Headshot of La Cieca

Cher Public

  • antikitschychick: Completely agree with you Porgy. Also, she has, what 2-3 years of experience singing on an... 2:54 AM
  • antikitschychick: “However, it was quickly apparent that despite all these natural endowments,... 2:41 AM
  • Porgy Amor: Vickers’s son (or one of them, if more than one) is adamant that this is not his father... 2:19 AM
  • Buster: Sad how such a production is allowed to go on without much to redeem it musically.But Dmitry... 2:17 AM
  • Porgy Amor: In Monastyrska’ s defense, while she’s not exactly a born stage animal, she can be... 1:57 AM
  • antikitschychick: Dawbrowski, this is a very cogent and thought-provoking post (and in my defense I did... 1:46 AM
  • Guestoria Unpopularenka: Oh, no, you didn’t, gurl! Antikitschgirl is coming for your wig. 1:42 AM
  • Krunoslav: “not that many Marzellines have moved up to Fidelio” Only Met example: Metropolitan... 1:23 AM
  • Dabrowski: This is an illuminating discussion. Thanks, all! Pavarotti died with a fortune of 250 million... 12:45 AM
  • La Cieca: I’ll try to explain myself once, and then I’ll leave it. I’ve used that word... 12:34 AM

High concept

Well, my dears, if you thought Frank Castorf‘s Ring and Stefan Herheim‘s Meistersinger were outré, then wait until you get a load of the radical take on Don Carlos by Peter Stein for the Salzburg Festival!   Read more »

Geherheimnishehr hallt mir dein Wort

It’s not a sure thing, only a “perhaps,” but it’s the most exciting Regie news La Cieca has heard all season. According to an interview with Alexander Pereira, intendant of the Salzburg Festival, published in the current issue of Opera magazine, this summer’s new production of Die Meistersinger von Nürnberg by parterre fave Stefan Herheim “will also go to Paris and, perhaps, New York.” Read more »

Kaufmänner

“Taking the libretto’s description of ‘panther-like’ literally, Bacchus appears in a shiny leopard-print suit (well, close enough) and proceeds to creep up to Ariadne like a shy housecat.”  Veteran blogress Zerbinetta (pictured, left) was right there for the Salzburg Festival’s gala Ariadne auf Naxos and the two-tenor version of La boheme, and reviewed both productions for the website bachtrack.