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Cher Public

  • Quanto Painy Fakor: Yippie! Even though I love the Goddard finale too, they use the original Bizet music to... 3:39 PM
  • Quanto Painy Fakor: Great to know that Coloraturafan gets out of the house now and then! httpv://www.you... 3:31 PM
  • Feldmarschallin: Hopefully you will get the geography right this time :) Let me know when you plan to come.... 2:53 PM
  • Howling in Tune: She is said to be suffering from serious back problems these days and to be unable to stand... 2:52 PM
  • Quanto Painy Fakor: httpv://www.youtub e.com/watch?v=tf5S Nwkd1bY 2:33 PM
  • antikitschychick: “On a different topic I see that Intermezzo has stopped posting and the last entry is... 2:33 PM
  • Feldmarschallin: ok thanks will try that. 2:30 PM
  • Quanto Painy Fakor: httpv://www.youtub e.com/watch?v=amSB 2kBQ0vM httpv://www.youtub e.com/watch?v=s... 2:28 PM
  • Feldmarschallin: Thanks. The Schwanewilms I have and it is great. I was amazed at the Liebestod which is not... 2:23 PM
  • Guestoria Unpopularenka: use* 2:19 PM

When she has sung her songs

Given Anna Netrebko‘s continuing success at the Met in Macbeth (as evidenced by an mid-scene “brava” in last night’s Sirius broadcast), it’s time to think about the future—specifically her local assignments for next season.   Read more »

Namenlos in Lieb’ umfangen

SiriusXM is broadcasting right now a 1981 performance of Tristan und Isolde featuring Gwyneth Jones (pictured) and Spas Wenkoff, with James Levine conducting the work that season for the first time in his career. And yet, here’s an operatic mystery: neither Ms. Jones nor Mr. Wenkoff was the casting originally conceived by Mr. Levine for this revival: they joined the cast fairly late in the game. So, who among the cher public can tell us which two familiar Met artists were supposed to sing these roles?

The Met: What is to be done?

Coming as Peter Gelb did from the music industry, opera lovers hoped that he would display a more distinctive knack for casting and an improved talent pipeline than Joe Volpe offered during the waning years of his tenure.   Read more »

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Anna of the thousands dazed

Tonight’s the night, cher public, traditionally the busiest of the year here at parterre. Complete details on the opening night performance of Anna Bolena after the jump.

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Doge ball

As La Cieca always so magnanimously says, “E vo gridando: pace! E vo gridando: chat!” The subject of today’s discussion is Simon Boccanegra, live from the Met at 1:00 pm.

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We are listening

UPDATE: The Traviata chat is beginning in preparation for the 8:00 start time of tonight’s performance.

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Lascivious wassails

If you feel like discussing the Sirius broadcast of Antony and Cleopatra, here’s the place.

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Votre chat, je peux vous le rendre

The last parterre chat of 2009, Carmen from the Met, begins at 6:00 pm for a 6:30 curtain. 

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Wo bleibt der Chat?

Here’s the place for all your chatting needs, cher public, during tonight’s broadcast of Elektra from the Met. The official chat begins at 7:45 pm for an 8:00 curtain. 

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It’s Pat!

Tonight’s Met season premiere of Il trittico features Patricia Racette‘s first local whack at the three heroines, which means La Cieca expects the parterre posse to be out in force. Check back here at parterre.com beginning at 7:45 for a live chat coinciding with the Sirius/RealNetworks broadcast of the Puccini three-parter.

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