Little house on the scary

Laura Ingalls, only wilder / Photo: Scott Suchman

There are no fruited plains here. Out of a literal perforation in the horizon of the Nebraskan prairie emerges Proving Up, the most convincing case I have ever seen for modern American opera; the medium has been fitted to our sensibilities, using our sonic mediums and poetically and musically evoking our soundscape, and telling a uniquely American story by two of the most persuasive voices in American new opera.  Read more »