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Cher Public

  • Cicciabella: Autocorrect won’t have her any other way. 5:30 PM
  • Guestoria Unpopularenka: Especially Danielle Denise. 5:20 PM
  • tiger1: You are welcome, Lurker. Actually, I do not subscribe to Haaretz but I did register once, maybe that... 5:06 PM
  • Poison Ivy: Thanks Lurker! :) 4:35 PM
  • Lurker_del_Cairo: Ivy – beautifully written, especially your closing. I would like to thank everyone... 4:28 PM
  • Lurker_del_Cairo: Thanks Tiger – this was behind a paywall, glad I could read it. 4:24 PM
  • Cicciabella: Terrence McNally could write a libretto for a neo-verismo opera called La Vendetta della Cieca,... 4:21 PM
  • Dabrowski: The clearly spliced high C at the end of “O mio rimorso” on the Kleiber recording of... 4:21 PM
  • Dabrowski: I think we all need to stop for a moment and consider just how oppressed Alan Dershowitz was... 4:11 PM
  • Stefan: “The thousands of protesters who greeted Monday’s opening of John Adams’ “The Death of... 4:06 PM

“Specialist subject, the bleeding obvious”

Jonathan Miller‘s Carmen for Mid Wales Opera has no sexual electricity, complains Rupert Christiansen” [The Telegraph]

Fish are jumping and the dudgeon is high

“Quaint camp, says Rupert Christiansen.”

KIngdom of the blind

Cher public, you know that Rupert Christiansen is not someone with whom your doyenne often agrees, but this time he’s got it right. Of course, it’s hard to get anything wrong if you disagree with a click-whoring windbag like Norman Lebrecht.

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On this island

“The Valerie Masterson of our generation!”

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felicity_palmer

I’ve something to say that’s less than urgent

peaking of vicious-minded small town gossips, Rupert Christiansen (not pictured) is at his exercise again this morning, trying to tempt Dame Felicity Palmer into saying unpleasant things about David Alden and Richard Jones.

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red meat

Why Rupert Christiansen is the wrong commentator about gay rights protesters

The veteran British critic click-whored

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carmen_eno

“Where was Liam Joshua?”

Anyone looking for orgiastic obscenity in Calixto Bieito‘s production of Carmen at the London Coliseum, will be bitterly disappointed, writes Rupert Christiansen.

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