebuts Michael Kaiser and ponders the utility of Sanskrit to the librettist in excerpts from his new book Look, I Made a Hat: Collected Lyrics (1981-2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes and Miscellany. (Photo: Getty Images)

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“Then, with financial assistance provided by the United Negro College Fund, Bess got a degree in medical transcription…”

“Instead of Bess’s leaving their Charleston ghetto for New York by herself, with the crippled Porgy giving chase some time later, the Broadway version would include a newly invented scene in which Bess tries to persuade Porgy to start a new life with her up North. She leaves, followed by Porgy; one final stage picture that was considered had the two looking at each other at a distance. The intent was to indicate that Porgy and Bess would be reunited.” [New York Times]

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The folly of fidelity

Our Own JJ returns to the pages of Capital New York to reflect on the current Broadway revival of the Sondheim-Goldman musical Follies: “one gorgeous zombie.” (Photo: Joan Marcus)

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It ain’t necessarily bold

Musical theater doyen Stephen Sondheim is not amused by plans to “revamp” (or, La Cieca might venture to pun, “devamp”) Porgy and Bess, thus “to transform the classic 1935 opera into a commercial Broadway musical.” La Cieca thinks this controversy will make for a very interesting sidebar in the ongoing Regie debate.

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Once more unto the “Beached”

The snafu over “homophobia row opera” Beached by Billy Elliot creator Lee Hall has been resolved thanks to a small lyric change.

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Who is Heidi?

UPDATE: La Cieca has just heard from Rosalind Elias‘s management with the news that the veteran mezzo will indeed transfer to Broadway with the Kennedy Center company of Follies. Apparently Playbill was given erroneous information.

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