Headshot of La Cieca

Cher Public

  • MontyNostry: The Montemezzi is a revival of a production from, I think, 2007. It was very exciting –... 3:20 AM
  • Krunoslav: Maureen Lehane has always been a favorite, and the clip you provide leads to some more SERSE... 2:20 AM
  • Henry Holland: Complete Franchetti operas: I saw Franchetti’s Germania in Berlin a few years ago. I... 1:37 AM
  • antikitschychick: FABULOUS PIECE!!! Thank you so much sharing this truly beautifully-writte n tribute to La... 1:08 AM
  • Quanto Painy Fakor: I wonder where the outtakes for so many recordings are and if they will ever be... 12:50 AM
  • La Cieca: It’s not a mezzo aria; what the role wants is a Donna Elvira voice. I directed this show... 12:43 AM
  • Krunoslav: I know I’ve seen Marcellina’s aria done once onstage, and can’t recall where.... 12:29 AM
  • Buster: httpv://www.youtub e.com/watch?v=7A5J IIUPSZ4 12:23 AM
  • La Cieca: httpv://www.youtub e.com/watch?v=WwIi yeGE8qI 11:16 PM
  • ML: “seem to do just fine” This is like Cocky’s not noticing any memory lapse in 20 years... 11:16 PM

Where the boys are

When Norman Lebrecht is declaring on an almost daily basis that classical music is dead, it’s perhaps heartening that four of today’s prominent tenors have recently recorded what might be called fluff/vanity albums.

Joseph Calleja released an album of eclectic love songs, named (what else?) Amore. Hot on its heels is Vittorio Grigolo’s foray into an equally eclectic mix of religious songs, Ave Maria. On a slightly less fluffy level are Rolando Villazón’s album of Mozart concert arias, intriguingly entitled Mozart, and Juan Diego Flórez’s foray into the French spinto/heroic repertoire, named, naturellement, L’amour.   Read more »

Tour de farce

UPDATE, Tuesday, 7:45 AM: The Met sent out a press release at 1:27 AM New York time today announcing major changes to its roster for the tour of Japan this month. La Cieca has revised the following gossip item (which appeared at 11 PM last night) to reflect the Met’s confirmations.  Read more »

Don’t bother, he’s here

pennywise-clownRolando Villazon brought in renowned mime and clown Nola Rae to help out with his directorial debut, Werther, which opened tonight in Lyon.” [Nouvel Observateur via Intermezzo]

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Face time

As we look forward to New Year’s Eve and to the gala opening of Willy Decker’s La Traviata at the Met, it seems fitting to look back—by way of the official, live, DVD recording of the production’s sensational world premiere at the Salzburg Festival in 2005—to get some sense of what’s behind all the hype. Released in 2005 by Deutsche Grammophon, this recording promises an exciting evening for the Met’s audience on December 31st, but also raises the question of whether the New York premiere will live up to the high expectations set in Salzburg.

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Ready, set…

Congratulations to tenor Stephen Costello, who today was officially awarded the ceremonial title of  Villazóneinspringer at the Vienna State Opera. No, actually, he’s jumping into two performances of La boheme, replacing Rolando Villazón, on September 6 and 9.

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No cure for the common scold

Every time La Cieca says she’s through once and for all reading Norman Lebrecht, that middlebrow minstrel of the maestro myth soars to new heights of noisomeness. This time (yet again) it’s about how utterly callous those silly opera singers are for canceling (imagine!) when they’re too sick to sing.  

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One furtive tenor

“Mexikanische Startenor” Rolando Villazón has canceled tomorrow night’s performance of L’elisir d’amore at the Munich Opera Festival due to an “acute infection.”  Speaking of “a cute,” substituting in the role of Nemorino will be puppylicious Pavol Breslik. [via]

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Sun rises in east

“World class tenor Rolando Villazón is ‘excited’” [Metro.co.uk]

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A closer look

What ever would we do without YouTube?

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As of now

Early reports indicate that Rolando Villazón was back in form last night for his return to the stage in L’elisir d’amore at the Vienna Stage Opera.

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