Cher Public

A “Juive’ for the 21st century

At the premiere, in 1835, Fromenthal Halévy’s La Juive triumphed, in part, due to its spectacular staging –critics jested that the military processions could shatter the balance of power in Europe–and in part for the frisson of the opera’s horrific conclusion, Rachel and Eléazar tossed into boiling oil by a Christian mob singing merrily of its “vengeance” on the Jews.  Read more »