“After five flops in a row, Mr. McVicar continues to win new assignments from the Met: in the 2017-2018 season alone, he’s booked for Bellini’s Norma and Puccini’s Tosca, with Cilea’s Adriana Lecouvreur down the line.” [Observer]
The strange and deeply moving production of La bohème by Stefan Herheim for Den Norske Opera begins at 1:00 EDT this afternoon. You can watch it here on parterre, after the jump. Read more »
This summer’s hottest opera event was Stefan Herheim‘s production of Les Contes d’Hoffmann at the Bregenz Festival. The video after the jump has everything: transgender muses, planted hecklers, Offenbach, serendipitous allusions to Caitlyn Jenner, reassigned music and the origin of the world. Read more »
“Few operas better represent a moment such as ours, when stability and long-held certainties are hard to come by, particularly in regard to sexuality.”
The Deutsche Opera an Rhein production of Handel’s Xerxes (which is shared with the Berlin Komische Oper), though I saw it three nights ago, has taken a while to settle down in my brain.
It will come to no surprise to followers of the direction of Stefan Herheim (or to readers of La Cieca’s gushing fangirl appreciations of his work) that his Stuttgart production of Der Rosenkavalier was as “delightfully busy” as we have come to expect.
Your doyenne and her faithful confidante Dawn Fatale are off later this week for a safari, seeking the wild Regie in its natural habitat.
After viewing Stefan Herheim’s production of Rusalka, I’ve got a new category: “regie slick.”