Headshot of La Cieca

Cher Public

  • Guestoria Unpopularenka: I don’t understand how it is that he looks so tall here when in reality he... 1:46 AM
  • CwbyLA: Maybe I am naive and/or do not believe in conspiracy theories but I agree with armer here. Looking at... 1:33 AM
  • Poison Ivy: You can see a silhouette of Grigolo’s bubble here: http://www.680news .com/files/2014... 12:58 AM
  • Lindoro Almaviva: I have a feeling JDF’s self esteem and ego will not be bruised by people making... 12:40 AM
  • Camille: Did anyone see this Così fan tutte tonight? Was it as boring in the theatre as it was over Sirius?... 12:39 AM
  • Camille: I think Il Grigoletto came just about as close to his ideal as possible, next to a Michelangelo... 12:36 AM
  • Poison Ivy: Very nice arms, I agree. httpv://www.youtub e.com/watch?v=9dNQ hI3S5_w 12:33 AM
  • Camille: Here, pappy, knock yourself out reading about The Florentine Nightengale: http://www.sfmu... 12:32 AM
  • Poison Ivy: This leads me to regret that I never asked MMII what his example of the The Perfect Bubble... 12:23 AM
  • brunettino: Win! 12:20 AM

Equal rites

As with all good myths, certainly all the myths at the heart of Wagner’s operas, the juggling of symbols and archetypes and themes in Parsifal opens the piece to a great variety of interpretations. Many recent productions have twisted things in a way that seemed to strain or defy Wagner’s intricate libretto and lush, meticulous score: gray springtimes in a world beyond nuclear or environmental holocaust, that sort of thing. But the world of Wagner’s tale is, like our own, a world in crisis, on a razor’s edge. That’s bound to resonate with contemporary directors. They then have many options in setting out the workings of the crisis in this fable of a solution to whatever may be broken.   Read more »