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Cher Public

  • uwsinnyc: ‘Olga of the volga’: that had me in laughter! Based on some of her clips online, she... 4:12 PM
  • uwsinnyc: fabulous review,La Cieca. Can’t wait to see it in person! 4:11 PM
  • Milady DeWinter: Thank you, I look forward to it! Personally, I can’t imagine Rachvelishvilli singing... 4:05 PM
  • La Cieca: Our JJ reviews Carmen in next week’s “Observer.&# 8221; 3:32 PM
  • manou: That you are a libidinous sadist with a man-eating pot plant? 3:29 PM
  • Milady DeWinter: Bravo Cieca – you hit the nail on all the respective heads involved. Any thoughts on... 3:27 PM
  • MontyNostry: The Dentist in Little Shop of Horrors, along with Scarpia, is one of my dream roles. What does... 3:22 PM
  • Signor Bruschino: Is the English ‘horror̵ 7; not adapting well from being at a pro-profit agency... 2:57 PM
  • La Cieca: “We have waited in vain for two nights,” sings the Doctor in the last act of Verdi’s Macbeth, words... 2:51 PM
  • manou: The dentists only watch “Little Shop Of Horrors” 2:40 PM

Equal rites

As with all good myths, certainly all the myths at the heart of Wagner’s operas, the juggling of symbols and archetypes and themes in Parsifal opens the piece to a great variety of interpretations. Many recent productions have twisted things in a way that seemed to strain or defy Wagner’s intricate libretto and lush, meticulous score: gray springtimes in a world beyond nuclear or environmental holocaust, that sort of thing. But the world of Wagner’s tale is, like our own, a world in crisis, on a razor’s edge. That’s bound to resonate with contemporary directors. They then have many options in setting out the workings of the crisis in this fable of a solution to whatever may be broken.   Read more »