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Cher Public

  • hawksmoor: I must thank Hippolyte, because as I recall, Hipp directed me to the scathing NYTimes review of... 11:51 PM
  • Simon Blackmouth: http://dictionary. reference.com/brow se/bathroom?s=t Call them what you will. They need to be... 11:25 PM
  • -Ed.: “Bloomberg on Gotterdammerung 221; I’m now considering having that chiseled onto my... 11:02 PM
  • papopera: Saw that when I was a young kid and even then found it inane. Typical Hollywood garbage. Did they eat... 8:49 PM
  • DonCarloFanatic: I am not familiar with the Schiller, although I have seen the play once, and it was in English.... 7:28 PM
  • DonCarloFanatic: I was just going to mention that the auto da fe music is the only happy music in this opera. No... 7:25 PM
  • oedipe: The slower increase of expenses, rather… 6:28 PM
  • oedipe: That’s what it looks like, Batty, but the net margin is still low (about 4%). Also, the net income... 6:08 PM

Geherheimnishehr hallt mir dein Wort

It’s not a sure thing, only a “perhaps,” but it’s the most exciting Regie news La Cieca has heard all season. According to an interview with Alexander Pereira, intendant of the Salzburg Festival, published in the current issue of Opera magazine, this summer’s new production of Die Meistersinger von Nürnberg by parterre fave Stefan Herheim “will also go to Paris and, perhaps, New York.” Read more »

Kaufmänner

“Taking the libretto’s description of ‘panther-like’ literally, Bacchus appears in a shiny leopard-print suit (well, close enough) and proceeds to creep up to Ariadne like a shy housecat.”  Veteran blogress Zerbinetta (pictured, left) was right there for the Salzburg Festival’s gala Ariadne auf Naxos and the two-tenor version of La boheme, and reviewed both productions for the website bachtrack.