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Cher Public

  • Clita del Toro: If you call the cries of a dying hyena, ” squillo” then good for you. Giordani... 10:29 PM
  • zinka: Sorry to hear,even from friends NOT prejudiced against the wonderful SQUILLO of Marcello(people call... 9:47 PM
  • Poison Ivy: Guys I found this gem from nearly 20 years ago of Olga Borodina’s Amneris. Look at that... 9:37 PM
  • Guestoria Unpopularenka: Palombi was the substitute when Alagna threw a hissy fit at La Scala. 7:41 PM
  • Guestoria Unpopularenka: Maybe it’s changed. Domingo’s anecdote was from 1971. 7:39 PM
  • MontyNostry: antikk is right about the Macbeth at Covent Garden – she looked rather glamorous, but so... 7:32 PM
  • antikitschychick: Lmaoooo now that is funny Pavel! I think she looks like a combination of Montsy and... 7:10 PM
  • antikitschychick: Quanto: I highly doubt that’s true given her busy schedule…may be a few years... 7:01 PM
  • MontyNostry: I’ve said this on here before – it’s a shame that an intelligent woman with... 6:54 PM
  • antikitschychick: Ivy, this is an interesting observation but I don’t necessarily agree because, while... 6:54 PM

“Specialist subject, the bleeding obvious”

Jonathan Miller‘s Carmen for Mid Wales Opera has no sexual electricity, complains Rupert Christiansen” [The Telegraph]

Fish are jumping and the dudgeon is high

“Quaint camp, says Rupert Christiansen.”

KIngdom of the blind

Cher public, you know that Rupert Christiansen is not someone with whom your doyenne often agrees, but this time he’s got it right. Of course, it’s hard to get anything wrong if you disagree with a click-whoring windbag like Norman Lebrecht.

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On this island

“The Valerie Masterson of our generation!”

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felicity_palmer

I’ve something to say that’s less than urgent

peaking of vicious-minded small town gossips, Rupert Christiansen (not pictured) is at his exercise again this morning, trying to tempt Dame Felicity Palmer into saying unpleasant things about David Alden and Richard Jones.

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red meat

Why Rupert Christiansen is the wrong commentator about gay rights protesters

The veteran British critic click-whored

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carmen_eno

“Where was Liam Joshua?”

Anyone looking for orgiastic obscenity in Calixto Bieito‘s production of Carmen at the London Coliseum, will be bitterly disappointed, writes Rupert Christiansen.

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