Cher Public

  • le cerf agile: Oh my… Thank you for the recommendation: after a 12-hour day at work, that closed captioning really was a true... 11:16 PM
  • gustave of montreal: Königskinder, sumptuous score. 9:58 PM
  • Ilka Saro: Yes, true! One can’t imagine such spritely madrileña favorites as “Ella giammai m’amo” keeping their... 9:47 PM
  • gustave of montreal: those who are time-challenged and/or want to test-drive ? ? ? what does that mean in plain English ???? 9:41 PM
  • Stefan: I definitely agree with the earlier comment that said “There’s no such thing as bad regie, just regie you don’t yet understand.” I... 9:20 PM
  • Batty Masetto: For true delight, turn on closed captioning for this. (Best if you know some French.) Better than Google translate. 9:13 PM
  • la vociaccia: I have no words. How someone who would say something like that ever found himself in opera is fucking beyond me. I mean. Wow 7:48 PM
  • manou: httpv://www.youtub e.com/watch?v=-xci 9XyvKqo or https://www.youtub e.com/watch?v=-xci 9XyvKqo 7:35 PM

Tales of Stefan

This summer’s hottest opera event was Stefan Herheim‘s production of Les Contes d’Hoffmann at the Bregenz Festival. The video after the jump has everything: transgender muses, planted hecklers, Offenbach, serendipitous allusions to Caitlyn Jenner, reassigned music and the origin of the world.   Read more »

“Venez-vous me mettre en bustier, cher auteur de mes maux?”

“Few operas better represent a moment such as ours, when stability and long-held certainties are hard to come by, particularly in regard to sexuality.” [New York Times]

The bough friend

The Deutsche Opera an Rhein production of Handel’s Xerxes (which is shared with the Berlin Komische Oper), though I saw it three nights ago, has taken a while to settle down in my brain. That’s not because the Stefan Herheim production is particularly abstruse but rather, on the contrary, because at least at first viewing it seemed relatively straightforward. On the night, I was a little disappointed because I expected something more challenging. Read more »

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The blue dream

It will come to no surprise to followers of the direction of Stefan Herheim (or to readers of La Cieca’s gushing fangirl appreciations of his work) that his Stuttgart production of Der Rosenkavalier was as “delightfully busy” as we have come to expect.

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Deadline

Bühne nights

Your doyenne and her faithful confidante Dawn Fatale are off later this week for a safari, seeking the wild Regie in its natural habitat.

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futureworld

From a distance

Things coming in the future, cher public: Anna Netrebko sings Adriana, Maddalena and Turandot; Stefan Herheim directs Der Ring des Nibelungen.

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The dark side of the moon

After viewing Stefan Herheim’s production of Rusalka, I’ve got a new category: “regie slick.”

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Anna Trovatore

Rule number 11

Cher public, you may remember that about 18 years ago a parterre writer called Dr. Repertoire came up with a handy list of rules for stage directors.

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meet_and_greet

Rêve divin! heureux délire!

Attendees of tomorrow’s parterre meet and greet (pictured) are reminded that Our Own JJ will be available in the Bar Thalia area of Symphony Space beginning at 2:00 for ticket pickup.

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vesper

Save the date!

La Cieca asks all members of the cher public in the New York City area to pencil in 3:00 pm on Sunday, November 24 as combination meet-and-greet of the parterriani and viewing of the HD film of Les Vêpres siciliennes at Symphony Space.

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