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Cher Public

  • antikitschychick: thanks for the info manou; I second your well wishes :-). 5:12 PM
  • manou: She is a lovely lady and is apparently travelling quite a bit these days. I certainly hope she is well... 4:51 PM
  • redbear: Wonderful review. I was at the Cleopatra too. First price range, first row, first balcony, nowhere... 4:50 PM
  • antikitschychick: Agree, Satisfied. Blogging is a big commitment though, esp if you get to the point of... 4:43 PM
  • DellaCasaFan: Feld, I don’t know if you use Spotify, but Röschmann’s new CD “Portrait... 4:39 PM
  • manou: Was he up to scratch? 4:29 PM
  • antikitschychick: lol no worries, I made many mental notes :-P. If everything pans out I should be going next... 4:27 PM
  • Satisfied: Intermezzo was one of my favorite blogs. Sad to see it go. 4:01 PM
  • Quanto Painy Fakor: Yippie! Even though I love the Goddard finale too, they use the original Bizet music to... 3:39 PM
  • Quanto Painy Fakor: Great to know that Coloraturafan gets out of the house now and then! httpv://www.you... 3:31 PM

High concept

Well, my dears, if you thought Frank Castorf‘s Ring and Stefan Herheim‘s Meistersinger were outré, then wait until you get a load of the radical take on Don Carlos by Peter Stein for the Salzburg Festival!   Read more »

Geherheimnishehr hallt mir dein Wort

It’s not a sure thing, only a “perhaps,” but it’s the most exciting Regie news La Cieca has heard all season. According to an interview with Alexander Pereira, intendant of the Salzburg Festival, published in the current issue of Opera magazine, this summer’s new production of Die Meistersinger von Nürnberg by parterre fave Stefan Herheim “will also go to Paris and, perhaps, New York.” Read more »

Kaufmänner

“Taking the libretto’s description of ‘panther-like’ literally, Bacchus appears in a shiny leopard-print suit (well, close enough) and proceeds to creep up to Ariadne like a shy housecat.”  Veteran blogress Zerbinetta (pictured, left) was right there for the Salzburg Festival’s gala Ariadne auf Naxos and the two-tenor version of La boheme, and reviewed both productions for the website bachtrack.