Cher Public

  • Don_Dano: Does anyone have problems with the Metropolitan Opera being able to process corporate matching gifts. Each year, I make a... 7:58 PM
  • Jungfer Marianne Leitmetzerin: There is absolutely NO official rule at Bayreuth about not applauding at the end of Act I of... 7:41 PM
  • brackweaver: This is the clearest summary of the plot I’ve encountered. Too bad it is such a mess. Mascagni’s operas have so... 7:36 PM
  • Jack Jikes: Bi “Yes!’ to La Cieca ond Ivy. Standing at Messiah? Precious. 7:10 PM
  • Operngasse: Dear JML, Many thanks for posting this. I was lucky to have heard Astrid Varnay near the end of her career in Elektra and she... 6:44 PM
  • PCally: LOVE her Färberin, even finer than Ludwig, her only rival in the role at the time. 6:30 PM
  • Olivero is my Drug of Choice: Mostly Mozart program for tonight looks fun. Christine Goerke doing D’Oreste, d’Aiace among other things:... 6:27 PM
  • Krunoslav: Great cast. Am I the only one who expected from the original buzz that this would be concert arias and arias from the much less... 6:20 PM

“The first thing a Cry-Baby girl learns: our bazooms are our weapons!”

glass harmonica“It started out as something of a dinner party crowd-pleaser.” [Royal Opera House]

Have you seen the proconsul?

Calleja NetrebkoLa Cieca hears that Joseph Calleja will sing Pollione opposite the Norma of Anna Netrebko at the Met for opening night 2017. The pair will be reprising roles they introduced at that Royal Opera House, Covent Garden, in September 2016. (Photo: Ken Howard)

Vanishing act

BREAKING: Kasper Holten, Director of Opera at the Royal Opera House Covent Garden, has announced he will quit this post in March 2017. Read more »

Huguenots

Protestant movement

La Cieca is sure that Meyerbeer fanatics will be delighted to hear that the Royal Opera House Covent Garden is preparing a new staging of Les Huguenots.

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tooley

Whippersnappers invade lawn

“A lot seems to be spent on productions that simply aren’t worth it.”

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barda_parsifal

Critical care

The experience of watching Wagner’s final opera Parsifal is frequently elevated to a spiritual occurrence, and productions have historically emphasized the religious dimension of the opera’s core themes of redemption and the dangers of temptation.

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Rêve divin! Heureux délire!

Mama’s talkin’ loud

Sleep soundly tonight, Kasper Holten: your Vêpres Siciliennes casting problem has just been solved!

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poplavksya

A song at twilight

Yes, you’ve heard it already, but you might as well have an official place to talk about it: Marina Poplavskaya goes on tonight in Les Vêpres siciliennes at the Royal Opera House.

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robert_amazon

A Faustian bargain

What we have here is the grandest opera never heard.

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pelly

The burning Ghars, or Ghats, or whatever they are

Lots of chatter in the British press about the Rowley rowdydow at the Garden.

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