The Deutsche Opera an Rhein production of Handel’s Xerxes (which is shared with the Berlin Komische Oper), though I saw it three nights ago, has taken a while to settle down in my brain. That’s not because the Stefan Herheim production is particularly abstruse but rather, on the contrary, because at least at first viewing it seemed relatively straightforward. On the night, I was a little disappointed because I expected something more challenging. Read more »
In the cult TV comedy Schitt’s Creek, there’s a scene in which the penniless socialite Moira Rose (the scintillating Catharine O’Hara) is offered an acting job, a commercial promoting a small-town winery’s ghastly fruit-based wine. “It’s our Cabernet Merlot Petit Grenache,” the vintner boasts, to which Moira gamely replies, “Sounds delightfully busy.” Read more »
Your doyenne and her faithful confidante Dawn Fatale are off later this week for a safari, seeking the wild Regie in its natural habitat. Fans of the box who might like to meet up with Dawn or little me during our peregrinations are advised to consult the itinerary after the jump. Read more »
After viewing Stefan Herheim’s production of Rusalka, I’ve got a new category: “regie slick.”
La Cieca asks all members of the cher public in the New York City area to pencil in 3:00 pm on Sunday, November 24 as combination meet-and-greet of the parterriani and viewing of the HD film of Les Vêpres siciliennes at Symphony Space.
La Cieca has been wining, dining and otherwise wooing her Met connection (pictured above) and he (or is it she?) has come across with some tidbits about upcoming seasons at Casa Gelb.