This summer’s hottest opera event was Stefan Herheim‘s production of Les Contes d’Hoffmann at the Bregenz Festival. The video after the jump has everything: transgender muses, planted hecklers, Offenbach, serendipitous allusions to Caitlyn Jenner, reassigned music and the origin of the world. Read more »
“Few operas better represent a moment such as ours, when stability and long-held certainties are hard to come by, particularly in regard to sexuality.” [New York Times]
The Deutsche Opera an Rhein production of Handel’s Xerxes (which is shared with the Berlin Komische Oper), though I saw it three nights ago, has taken a while to settle down in my brain. That’s not because the Stefan Herheim production is particularly abstruse but rather, on the contrary, because at least at first viewing it seemed relatively straightforward. On the night, I was a little disappointed because I expected something more challenging. Read more »
It will come to no surprise to followers of the direction of Stefan Herheim (or to readers of La Cieca’s gushing fangirl appreciations of his work) that his Stuttgart production of Der Rosenkavalier was as “delightfully busy” as we have come to expect.
Your doyenne and her faithful confidante Dawn Fatale are off later this week for a safari, seeking the wild Regie in its natural habitat.
After viewing Stefan Herheim’s production of Rusalka, I’ve got a new category: “regie slick.”
La Cieca asks all members of the cher public in the New York City area to pencil in 3:00 pm on Sunday, November 24 as combination meet-and-greet of the parterriani and viewing of the HD film of Les Vêpres siciliennes at Symphony Space.