Cher Public

  • Poison Ivy: The Decker Traviata stage is raked. The first year Marina Poplavskaya walked the raked stage without stockings and in 5 inch... 11:43 PM
  • pirelli: That stage didn’t need to be raked, it needed to be bulldozed. 10:19 PM
  • DeepSouthSenior: For the ultimate in multipurpose use of a raked stage, how about the slalom races on The Machine in the Lepage Ring? 10:14 PM
  • pirelli: “Should [Levine] have read something into the the on-stage projections of the Chereau production? Klytemnestra would... 10:13 PM
  • pirelli: But in the case of Satyagraha, the titles were sporadic – just hints of some of the text, not a complete set of titles as... 10:05 PM
  • Satisfied: House of the Dead, Lulu. 9:58 PM
  • Satisfied: Sat dead center at the prima and had no such issue. Also, the production design (which, at this point, is no longer just Aix) I... 9:54 PM
  • La Cieca: Two Boys, Prince Igor, Werther, Nozze di Figaro, Death of Klinghoffer, La donna del lago, Lulu, Manon Lescaut all have rakes. 9:50 PM

High concept

Well, my dears, if you thought Frank Castorf‘s Ring and Stefan Herheim‘s Meistersinger were outré, then wait until you get a load of the radical take on Don Carlos by Peter Stein for the Salzburg Festival!   Read more »

Geherheimnishehr hallt mir dein Wort

It’s not a sure thing, only a “perhaps,” but it’s the most exciting Regie news La Cieca has heard all season. According to an interview with Alexander Pereira, intendant of the Salzburg Festival, published in the current issue of Opera magazine, this summer’s new production of Die Meistersinger von Nürnberg by parterre fave Stefan Herheim “will also go to Paris and, perhaps, New York.” Read more »

Kaufmänner

“Taking the libretto’s description of ‘panther-like’ literally, Bacchus appears in a shiny leopard-print suit (well, close enough) and proceeds to creep up to Ariadne like a shy housecat.”  Veteran blogress Zerbinetta (pictured, left) was right there for the Salzburg Festival’s gala Ariadne auf Naxos and the two-tenor version of La boheme, and reviewed both productions for the website bachtrack.