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Cher Public

  • Lohengrin: I hope that JK will always sound like JK, with the unique colours of his impressive voice. 4:17 PM
  • tatiana: Absolutely! I also just want say how much I LOVE WindyCityOperaman& #8217;s way of relating these... 4:14 PM
  • Sanford: Some of my favorite evenings at the opera were at LOC. A friend (and I can’t believe that he... 4:10 PM
  • kashania: Agreed on all your points about the Carsen Traviata. Ciofi is very magnetic. I only heard... 4:06 PM
  • steveac10: Yet for awhile in the aughts he was able to get a more than fair number of singers on the fast... 4:04 PM
  • Sanford: I don’t particularly care for Rebeka. There’s a slight tendency toward Deutekomness in... 3:58 PM
  • Nero Wolfe: I would have loved to have been there. That would have been a concert to remember. 3:54 PM
  • quibbleglib: Is Fabiano one of those who have thankfully fled that dark dungeon of unspeakable vocal torment?... 3:50 PM
  • Porgy Amor: It’s one of things I don’t like about this production (which has always struck me as overrated... 3:02 PM
  • 98rsd: Does Rebeka color her voice or inflect? She didn’t as Donna Anna. Singing at different volumes... 2:44 PM

Gone in sixty seconds

Out of nowhere, Santa Fe Opera’s chief conductor Frédéric Chaslin has resigned his position. “According to Santa Fe Opera’s press release, he cited his concert and recording commitments with the Jerusalem Symphony Orchestra (which he joined as music director beginning with the 2011-12 season) and his desire to spend more time composing as reasons for his decision.” [Santa Fe New Mexican]

Desert fox

Karol Szymanowski’s 1926 King Roger was the sleeper hit of SFO’s season, not so much for its weird, mystical theme and feeble libretto but because the music is powerfully effective and Evan Rogister handled the shimmering, richly expressionistic orchestral writing with consummate skill. The choral writing is ravishing, especially the ecclesiastical Russian-sounding opening movement that emerges from the stark sounds of bells and gongs.   Read more »

The desert song

You Parterrestrials know all about Santa Fe Opera’s amazing mountain setting and open-sided theater affording breathtaking sunsets, weather-related drama and–when the back stage wall is opened–starry backdrops, but it was my first visit, so indulge me a little. The seashore setting of Bizet’s Pearl Fishers featured genuine skies with threatening clouds and a golden sunset. Desert breezes blew through the theater as King Roger experienced his first orgy. And real stars pinpointed a deep blue sky for “E lucevan le stelle.” Sigh.  Read more »

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You will, David, you will

La Cieca hears that parterre fave David Daniels will get all eponymous and stuff for a world premiere opera entitled Oscar, based on the life of Oscar Wilde, for Santa Fe Opera in 2013, with Opera Company of Philadelphia to follow.  The work is to boast music by Theodore Morrison and a libretto and stage direction by John Cox.

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