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Cher Public

  • Milady DeWinter: Sweetie, from your mouth to God’s ear : Anna, come save AIda! I totally agree that she... 6:21 PM
  • calaf47: Yes…a very exciting evening in every way…with the “second̶ 1; cast and... 6:18 PM
  • Lindoro Almaviva: While I am at it, why not Larmore or Sonia Ganassi? They are moving to heavier Rep with... 6:05 PM
  • Lindoro Almaviva: I think Vesselina Kassarova used to do the role and she sounded pretty ferocious in it.... 5:58 PM
  • Uncle Kvetch: I saw it 10 days later, on Halloween. The Pamina that night was Miah Persson, and Toby Spence... 5:27 PM
  • antikitschychick: best of luck to you on your business travails Sanford :-). 5:11 PM
  • antikitschychick: yes Aida does require a lot of stamina…only singers with great technique can get... 5:09 PM
  • Satisfied: Fantastic performance of Brahms’ German Requiem this afternoon at Carnegie. Tempi was a... 4:57 PM
  • antikitschychick: Oye pero tu estabas acabando en esos dias ehh?? ;-). Being able to sit down and have a real... 4:56 PM
  • Satisfied: So looking forward to Wednesday’s performance! My only chance to see Herr Kaufmann all... 4:50 PM

High concept

Well, my dears, if you thought Frank Castorf‘s Ring and Stefan Herheim‘s Meistersinger were outré, then wait until you get a load of the radical take on Don Carlos by Peter Stein for the Salzburg Festival!   Read more »

Geherheimnishehr hallt mir dein Wort

It’s not a sure thing, only a “perhaps,” but it’s the most exciting Regie news La Cieca has heard all season. According to an interview with Alexander Pereira, intendant of the Salzburg Festival, published in the current issue of Opera magazine, this summer’s new production of Die Meistersinger von Nürnberg by parterre fave Stefan Herheim “will also go to Paris and, perhaps, New York.” Read more »

Kaufmänner

“Taking the libretto’s description of ‘panther-like’ literally, Bacchus appears in a shiny leopard-print suit (well, close enough) and proceeds to creep up to Ariadne like a shy housecat.”  Veteran blogress Zerbinetta (pictured, left) was right there for the Salzburg Festival’s gala Ariadne auf Naxos and the two-tenor version of La boheme, and reviewed both productions for the website bachtrack.