Headshot of La Cieca

Cher Public

  • Feldmarschallin: http://www.hamburg ballett.de/form/vo rschau_14_15.pdf Some interesting casting…... 5:02 AM
  • Cocky Kurwenal: I saw John Osborn sign Arnold in the 5,000 seat Royal Albert Hall very convincingly, so while... 4:48 AM
  • Feldmarschallin: Almost all reviews were positive from the Met including La Cieca. I have Yoncheva tomorrow... 4:38 AM
  • Regina delle fate: Oh – I forgot his Wexford appearances in Linda di Chamounix, Crispino e la Comare... 4:29 AM
  • Regina delle fate: This reminds me of the comparisons made 40 years ago between two of the leading Rossini... 4:27 AM
  • Regina delle fate: Can anyone remind me how Damrau’s Violetta was received at the Met? Her Covent... 4:10 AM
  • Regina delle fate: A likely story. 4:04 AM
  • Regina delle fate: Hehe Armerj! Good one! 4:03 AM
  • Cicciabella: I heard Ms Wagner in the house. I think her main virtues are a beautiful, silvery sound and the... 3:59 AM
  • m. croche: FWIW?the BLS indicates that about sixty percent of the American male workforce gets paid sick... 3:50 AM

Gone in sixty seconds

Out of nowhere, Santa Fe Opera’s chief conductor Frédéric Chaslin has resigned his position. “According to Santa Fe Opera’s press release, he cited his concert and recording commitments with the Jerusalem Symphony Orchestra (which he joined as music director beginning with the 2011-12 season) and his desire to spend more time composing as reasons for his decision.” [Santa Fe New Mexican]

Desert fox

Karol Szymanowski’s 1926 King Roger was the sleeper hit of SFO’s season, not so much for its weird, mystical theme and feeble libretto but because the music is powerfully effective and Evan Rogister handled the shimmering, richly expressionistic orchestral writing with consummate skill. The choral writing is ravishing, especially the ecclesiastical Russian-sounding opening movement that emerges from the stark sounds of bells and gongs.   Read more »

The desert song

You Parterrestrials know all about Santa Fe Opera’s amazing mountain setting and open-sided theater affording breathtaking sunsets, weather-related drama and–when the back stage wall is opened–starry backdrops, but it was my first visit, so indulge me a little. The seashore setting of Bizet’s Pearl Fishers featured genuine skies with threatening clouds and a golden sunset. Desert breezes blew through the theater as King Roger experienced his first orgy. And real stars pinpointed a deep blue sky for “E lucevan le stelle.” Sigh.  Read more »

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You will, David, you will

La Cieca hears that parterre fave David Daniels will get all eponymous and stuff for a world premiere opera entitled Oscar, based on the life of Oscar Wilde, for Santa Fe Opera in 2013, with Opera Company of Philadelphia to follow.  The work is to boast music by Theodore Morrison and a libretto and stage direction by John Cox.

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