Cher Public

  • Camille: I, too, have always wondered what ‘might have been’ had Mr Gentele not died so unexpectedly and so young. It was... 11:30 PM
  • Camille: Thanks für Brangänens Warnung, Jungfer!! Gotta love it! httpv://youtube.co m/watch?v=RbgVBcQB XKw I’ll take your Jonas and... 11:24 PM
  • Jungfer Marianne Leitmetzerin: While you were out watching “High Sierra,” you missed the Baden-Baden gala which featured... 10:54 PM
  • Jungfer Marianne Leitmetzerin: Bill, you are of course correct about “Jenufa̶ 1; being sung at the Met first in German, then in... 10:51 PM
  • Bill: Jungfer – true, but I believe that Gentele and Kubelik had planned the new Jenufa (with Teresa Kubiak) and it was sung in... 10:36 PM
  • Camille: Saluti allo Maestro di Catania, PIPPO— httpv://youtube.co m/watch?v=Bt13iDJE 4nk The young, unspoiled and breathtaking voice.... 10:24 PM
  • Camille: “Schweig — Schweig . . .” VORHANG 9:51 PM
  • Camille: Thank you for your kind impulse and I do plan to re-visit it, and would hope this indication would help anyone else curious or... 9:48 PM

Ott and proud

“Baritone Jarrett Ott (bottom) in Philadelphia, with current boyfriend Adam Franklin (top) who is the Artistic Administrator at The Santa Fe Opera, for performances of Verdi’s La Traviata.” [Operafresh]

Gone in sixty seconds

Out of nowhere, Santa Fe Opera’s chief conductor Frédéric Chaslin has resigned his position. “According to Santa Fe Opera’s press release, he cited his concert and recording commitments with the Jerusalem Symphony Orchestra (which he joined as music director beginning with the 2011-12 season) and his desire to spend more time composing as reasons for his decision.” [Santa Fe New Mexican]

Desert fox

Karol Szymanowski’s 1926 King Roger was the sleeper hit of SFO’s season, not so much for its weird, mystical theme and feeble libretto but because the music is powerfully effective and Evan Rogister handled the shimmering, richly expressionistic orchestral writing with consummate skill. The choral writing is ravishing, especially the ecclesiastical Russian-sounding opening movement that emerges from the stark sounds of bells and gongs.   Read more »

pearl_fishers

The desert song

You Parterrestrials know all about Santa Fe Opera’s amazing mountain setting and open-sided theater affording breathtaking sunsets, weather-related drama and–when the back stage wall is opened–starry backdrops, but it was my first visit, so indulge me a little.

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You will, David, you will

La Cieca hears that parterre fave David Daniels will get all eponymous and stuff for a world premiere opera entitled Oscar, based on the life of Oscar Wilde, for Santa Fe Opera in 2013, with Opera Company of Philadelphia to follow.  The work is to boast music by Theodore Morrison and a libretto and stage direction by John Cox.

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