Headshot of La Cieca

Cher Public

  • oedipe: Yeah, but isn’t it a shame that one has to put up, yet again, with that fuckin’frog -who... 6:11 AM
  • oedipe: For your info, next season Erin Morley will sing Konstanze in a new production of Entführung at the... 5:39 AM
  • Buster: First hearing: 1) 2) KIrsten Flagstad 3) 4) 5) Gundula Janowitz 6) Inga Nielsen 7) 8 ) 9) Galina 10)... 2:25 AM
  • musesick man: One place where Mr. Gelb has completely disappointed me is in the arena of co-productions.... 1:01 AM
  • la vociaccia: No. Voters are being hyperbolic for the sake of drama. When Dessay had trouble at the... 12:56 AM
  • musesick man: I don’t know that there are plans other than “we don’t know what to do so... 12:51 AM
  • Constantine A. Papas: It’s really silly to argue about words such a “obsolete 221; or... 12:35 AM
  • parpignol: not a very exciting season, but still plenty to enjoy; in addition to the productions mentioned... 12:23 AM
  • philomel: Only La Cieca knows for sure ;-). 12:07 AM
  • laddie: I just heard Erin Morley sing a coloratura tour-de-force performance in Santa Fe. She dispatched the... 12:05 AM

Fish are jumping and the dudgeon is high

“Quaint camp, says Rupert Christiansen.”

KIngdom of the blind

Cher public, you know that Rupert Christiansen is not someone with whom your doyenne often agrees, but this time he’s got it right. Of course, it’s hard to get anything wrong if you disagree with a click-whoring windbag like Norman Lebrecht.

On this island

“The Valerie Masterson of our generation!”

felicity_palmer

I’ve something to say that’s less than urgent

peaking of vicious-minded small town gossips, Rupert Christiansen (not pictured) is at his exercise again this morning, trying to tempt Dame Felicity Palmer into saying unpleasant things about David Alden and Richard Jones.

Read more »

red meat

Why Rupert Christiansen is the wrong commentator about gay rights protesters

The veteran British critic click-whored

Read more »

carmen_eno

“Where was Liam Joshua?”

Anyone looking for orgiastic obscenity in Calixto Bieito‘s production of Carmen at the London Coliseum, will be bitterly disappointed, writes Rupert Christiansen.

Read more »