Headshot of La Cieca

Cher Public

  • DeepSouthSenior: I’ve always had a mad crush (theological, that is) on Martin Luther, since, well, all... 10:42 AM
  • manou: I mean “insulting&# 8221;, of course – although “insluting&# 8221; is rather... 10:26 AM
  • DeepSouthSenior: Milady, your “Eva Marie Westbroek was a charmer” gives me an excuse to post a... 10:25 AM
  • Poison Ivy: What’s so frustrating about L.M. is that she has so many vocal gifts that most singers... 10:18 AM
  • Hey Louie: I’ve always preferred to be peed upon by peers. British, of course, since over here I... 10:17 AM
  • Salome Where She Danced: La Cieca is simply talking like a Brit lager lout. 10:15 AM
  • Quanto Painy Fakor: On this day Susan Danis warns of the possible demise of the Florida Grand Opera if they... 10:09 AM
  • Poison Ivy: Thanks! As for the expletives … uh, well, lol. 10:09 AM
  • Poison Ivy: Sorry here’s her operabase. http://operabase.c om/a/Liudmyla_Mona styrska/10472 10:08 AM
  • Poison Ivy: In fairness to the Met and her schedule in the past few years has been lots of Aidas … 10:08 AM

The diva wears Prada

“Oubliez le XVIIIè siècle. A l’Opéra Comique, Platée s’installe sur les podiums d’une fashion week parisienne!” Unfortunately, the video of this performance is not available in the US: La Cieca will keep you updated. Meanwhile, take a look at DeCaffarrelli’s review of last night’s concert performance.

Nymph errant

“German fashion designer Karl Lagerfeld is a household name; 18th-century French composer Jean-Philippe Rameau isn’t.” [amNewYork]

Come to the unstable

“How, then, to explain the perplexing performance last Friday night of Falstaff, Mr. Levine’s first new production since his return? Nothing went wrong exactly, but nothing went quite right either. Conducting this final masterpiece of Verdi—a Levine specialty at the Met since 1972, his second season with the company—the maestro was off his game.” [New York Observer] (Photo: Ken Howard)

rigoletto

The rise of the clowns

What better way to spend a lazy Friday afternoon in midsummer than watching a webcast of Rigoletto?

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Behind the red curtain

It was indeed a curious sensation  making a late morning trek to East 59th Street, a block devoted to showro0ms for bizarre upscale furniture and lighting fixtures, and then to enter a boutique cinema specializing in Hindi films (the big coming attraction right now is Desi Boyz) — and all this before sitting down in an auditiorium half- full of retirees to see a live performance of Don Giovanni from La Scala. That it worked as a Mozart experience I think can be chalked up to two factors: Robert Carsen‘s production and the constantly improving (if still imperfect) HD technology. 

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Mirror, mirror

La Cieca is just back from the HD of Don Giovanni from La Scala: excellent singing through the whole cast, strong conducting (if tending to the slow side) by Daniel Barenboim, and a smart, chic production from Robert Carsen that frankly makes Michael Grandage look like an utter bumpkin. The presentation will repeat here in New York (and elsewhere) in coming days.

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