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Cher Public

  • Camille: Yes, kinda, was my reaction Mr. Kissin seemed to take the reins in the Beethoven and the “Great&#... 1:18 PM
  • antikitschychick: I’ve yet to see Rigoletto (:-P) so I don’t think I voted in that category…I do... 1:07 PM
  • Batty Masetto: What’s so odd about the indignation expressed at the Alden production here and elsewhere is... 1:01 PM
  • Lindoro Almaviva: And yet, every time he does it you fall for it. 12:53 PM
  • la vociaccia: My favorite type of pseudo-intellectua lism. “what an idiot!! He doesn’t even know that... 12:46 PM
  • Lindoro Almaviva: I did not vote for Parzival on a technicality. To me that is not a new production, it was... 12:46 PM
  • Lindoro Almaviva: Alden, really? I do not fucking get it. I thought the production was well thought, beautifully... 12:42 PM
  • armerjacquino: ‘An Oscar with wings? Come ON!’ You do know that was his costume for the ball, right?... 12:17 PM

I am missing the winter now

“One quick way to warm up: Watching tenor heartthrob Roberto Alagna, who’ll swing into town Sunday for a concert performance of Giordano’s Andrea Chénier with Opera Orchestra of New York. In this French Revolution epic, Alagna plays an idealistic poet who belts out a few hit arias before joining his beloved Maddalena (soprano Kristin Lewis) on the guillotine.” Our own JJ chooses hot tickets for cold months. [New York Post]

Andromache sings again

Alexandra Deshorties will perform the key role of Juliana Bordereau in the Dallas Opera’s 25th anniversary production of Dominick Argento’s The Aspern Papers, replacing Carol Vaness, who is currently recovering from abdominal surgery. The soprano is joined in this opera based Henry James’ novella by Susan Graham, Nathan Gunn, and Joseph Kaiser.

Mad woman

“The People’s Diva,” “America’s Soprano,” “The Beautiful Voice, ” “la Grace Kelly della lirica”—in her busy and seemingly interminable career Renée Fleming has worn almost as many hats as hair colors. But henceforth she must also be known as “The Peggy Olson of the Windy City” thanks to her inestimable leadership in crafting Lyric Opera of Chicago’s latest marketing strategy. Read more »

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Duel exposure

Nathan Gunn (not really pictured) made his debut as Eugene Onegin in Cincinnati Opera’s production of Tchaikovsky’s opera  last night. He certainly has the physicality for the part and the vocal potential. In this performance he sang well and expressively but without the heft to fully project over the orchestra.

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Annie Gets Her Rod

UPDATE: The news breaks today, and yes, it’s Debbie, but no, it’s not Shirtless Nathan.  Letting his defenses down in the role of Frank Butler at Glimmerglass will be Rod Gilfry. (Meanwhile, Mr. Gunn will continue his exploration of the esoteric Blusenrolle fach by role-debuting Eugene Onegin in Cincinnati.)

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Park and bark

“Though the new sound system couldn’t make Central Park’s SummerStage sound like a concert hall, the first of the Metropolitan Opera’s Summer Recital Series made sweet dinner music Monday for 3,800 listeners and their picnics.” [New York Post]

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And shirtless he will die

Bare-chested ere the world was young, ur-Barihunk Nathan Gunn continues to work the workout, currently in the Wall Street Journal.

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That word again; I don’t even know what it means!

“They’re known for their great bods and for breathless blogs written by devoted admirers. Bearers of great pecs and pipes, barihunks like Matthew Worth and Tom Forde are bringing high art to the masses in a universally appealing form. And the dark-haired Gunn, all 6 broadly muscled feet of him, is king of that particular hill…” [Los Angeles Times]

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