Lots of chatter in the British press about the Rowley rowdydow at the Garden, but what interests La Cieca the most is the pictorial evidence that Laurent Pelly‘s production of Robert le Diable looks exactly like a biscuit box.
La Cieca hears that Diana Damrau has withdrawn from the Royal Opera’s production of Robert le Diable (due to open December 6) because of pregnancy. [Royal Opera House's Twitter via Intermezzo]
Kasper Holten, director of the hunkalicious 
I saw the final dress rehearsal of Adriana Lecouvreur at the Royal Opera House on Monday this week, and I think I have never seen the place so crowded for such an event. No wonder, for here was a cast you might dream of, in a highly finished piece of work mounted by one of our finest directors, shown without any perceptible hitch.
Trash television gets the “royal” treatment. [Danny Knows Best]
La Cieca’s old, old, old friend Intermezzo (not pictured) reacts to last night’s prima of Manon at the Royal Opera: Anna Netrebko “sang strongly, the voice fuller and darker than ever before, looking gorgeous” and Vittorio Grigolo‘s “technique and stamina were truly spectacular.” The pair “were, deservedly, a huge hit with the audience…. authentic and vital.” The Laurent Pelly production offers “some stylish stage pictures, but his storytelling doesn’t hang together.” [Intermezzo]
The Royal Opera House, which in its past season glitzed up its programming with such gimmicks as a tabloid tie-in and a mezzo-soprano strapped to a wheelchair, now looks to be getting desperate. The venerable opera company has commisioned a “Twitter Opera,” with a libretto to be gleaned from sundry tweets posted via the popular social networking service. The resultant text will then be musicked by Helen Porter. “Current posts can be viewed at www.twitter.com/youropera.”
The Royal Opera House (you know, that place with the naked buskecutioner) is looking for “budding” filmmakers to produce a 40 second long version of Romeo and Juliet. The company asks for the finished featurettes to be uploaded to the Royal Opera’s YouTube site, which is just so Web 2.0 La Cieca can hardly stand it. [via The Guardian]
Cher Public