Headshot of La Cieca

Cher Public

  • WindyCityOperaman: Born on this day in 1938 soprano Elizabeth Harwood httpv://www.youtub e.com/watch?v=BW48 hfg8PJ8 2:50 PM
  • louannd: Thank you La C for posting the link to Mr. Madison’s blog. A new discovery for me, and another... 2:38 PM
  • willym: well I just talked to the spouse – we looked at the programme again and decided this was a not to be... 2:18 PM
  • oedipe: Willym, I don’t know, but I am willing to give Ceci the benefit of the doubt. At any rate, this is a... 2:06 PM
  • Bill: Willym – the critics say 5 hours – apparently Bartoli sang all 8 of Cleopatra’s arias and... 1:55 PM
  • willym: oedipe couldnt find a reply for your post – but yes the theme and the choice is interesting. As much... 1:47 PM
  • armerjacquino: Dutoit. 1:41 PM
  • armerjacquino: Just the WALKURE and the FIDELIO film I think. Not a huge problem because I have the Vienna FIDELIO... 1:40 PM

The mane event

“Je les tiens dans les mains, je les tiens dans la bouche… Je les tiens dans le bras, je les mets autour de mon cou… Je n’ouvrirai plus les mains cette nuit!”

Maestro on the mend

riccardo_mutiRiccardo Muti‘s recent fainting spell that resulted in surgery for a broken jaw was caused by a” heart rhythm disturbance,” say his doctors. The conductor has been fitted with a pacemaker to regulate his heart rate, and is expected to make a full recovery. Read more »

Laureate

dame_kiriLovely, legendary, litigious Dame Kiri te Kanawa is among the distinguished divas and dudes of the lyric stage to be honored at the 2011 edition of The F. Paul Driscoll Awards for Outstanding Achivement in the Field of Excellence. Also tapped: maestro Riccardo Muti, soprano Patricia Racette, bass-baritone Bryn Terfel and tenor Jonas Kaufmann. The gala dinner (sometimes known as the Opera News Awards) on April 17 promises to be (as always) one of the season’s premier meet-and-greets. [AP]

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Hun for all

Since Attila is in the forefront of our thoughts right now, and since the prima of the Met’s production won’t be broadcast, La Cieca thought it would be handy to have a Riccardo Muti performance of the Verdi work as a common point of reference. 

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Renaissance man

La Cieca hears whispers from rehearsals of the Met’s eagerly-awaited new production of Attila that maestro Riccardo Muti is somewhat more, shall we say, engaged in the process than your average stick-waver.

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