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Cher Public

  • Dabrowski: I submit for your discussion: Has John Podhoretz written a dumb column about The Death of... 11:05 PM
  • operaassport: The JFK murder is not a good comparison as there are dozens of examples of the Kennedy family... 10:38 PM
  • operaassport: *isnt. 10:34 PM
  • operaassport: While I don’t buy that as an excuse, if you seriously think that anti-Semitism in Europe... 10:33 PM
  • operaassport: I can’t believe that anyone at the MET thought there would be bomb threats at theaters . 10:31 PM
  • Kenhere: I can hardly improve on what Said or Dabrowski wrote, but I think the opening chorus avoids the... 10:16 PM
  • Poison Ivy: The Post article struck me as a rather newbie reaction to the opera. Despite the heavy protesting... 9:41 PM
  • Poison Ivy: My dislike of the opening chorus was its own sense of self-importance. It’s the only part... 9:39 PM
  • philomel: I’d have to agree,the Post article struck me as ignorant. 9:29 PM
  • m. croche: Which may be the worst-ever set-up line for a “three guys walk into a bar” joke. 9:28 PM

High concept

Well, my dears, if you thought Frank Castorf‘s Ring and Stefan Herheim‘s Meistersinger were outré, then wait until you get a load of the radical take on Don Carlos by Peter Stein for the Salzburg Festival!   Read more »

Geherheimnishehr hallt mir dein Wort

It’s not a sure thing, only a “perhaps,” but it’s the most exciting Regie news La Cieca has heard all season. According to an interview with Alexander Pereira, intendant of the Salzburg Festival, published in the current issue of Opera magazine, this summer’s new production of Die Meistersinger von Nürnberg by parterre fave Stefan Herheim “will also go to Paris and, perhaps, New York.” Read more »

Kaufmänner

“Taking the libretto’s description of ‘panther-like’ literally, Bacchus appears in a shiny leopard-print suit (well, close enough) and proceeds to creep up to Ariadne like a shy housecat.”  Veteran blogress Zerbinetta (pictured, left) was right there for the Salzburg Festival’s gala Ariadne auf Naxos and the two-tenor version of La boheme, and reviewed both productions for the website bachtrack.