Cher Public

  • Camille: We got hooked by this and are currently in the last part of Act III and yes, you sure do learn a lot, Buster, you are so right!... 10:07 PM
  • Camille: Only referring to either/or of these ladies as the prototypical soprano lirico fotogenico of each other’s respective time... 10:04 PM
  • Krunoslav: ‘ Vogt and Kaufmann were on opposite ends of the spectrum vocally.’ Really? Have you tried Lauritz Melchior, Paul... 9:48 PM
  • mercadante: Not really, Farrar could take an interval cleanly. 9:30 PM
  • kashania: I was referring to her second act hat but both are fabulous, really. 9:07 PM
  • Porgy Amor: No, that is Act One. For the Act Two processional, there is a hat that had never been alive (presumably) that is just as... 9:00 PM
  • rapt: Is this the chapeau in question? http://www.mvdaily .com/articles/2007 /03/lohengrin1.jpg 8:25 PM
  • Camille: She’s the elder Renée Fleming 8:08 PM

High concept

Well, my dears, if you thought Frank Castorf‘s Ring and Stefan Herheim‘s Meistersinger were outré, then wait until you get a load of the radical take on Don Carlos by Peter Stein for the Salzburg Festival!   Read more »

Geherheimnishehr hallt mir dein Wort

It’s not a sure thing, only a “perhaps,” but it’s the most exciting Regie news La Cieca has heard all season. According to an interview with Alexander Pereira, intendant of the Salzburg Festival, published in the current issue of Opera magazine, this summer’s new production of Die Meistersinger von Nürnberg by parterre fave Stefan Herheim “will also go to Paris and, perhaps, New York.” Read more »

Kaufmänner

“Taking the libretto’s description of ‘panther-like’ literally, Bacchus appears in a shiny leopard-print suit (well, close enough) and proceeds to creep up to Ariadne like a shy housecat.”  Veteran blogress Zerbinetta (pictured, left) was right there for the Salzburg Festival’s gala Ariadne auf Naxos and the two-tenor version of La boheme, and reviewed both productions for the website bachtrack.