Cher Public

  • NPW-Paris: I remember some people here said they’d seen good productions of Il Trovatore, but I don’t think I have, except... 8:08 AM
  • NPW-Paris: I’ll be there on Monday night. I’ll write it up, of course, as usual. I’ve been told the production is boring. 8:06 AM
  • Rowna: Was new to me. Thanks for the link to Nebs aria. Dark on the bottom, thinned out beautifully on top, plus astounding physicality in... 6:31 AM
  • armerjacquino: Sigh. And once again, the daily OT thread, RIGHT UNDER THIS ONE, wonders what it did wrong. 6:01 AM
  • NPW-Paris: My apologies if this is a “repeat̶ 1; : http://www.concert classic.com/video/ le-trouvere-de-ver di-la-bastille-... 4:45 AM
  • la vociaccia: It’s a great voice no doubt but a bit too cloudy in the vowels (especially the the French) for me to invite... 3:24 AM
  • la vociaccia: It’s not a massively complex or uncommon phenomenon; she produces her current sound by driving her voice at full force... 3:16 AM
  • Tamerlano: Angie was a fucking pig. My god, she just tore those arias to shreds…jerky tempo changes and overly precious... 2:39 AM

Wingless victory

Of particular visual interest in last weekend’s Lohengrin (though not perhaps so tantalizing as Jonas Kaufmann‘s aristocratic bare feet, pictured above) is the very obvious change in the staging that was made between the antegenerale (in which Anja Harteros sang Elsa) and the telecast opening night. Read more »