Cher Public

  • mia apulia: we are all so pleased with her! me, too, how beautiful and well done so many moments, phrases, sounds….. 2:13 AM
  • Jungfer Marianne Leitmetzerin: She is veering dangerously into Simone Kermes’ territory… 1:50 AM
  • PCally: I’m seriously seriously looking forward to that first Aida. Sounds absolutely born for the role and I never really she would... 1:16 AM
  • Quanto Painy Fakor: And here is the Ohio song httpv://www.youtub e.com/watch?v=UlBG PCtejUk 1:07 AM
  • Quanto Painy Fakor: Here they are wearing their DIMA T-Shirts. httpv://www.youtub e.com/watch?v=ahnK HnK2IT4 Netrebko should add the full... 1:05 AM
  • Camille: Hmmmm…..when I heard him sing Otello at Carnegie a few years ago with Muti et al, I thought it would develop more over time.... 12:22 AM
  • Niel Rishoi: I listened to the “O patria mia” and “Un bel di 3 times each. My word. What a full-bodied, luscious tone,... 12:11 AM
  • Camille: NO more Adinas, that is. Adriana is very nice and the triumphant “L’asp etto!!” at the end of the Butterfly is... 12:08 AM

Protestant movement

La Cieca is sure that Meyerbeer fanatics will be delighted to hear that the Royal Opera House Covent Garden is preparing a new staging of Les Huguenots with Elina Garanca (presumably as Valentine), Bryan Hymel (Raoul) and Diana Damrau (not pictured) as the Queen. No word yet on which role Christine Rice will be assigned.

Whippersnappers invade lawn

“A lot seems to be spent on productions that simply aren’t worth it. There seems to be a somewhat useless quest among directors for novelty and something alternative at any price. I wish managements could get directors and designers away from the idea that somehow or other they’ve got to do something different,” grumbled a 90-year-old. [The Telegraph]

Critical care

The experience of watching Wagner’s final opera Parsifal is frequently elevated to a spiritual occurrence, and productions have historically emphasized the religious dimension of the opera’s core themes of redemption and the dangers of temptation.  Two recent productions, both mounted in recognition of Wagner’s bicentenary, offer a departure from such heady pseudo-sacred conventions, and allow the piece to stand on its own as a challenging, yet rewarding musical journey about the power of one young man—who does not even know his own name—to save a kingdom.   Read more »

Rêve divin! Heureux délire!

Mama’s talkin’ loud

Sleep soundly tonight, Kasper Holten: your Vêpres Siciliennes casting problem has just been solved!

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poplavksya

A song at twilight

Yes, you’ve heard it already, but you might as well have an official place to talk about it: Marina Poplavskaya goes on tonight in Les Vêpres siciliennes at the Royal Opera House.

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robert_amazon

A Faustian bargain

What we have here is the grandest opera never heard.

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pelly

The burning Ghars, or Ghats, or whatever they are

Lots of chatter in the British press about the Rowley rowdydow at the Garden.

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damrau_preggers

Bringing up baby

La Cieca hears that Diana Damrau has withdrawn from the Royal Opera’s production of Robert le Diable (due to open December 6) because of pregnancy.

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Garden variety

Kasper Holten, director of the hunkalicious film Juan as well as current artistic director of Royal Danish Opera, will succeed Elaine Padmore as director of opera at the Royal Opera House starting next year. [The Stage]

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Old-fashioned

I saw the final dress rehearsal of Adriana Lecouvreur at the Royal Opera House on Monday this week, and I think I have never seen the place so crowded for such an event. No wonder, for here was a cast you might dream of, in a highly finished piece of work mounted by one of our finest directors, shown without any perceptible hitch.

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