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Cher Public

  • Cicciabella: The first 4:06 AM
  • Porgy Amor: Ouf: JV is alive at 88, but, sadly, not in a condition to provide assistance here. :-( I... 4:04 AM
  • MontyNostry: NL would never be so straightforward as to use such plain-coloured language. He is the would-be... 4:03 AM
  • Quanto Painy Fakor: httpv://www.youtub e.com/watch?v=OWC9 iV-eY7M 3:30 AM
  • Ouf: Many thanks, Moritz. It would make sense that ORF would b’cast the premiere, not a later... 2:09 AM
  • Rackon: Angela is singing/sang Aida in Hamburg and Pitsburgh this year, she did something with Phillidelphia... 1:25 AM
  • Poison Ivy: sorry let me try this again: httpv://www.youtub e.com/watch?v=6OU0 KOBK9pU httpv://www.you... 1:12 AM
  • Poison Ivy: More from this performance: httpv://www.youtub e.com/watch?v=6OU0 KOBK9pU https://www.you... 1:11 AM
  • Poison Ivy: Galina Gorchakova. 12:43 AM
  • Porgy Amor: Then again, she must have known that she’d never have a night like this for her own retirement.... 12:43 AM

The dark side of the moon

One of my favorite terms to use to describe productions nowadays is “regie lite.” Regie lite productions dominate Glyndebourne, Salzburg, and increasingly, the Metropolitan Opera. Traditional stage directions are tweaked, periods are reset, but not in a way that radically deconstructs the work. If hardcore “regie” directors do a Michael Jackson total-deconstruction makeover on the opera, regie lite productions do a, well, Nancy Pelosi botox session. After viewing a new DVD of Stefan Herheim’s production of Rusalka, I’ve got a new category: “regie slick.” Read more »

Rule number 11

Cher public, you may remember that about 18 years ago a parterre writer called Dr. Repertoire came up with a handy list of rules for stage directors. Well, La Cieca believes it is high times for a revision or two of this (by internet standards) antiquated document. Read more »

Rêve divin! heureux délire!

Attendees of tomorrow’s parterre meet and greet (pictured) are reminded that Our Own JJ will be available in the Bar Thalia area of Symphony Space beginning at 2:00 for ticket pickup and registration for what promises to be a truly staggering door prize to be awarded during the second intermission of Les Vêpres Siciliennes. Read more »

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Save the date!

La Cieca asks all members of the cher public in the New York City area to pencil in 3:00 pm on Sunday, November 24 as combination meet-and-greet of the parterriani and viewing of the HD film of Les Vêpres siciliennes at Symphony Space.

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The mystery of Stefan’s “Vêpres”

The much-anticipated Stefan Herheim production of Les Vêpres Siciliennes opened last night at the Royal Opera, and the New York TimesZachary Woolfe was something less than completely bowled over.

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captain_future

We’ll settle that tonight!

La Cieca has been wining, dining and otherwise wooing her Met connection (pictured above) and he (or is it she?) has come across with some tidbits about upcoming seasons at Casa Gelb.

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tony

And Tony goes to…

La Cieca spies spotted the New York TimesAnthony Tommasini at the opening of the Salzburg Meistersinger, which indicates his review should be appearing by tomorrow at the latest.

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meistersinger_music_land

Smile, Darn Ya, Smile!

Wagner’s Meistersinger, in a witty, sumptuous performance (thanks to Stefan Herheim and Daniele Gatti, respectively) is now being streamed on 3sat.online, available, so far as La Cieca can tell, wherever the internet reaches.

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Desk set

Stefan Herheim‘s production of Die Meistersinger is set on the surface of Hans Sachs’ writing table!

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Blancke_Biggs

She sang a mouthful

Soprano Elizabeth Blancke-Biggs sings the final scene from Salome in the Stefan Herheim production for Den Norske Opera.

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