Headshot of La Cieca

Cher Public

  • Camille: Pardon me, but is this Peter KazarAs, the former tenor who is associated with Seattle Opera, or... 10:01 PM
  • Camille: That reminds me, in the book Never sang for Hitler: The Life and Times of Lotte Lehmann, [Michael... 9:53 PM
  • DeCaffarrelli: A correction: I overlooked a passage in the Director’s Note where he mentoned the cuts... 9:45 PM
  • Camille: Yeay! Go Heidi go!!! Put these other byotches out of business! Bordeaux gets better than we do. I am... 9:36 PM
  • Camille: Very “own” version. Just like my typing. Perdona 9:34 PM
  • Camille: Jeanette singing this below was a prime gateway drug into the wonderful world of grand old opera.... 9:33 PM
  • Camille: I thought she was Brünnhildy??? She got the red wig from Debbie ‘n everything̷... 9:27 PM
  • Camille: London Bridges— 9:25 PM
  • Camille: Yeay and thanks much! I don’t care how cute he is, I still want Filianoti. I am standing by... 9:19 PM
  • Camille: I wish Seattle Opera would allow us that marvelous Rusalka from October 1990 with Big Ben and Renée... 9:16 PM

On this island

“The Valerie Masterson of our generation!”

I’ve something to say that’s less than urgent

Speaking of vicious-minded small town gossips, Rupert Christiansen (not pictured) is at his exercise again this morning, trying to tempt Dame Felicity Palmer into saying unpleasant things about David Alden and Richard Jones. Though the lady wisely refuses to dish her colleagues, she does, however, venture a negative opinion about “disgusting dressing rooms.”

Why Rupert Christiansen is the wrong commentator about gay rights protesters

The veteran British critic click-whored, “[B]ased on the possibly paranoid notion that the two men are as thick as thieves, Gergiev is being systematically harassed and hounded before performances in both New York and London by campaigners who feel that his silence on the gay issue indicates his tacit support for his chum in the Kremlin.”

carmen_eno

“Where was Liam Joshua?”

Anyone looking for orgiastic obscenity in Calixto Bieito‘s production of Carmen at the London Coliseum, will be bitterly disappointed, writes Rupert Christiansen.

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