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Cher Public

  • EarlyRomantic: Warmest birthday greetings to the unequaled Cheryl Studer. httpv://youtu.be/a bCwD32hWpI 4:54 PM
  • Dabrowski: Dershowitz, in his characteristically self-congratulator y review, describes himself as an opera... 4:31 PM
  • luvtennis: Some miscellaneous thoughts. I just read a post on Opera L that states un-ironically, that... 4:15 PM
  • armerjacquino: Your post *is* a direct reply to LV- you can tell by the tabulation. If you had wanted to... 3:49 PM
  • overstimmelated: In reply to Feldmarschallin, isn’t that how the term’s always been used in... 3:48 PM
  • 98rsd: I never know where my post is going to go. I would have responded directly to LV if there had been a... 2:28 PM
  • 98rsd: or perhaps more than a bit… 2:25 PM
  • La Valkyrietta: Oh dear, had I known that my little post would be taken so seriously I would never have... 2:10 PM
  • MontyNostry: Is that Kevin Kline on the left in the Csárdásfürstin image too? 1:41 PM
  • Feldmarschallin: Well doesn’t every production have a Regisseur? In Europe one never says it is a... 1:15 PM

The dark side of the moon

One of my favorite terms to use to describe productions nowadays is “regie lite.” Regie lite productions dominate Glyndebourne, Salzburg, and increasingly, the Metropolitan Opera. Traditional stage directions are tweaked, periods are reset, but not in a way that radically deconstructs the work. If hardcore “regie” directors do a Michael Jackson total-deconstruction makeover on the opera, regie lite productions do a, well, Nancy Pelosi botox session. After viewing a new DVD of Stefan Herheim’s production of Rusalka, I’ve got a new category: “regie slick.” Read more »

Rule number 11

Cher public, you may remember that about 18 years ago a parterre writer called Dr. Repertoire came up with a handy list of rules for stage directors. Well, La Cieca believes it is high times for a revision or two of this (by internet standards) antiquated document. Read more »

Rêve divin! heureux délire!

Attendees of tomorrow’s parterre meet and greet (pictured) are reminded that Our Own JJ will be available in the Bar Thalia area of Symphony Space beginning at 2:00 for ticket pickup and registration for what promises to be a truly staggering door prize to be awarded during the second intermission of Les Vêpres Siciliennes. Read more »

vesper

Save the date!

La Cieca asks all members of the cher public in the New York City area to pencil in 3:00 pm on Sunday, November 24 as combination meet-and-greet of the parterriani and viewing of the HD film of Les Vêpres siciliennes at Symphony Space.

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vepres

The mystery of Stefan’s “Vêpres”

The much-anticipated Stefan Herheim production of Les Vêpres Siciliennes opened last night at the Royal Opera, and the New York TimesZachary Woolfe was something less than completely bowled over.

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captain_future

We’ll settle that tonight!

La Cieca has been wining, dining and otherwise wooing her Met connection (pictured above) and he (or is it she?) has come across with some tidbits about upcoming seasons at Casa Gelb.

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tony

And Tony goes to…

La Cieca spies spotted the New York TimesAnthony Tommasini at the opening of the Salzburg Meistersinger, which indicates his review should be appearing by tomorrow at the latest.

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meistersinger_music_land

Smile, Darn Ya, Smile!

Wagner’s Meistersinger, in a witty, sumptuous performance (thanks to Stefan Herheim and Daniele Gatti, respectively) is now being streamed on 3sat.online, available, so far as La Cieca can tell, wherever the internet reaches.

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meistersinger

Desk set

Stefan Herheim‘s production of Die Meistersinger is set on the surface of Hans Sachs’ writing table!

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Blancke_Biggs

She sang a mouthful

Soprano Elizabeth Blancke-Biggs sings the final scene from Salome in the Stefan Herheim production for Den Norske Opera.

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